he and vladimir semyonovich vysotsky so i left for magadan, but for a reason, there were all sorts of well, is this a philharmonic society or is it a restaurant? northern and why did fedya solovyov’s song hook me: three, lost the button accordion once when i was a boy, i was still 14-15 years old. i played potboilers, so-called at weddings , sometimes they were invited and once i stood on the phone i was talking to a girl, accordion, my phone booth was standing. i talked to her and hung up so excited, left the accordion in the phone, of course, he never returned to me. and when i heard, he lost three button accordions at weddings. it's about me. you just understand about me all the podcast episodes of my life. can you easily find one tv.ru on the channel one website? well, now uncle pasha mikhail shufutinsky uncle pasha is a resident of our yard, an unlucky but cheerful musician, uncle pasha, although he frowned in the morning at lunchtime, having tied our fuckers from the store with a tweet, chekushki, brought by a neighbor, as always, he used it. in his life he raped two suits and s

he is vladimir semyonovich vysotsky so i went to magadan well , not just like that, there were all sorts of events in moscow and everywhere. it was such a difficult time, well, with a team, is it a philharmonic society or is it a restaurant restaurant severny a about a why i was hooked by fedya solovyov's song three, i lost the button accordion once when i was a kid , i was still 14-15 years old. i played the so-called hacks at weddings, sometimes they were invited, and once i was on the phone talking to a girl, button accordion. mine stood in a telephone booth. i talked to her and so excited hung up handset. left bojan on the phone, of course, he never came back to me. and when i heard it, he lost three button accordions at weddings. it's about me. you just understand about me all the podcasts of my life. can you easily find the site? channel one 1tv.ru well, now uncle pasha mikhail shufutinsky of our yard is unlucky, but cheerful musician uncle pasha, although he frowned in the morning, but by lunchtime, having tied our fucking tweets from the store, checks, brought him to his neighbor

he is vladimir semyonovich vysotsky here. magadan, but not just like that, there were all sorts of events in moscow and everywhere it was such a difficult time. well, most likely a philharmonic society or a restaurant severny a. about and why i was hooked by fedya solovyov's song three, button accordion i lost once, when i was a kid, i was still 14-15 years old. i played hacks so-called at weddings sometimes invited and once stood on the phone talking to a girl, button accordion, my phone booth was standing. i talked to her and , so excited, hung up and left the button accordion on the phone, of course, he never returned to me. and when i heard it, he lost three button accordions at weddings. it's about me. you just understand about me, all episodes of podcasts are the melody of my life. you can easily find on the website of channel one one tv point ru, well, now uncle pasha mikhail shufutinsky uncle pasha, a resident of our yard, is a badass, but a cheerful musician, uncle pasha, although he frowned at the cab in the morning

cycle about atrocities committed by the national battalions and the all, like a friend of vladimir semyonovich. vysotskyshchenko, who regularly helps the donbass and went to the draft board himself to sign up for volunteers and go to the zone of his 60-8 years, by the way, but all of them will sound strange. well, what is called white crows exceptions within the home country. now we will see how it will be with the roles in derevyanko after such a bold statement, without jokes, because mikhail porechenkov, for example, as we remember, we just started to cut off impudently with the project. which he has already been approved after he appeared at the donetsk airport in 2014 and openly declared his position. do not believe the most popular game dota 2 tournaments are held without jokes in the stadiums , broadcasts are watched by millions of viewers about prize funds, tens of millions of dollars cut there, of course, and our guys are russian. so the cybersport federation of ukraine banned and blacklisted ukrainians who just played a video game in a team with russians, all this, though, don’t be friends with

and vladimir semyonovich vysotsky is the people who were responsible for his presentation and communication there was an orchestra. it would seem that this is the best scenery in the world. they are still living people, but he said, i am responsible for what i do. look. now here all you need is to communicate with me. one on one , they emphasized theirs, yes, this is not accidental, well, and further accordingly. well, sorry, just one small remark. i think that maybe it was this one for vysotsky. and it was most important in the figure of vertinsky that vertinsky was. the author himself is very important, of course, and he was one on one with the audience, it is clear that he had a pianist yes, a companist, but still the main figure. you are standing alone in front of the crowd. vysotsky even talks about this topic there, do you remember the song at the microphone and on behalf of microfo? if he has, that is , vysotsky probably already understood then that he would be just such a single author- performer. here it is and the guitar. and that’s why he saw something in vertinsky that would hel

he is vladimir semyonovich vysotsky.were all sorts of events in moscow and everywhere it was such a difficult time. well, is it a philharmonic or is it a restaurant? northern huh? about why i was hooked by fedya solovyov's song three, i lost the button accordion once when i was a boy, i was still 14-15 years old. i played the so-called hackwork at weddings, sometimes they were invited, and one day i was standing on the phone talking to a girl, accordion, mine was standing in a telephone booth. i talked to her and hung up so excited, left the accordion in the phone, of course, he never returned to me. and when i heard, he had three weddings and lost his button accordion. it's about me. you just understand about me, all podcast episodes are the melody of my life. you can is it easy to find one tv.ru on the channel one website? well, now uncle pasha mikhail shufutinsky uncle pasha the residents of our yard are non-puters, but a cheerful musician, uncle pasha, although he frowned in the morning, by lunchtime, having tied our

faithful dog, and next to him a viburnum bush grew, such a red viburnum, this is what vladimir semyonovich vysotskyhin hello we gathered our thoughts today about the work of vasily makarovich. shukshina kalina red. hello dear friends. good evening lev maratovich. karakhan film critic. producer sergei vladimirovich vereikin. journalist media manager. i'm vladimir leguida, let's get started. and i have a subject for a journalist’s master class in our mmo and when we go through a review. i let the kids watch movies. well, what else can i write a review about? the book is not read. here's the movie, let's see. and the children watch kalina red. naturally, this is a long-standing practice and i have been giving kalina red for a long time, it is clear that the last years. this is an absolute revelation for them. but here’s a review a few years ago. i really remember the girl, an excellent student, winner of the all-russian olympiads, such a good review, but at the end she writes. i generally grew up outside of soviet cinema. and so i look, trying to empathize. here is a tragic ending, i don’t want to sym

and vladimir semyonovich vysotsky is the people who here he was responsible for his presentation andcent fabric, as if there was an orchestra. it would seem that this is the best decoration in the world. living people they still play, but he said, i am responsible for what i do. look now here will be all you need is to communicate with me. one on one they emphasized their own, and this is random. well , here it goes, respectively. well, excuse me and just one small remark. i think that maybe this one for vysotsky and it was vertinsky's most important figure was vertinsky. the author himself is very important, of course, and he was one on one with the audience, it is clear that he had a pianist yes component. well, it 's still the main figure. you alone are standing in front of a crowd of vysotsky even there on this topic there, do you remember the song at the microphone and on behalf of the microphone? yes he has. that is, probably, vysotsky already then understood that he would be just such a single author-performer. here it is and the guitar. and that's why he saw something in vert

do you take him seriously, no, you know that, this is the right place for me to quote vladimir semyonovich vysotskyjust clear, that any decision that even, even if - wait, wait, dim, one second, excuse me, well, i won’t interrupt, or rather, and this is the most important thing , you won’t interrupt everyone, i know, yes, i’m not trying, in fact, i’m just you. listen, no, really, remember, in iran there was, there was already a precedent, what it was, this was, and firstly , strikes, precedents, and there was another one, there was sabotage, remember, on iranian centrifuges, which in general israel made a confession, well, that is, there were precedents, and if so to speak, someone, for example, there is the west in general, or israel in particular, believes that it understands that this is some kind of threat , nothing prevents them from striking iran, especially syria, but whoever said it is confused, this is a different context, which means the history that you mention, it is connected primarily with israel’s fear of direct confrontation with iran, and when we talk about the current situation, w

vysotsky. yes, vladimir semyonovich left without saying goodbye to his 42nd birthday, but his poems and song lyricsf others. and now a song will be performed to music from the poems of alexander marshal, a dedication to vladimir vysotsky, sung by the honored artist of russia alexander marshal vladimir semenovich what difference does it make to you? is it really impossible to live longer? after all, it’s hard for us to cope with this life again, but maybe just take it and forget it. how can you forget, when everything is the same, we still squabble, steal and drink, and some people miss it a lot and don’t like the time in which we live. painted with malicious, inarticulate polemics, there are those who, alas , on the rise are not easily mired in unnecessary verbal hysterics, and they will never dive under the flags and no one will trample vanya on the white people anymore to the caustic one. you're used to it and the harmful fumes had already consumed him. now he will tie his tongue even tighter. woe to us, the writers of our own story, in which the plot raises a question, life sends out a daily sig