then i worked at the conservatory, at the academy of music in the clarinet class, with vladimir pavlovich skorokhodova and later i met people’s artist nina vladimirovna. leave to care for a child, when my son was almost 2 years old, a specific proposal had already been received: nastya, our concert director is leaving, agree, something just clicked in me, i thought that it’s now or never, that’s actually how i ended up in theater, when i started working, started working, i had the feeling that i was in the vatican, a kind of state within a state. the work of accompanists, here, of course, i am very pleased that i can talk about this, introduce those who did not know, of course, the first, our main basic activity is lessons with vocalists in the classroom, the soloist comes to prepare the part, that is, either learn it from scratch, or repeat it, or sharpen it somewhere, here he needs help, and it is very important not only to master ... his craft, to know the musical text thoroughly, here of course it is important understand that we perform the function of an orchestra, and we need to help the soloist