vladimir sergeevich is waiting for you. thank you. thank you, hello, vladimir sergeevich, hello, margarita evenyevna, would you like some wine? yes, please, i won't refuse. nastya, please, another glass of wine. yes, sure. well, what have you come with, margarita evgenyevna? i have a question of my own, i wanted to know what's there? any news? thank you, i don't understand, margarita evgenyevna, you are an excellent lawyer, why do you need this, it's not your area of ​​activity, okay, i get it, come on, margarita evgenyevna, you helped me, i'm your debtor, of course, i 'll help you, you see? the market, it's quite complicated, there are a lot of stones, india, thailand, well, small stuff, nothing worthwhile, ours are appreciated, but there are practically none, i have ours, russian cut, you see, when such stones emerge, unnecessary noise is raised. where are they from, if it's not a secret? it's not a secret, inheritance, in vain you don't listen to me, margarita evgenievna, and meddle in what's none of your business, vladimir sergeev

what kind of a passageway is this, and vladimir sergeevich, sorry it’s so late, help, well, vladimir you, come on, chuk igek, here's the electricity bill tomorrow, wait, we, we just moved in, but we already have to, and it's your turn, my toilet, who's that is that? dida solaru? and who is chukige? is this an insult? sergei timofeevich, aren’t you tired of chilling here, you’re the head of the council, it’s up to you how long i chill here, i’m talking about people, hello, i have to think first of all, then about cats, but you never know what ’s going on, this is not normal, this blackmail, what blackmail, this is the real figure, where did the leak come from, you are making me look like a fool. then don’t build it, you said, you were the one digging for me, what are you talking about? zolata igorevna, you are everything to me, yes you are to me, i know, i know, dear mother, you yourself ordered me, to keep records after that incident with the gas station, well, who, when, how many expenses, expenses, yes, to whom, how much are we, and where did you keep these records, in the old comp

tried to come forward, as a result, the overly emotional girl had to leave the dance group, but vladimir sergeevichhere tamara sang for 8 years. being already the prima of the bolshoi theater, senyavskaya still will go to dance school, but already with the great masters, working on the image of carmen. let's go, friends, by the way, i wanted to dare, i then still restrained myself. in the youth, when i sang sonya, she sang natasha, then i grew up, they offered me to sing, no, i apologize, i sang in this performance, and what was there with the shoulders, helen bezout, that's about, let's go, friends, to the sofa, here we go, yes, here we go, softly, i remembered. tamara senyavskaya came to the bolshoi theater after graduating from the music school at the conservatory. at the audition for a candidate in the trainee group was chaired by maestro svetlanov himself, then the chief conductor of the theater. singer anatoly arfenov recalled: when she approached the piano, everyone looked at each other and smiled. whispers began. soon we will start taking artists from kindergarten, so young did the twenty-y

and i was a senior cultologist there, and after i sort of s... staked out, our mutual friend vladimir sergeevich stripe, i’m ready to kiss the sand along which you walked, again a shadow on the braids, a red shore with a girl, clean, clean, like a spring garden, with a stripe of clubroot, i’m ready to kiss the sand on which you walked, it’s calling me to the crimea in... to the seashore, where thanks to him i i get a one-room apartment with a sea view, what is it? 1 k2, this tent is so full of holes, volodya gives out food stamps, a mattress, a pillow, in my opinion a blanket, but it wasn’t needed there, for the first time i started singing songs there and changing mine to the southern ones, and then we already sang all your songs , he will have me one day from the tent we... we had just finished an hour ago at 7 in the morning, i had a car , volodya didn’t have a penny back then and said: we need to take one girl upstairs from the sea so that she can take the bus, i say, volodya, well where, well, well, are you crazy, well, you understand the situation, he really needs it, i really didn’t want

vladimir sergeevich abramov is an honored military pilot, all his life in transport aviation, both sons is everywhere, it participates, without it. it is impossible, as the paratroopers say, no one except us, and we tell them, and no one without us, where will you go, peripheral vision, a pilot even during recordings and interviews looks at the sky, here comes ruslan, aka ann 124, the strongest, the most load-lifting in the world, can transport either a train or another plane, on the ground his grandfather, and the il-76 is generally a swallow, the basic aircraft of military transport aviation, here... said hello to the plane. sergey works on the same, but younger. here , as it was conceived by the designers, everything is in the devices in the arrows, as the common people call the fly, everything is in the alarm clocks. modern cars often have alarm clocks, digital tablets, like on this simulator. krasnodar aviation school, a copy of the control system of the yak-130 training fighter. after 6 hours of flight on it, you can take to the sky. at the moment, our cadets are practicing. with

vladimir sergeevich, you can sit here, by the way, or lie down on the pillows over there.he was lying down! volodya, let's go, you know, our corporate taxi can take and bring your children, so to speak, at the expense of the establishment, so it's normal, more than enough, and your wife will pay you for this final fare. are you familiar with this car in the back, no. is there a camera in the house? no, why, how will i live, walk around the house, they know that i am being watched, did you let them know at home that you'll be late? turn down the volume on your phone, what's she writing? alena writes that she can't sleep. do you understand that this is the end of the line, was it she who suggested that you leave the car then? no, i decided that myself, i wanted you not to worry, not to get jealous and go to bed, they're on their own again, she writes, send me your son's phone number so that the taxi driver can call, read what to answer, so let's reason without emotion, so that the boys get to school on time, and i'm not late for alena, we need to leave at 6 in the morning, i

vladimir, father in the red army, mother died, bogush vladimir ilyich, from orphanage number 53, father vkka, mother disappeared, transition, vyacheslav sergeevich or slava sergeevich, mother died, father in the red army, here he is, my dear, my dear, all the familiar features of his face, these hands, lord. my god, like a rake, did you go to kindergarten or not, i don’t know, i remember that i came and mowed my mother, i dragged her, dragged her and then i don’t know, yes. with my grandfather’s handwriting, i dedicate it to the fifty -first orphanage of leningrad, he came to the caucasus with the leningrad orphanage in the summer, he was at home with the family, the joy and happiness of the mother’s eyes. i have heard this story since childhood. it seems to me that i understood from birth that there is light. the memory of this story has been kept in my family’s archive all these years in ordinary school notebooks, where the word notebook is written in armenian. here is a photo of my grandmother, here are fragments from her diary, where she writes that if it is necessary to give her life for the children, such was the desire and conviction, how

father in the red army, mother died, bogush vladimir ilyeich, from orphanage number 53, father in the red army, mother disappeared. perekhod, vyacheslav sergeevich or slava sergeevich, mother died, father in the red army. here he is, my dear, my dear, everything. all the features are familiar, these little hands, oh my god, like a rake, did he go to kindergarten or not, i don’t know, what i remember is that i came and my mother’s braid, i pulled it, pulled it and then i don’t know, yes, this is grandfather’s handwriting, i dedicate it to the fifty -first orphanage of leningrad, he came to the caucasus with the orphanage of leningrad in the summer, he was at home, the joy and comfort of the family, the mother’s voice. i’ve heard this story since childhood. to me. it seems that i understood from birth that there is a very important place in the world, it is called cinain. at least, that was the case for the little leningraders from the fifty- first orphanage. the autumn day of 1942, when they found themselves here at the walls of the ancient monastery, they then celebrated their entire lives. the memory of this story has been kept in my family's a

doctor of church history, professor, i am vladimir ligoida, we are starting, it is no coincidence that i cited this famous quote, because it sounds what sergei sergeevichuld like to start with this, why this particular category was mentioned there and is so important. verintsev even writes: it’s not so important, how historically true the story is is important how it is recorded. this is truly an extraordinary experience, which, well , even today’s visitor to the desecrated and misused sophia of constantinople can experience, well, a thousand times divided, simply from the harmony of architectural forms and the grandeur of the remains of frescoes and mosaics. and the fact that our very simple compatriots were the first to come into contact with the beautiful, felt this beauty, this suggests that the soul of a christian, in the words of the tertalian, who always seeks the good and right, this good and right finds in the beautiful too, but one can still say that this is, well, not only an aesthetic feeling, because after all, all this creates... in this sense, it becomes a step for the meeting of the human soul with god, and for this you don’t need to be

church history, professor, i am vladimir ligoida, we are starting, it is no coincidence that i brought this famous quote, because it sounds like , what sergei sergeevich overentsev called a theological argument, beauty as a theological argument, so i would like to start with this, why exactly... this category was mentioned there and it’s so important, verintsev even writes, it’s not so important how historically truthful the story is, it’s important how it is recorded in cultural memory, father maxim, indeed, in this case, the specific historical authenticity of this story fades into the background for us, it’s important, that this is how the church remembers this, remembers the tradition, how it... proceeded, and architectural proportions, and frescoes and mosaics, we ourselves will use the expression of father paul of florence, the cult actions that take place there, the totality of singing, coding, brilliant clothes, shining clothes of the clergy, exclamations that sound in a precisely calibrated tonality, liturgical singing that has already formed in its harmony, this is truly an extraordinary experience, which, well, in a thousand times divided w

zaraisky, vladimir valerievich, investigator, what do you want to know, i want to know where you were at night, the moment of the assassination attempt oleg sergeevichld even think about me. these are your guarantees, judge? what's this? but the fact that i can't believe aristova. shoot at the wheels, both of them, fire, fire, fire, go away, stand, stand, don’t move, guys, stand, stand, stand, simple weapons, weapons on the ground, i don’t order. so the investigator is lucky here, yurka zhukov, my classmate, we graduated legally together, but he is a year older, they will arrange a meeting with the boys, arrange an escape, nothing is impossible, but each service has its own price, how much does he want? “this is our business, we will agree, but as much as you want, i want you to do something for me did it, you’re an investigator, not an executioner, that ’s how it is, that’s how it is.” i’m an investigator, and you’re supposed to, this time you need to make sure she ’s silent forever, she’s vera mitrokhina, remember or write it down, dec, give me your mobile, why are there any problems for business , vitek, you order me a woman, but you can’t trust