vladimir ivanov is 75 years old. of these, he has been on stage for 50 years. we will return there to the vakhtangov theater. vladimir vladimirovichoved by the audience. working with ivanov, many authorities of the vakhtangov scene sparkled in a new way: evgeny knyazev, olga tumaikin, alexey guskov and even vladimir abramovich etush. here's what we found in our archives: ivanov and etush in the people's artist of the ussr hat before the benefit performance. vladimir abramovich, what is the most difficult thing for you in this performance? play. this is the most difficult thing. the most difficult to reach. well, already on stage there is nothing complicated, but what is there and so here, here he smiled, there he scratched himself, here he chuckled at knyazev, that’s it, the play benefit became the last work on stage by vladimir etush. just before he left, his dream came true: etush played. ivanov did everything to ensure that the country’s favorite artist remained in the profession for as long as possible, he structured the performance in such a way that most of the time vladimir abramovich was in the chair, and the prompter told

vladimir ivanov is called in russian theaters, with his professional qualities obliged... and his students: maria aronova, alexander oleshko, nonna grishaeva, konstantin solovyov, anna dubrovskaya, kiril pirogov, vladimir vladimirovichnizes ... love only to those who are on stage, but this is unfair, the director, the creator of any theatrical miracle, plasticine artists are in the hands of a master, by the way, these are graduates of the theater... the shchukin institute, their graduation performance, warsaw melody , was staged under the sensitive leadership of vladimir vladimirovich ivanov. he has served the theater on stage behind the scenes for 50 years. gardens are disappearing, it is imperative that the gardens sound, otherwise it, it is in context, it turns out that the most important thing, which means there is a road there, don’t you think, vladimir vladimirovich, that there are a lot of artists now, shouldn’t there be a moratorium on their production? it’s necessary, and maybe this should have been done quite a long time ago, you know, like in those very soviet times, education, as you know, was free and acting education too, but nevertheless, when they said that you know, let’s do it ourselves, with our o

vladimir ivanov is called in russian theaters. we owe our professional qualities to him. and his students: maria aronova, alexander oleshko, nonna grishaeva, konstantin solovyov, anna dubrovskaya, kiril pirogov , vladimir vladimirovich’t let you in, the modern audience recognizes... love only to those on stage, but this is unfair, the director, the creator of the creator of any theatrical miracle, artists, plasticine in the hands of the master, by the way, these are graduates of the shchyukin theater institute, their diploma performance , the warsaw melody, was staged under the sensitive leadership of vladimir vladimirovich ivanov, he has been serving the theater on stage after stage for 50 years, the gardens are disappearing, it is imperative that the gardens fade away, otherwise she. it turns out in context that the most important thing is to give a way there, one, three from god, don’t you think , vladimir vladimirovich, that there are a lot of artists now, isn’t it necessary to introduce a moratorium on their production, it is necessary, and maybe it is necessary should have been done quite a long time ago, you know, like in those very soviet times, and education, as you know, was free, and acting education too,

borisakin boris zakhava, grandson of the professor of the department of acting skills vladimir vladimirovich ivanov of cronyism, it helps, it’s such a burden of responsibility. i worked, worked, worked, to prove, probably first of all to myself, that i am worthy of this surname, this connections, but this is still waiting for me at the vakhtanov theater, because the first one after the shift. the director of the vakhtensky theater was , after all, my great-grandfather, and so i think this has been waiting for me all my life. this seemingly simple design, in fact, has a very strong influence on how the performance goes, try, look, this goes down, this goes up, with both hands, well, you have two student forces, well, wow, so wait, this is down, and this is up, that’s which way, and this is us, it’s you who close it, we close it, when i was in the camp, we raised the flags this way and lowered them, well , it’s a good comparison, because in my opinion , the curtain is - in importance comparable to the flag for the theater, the cap is not sewn in the kolpakov style, poured the bell is not in the kolok

the shukin theater institute, vladimir ivanov, is 75 years old, of which 50 years he has been on stage, we will return there to the vakhtangov theater. vladimir vladimirovich ussr before the performance of the benefit. vladimir abramovich, what is the most difficult thing for you in this performance? play? here, here, here, this is the most difficult thing. the hardest part is getting there, but the stage is nothing complicated. and here and there, here and there, he smiled here, scratched himself there, and tsikulul at the prince here. and that the play benefit was the last work on stage for vladimir etush, just before his departure his dream came true. etug played a woman, curly-haired dictator sofya ivanovna. now he’ll go and play a woman. dress up. ivanov did everything to ensure that the country’s favorite artist remained in the profession as long as possible. he structured the performance in such a way that vladimir abramovich was present most of the time. in a chair, and a prompter suggested the text into his earphone, and this one was incredibly organic in this role. or tomorrow, or the day after tomorrow. the first joint work of vladimir ivanov an