yesterday at the keraclasia on the russian language of valery yashkin, and this song was sung by vladislav misevicht, and now the soloist of the songwriter, and now we have an infection for you to call for a great surprise. all your applause all your overgrown sympathizers will be addressed to this person several times at a time. i forbid on our stage, the right hand of vladimir molyanin is a man and what kind of shmat are ready for him to have one microphone. this is a musician. to name the honored arte from belarus vladislav mistevich with the dictionary of songwriters. yesterday i thought, everything will disappear until the morning, only the heart, why does yesterday wait ? shine without her. i thought yesterday, everything will disappear until the morning, only the heart for some reason is waiting for yesterday, yesterday.

yuryevich mulyavin kolei was demobilized for the army near the campfire in 1960 and further vladislav misevicht once the winters of one hour persecuted in this ensemble the orchestra of the bit orbita 67, that was the name of the collective and kim chimed. i am a musician at home , a veteran of the belarusian stage, izmail lvovich kaplanov, and she herself failed the family were orders, close in spirit. putin is all of them emptied kali alley near the studio 2003, izmail kaplanov. vladimir mulyavina was blown up and simply pierced by guilt from the collapse, literally on the bridle he wrote the song requiem in memory of his brother. this is a song on the version of licorice izmolklarator. vladimir imitates the soul of belarus mossy strings and could food how are you? here ripe rosses were given to hanya. at the temple , a hundred drams of holy water dripped with this sweetest steep and flaunts daughters, they already prayed and coldly fell down prayer with the belarusian earth angry. alsu was founded to the song and everything is not a soul allows. about love what have you done? is there the m

meet listen to the artist of the republic of belarus vladislav misevich love i don't know, i left withouter, shian. no, i thought, everything will disappear before the morning. valentina wrote. i'm vladimir mulyavin to poems by yevgeny yevtushenko our mothers are leaving us. our mother is leaving us quietly on tiptoe. and we are calm sleeping, eating. satisfied, without noticing, this terrible hour does not leave us from our mother right away. no to us. it just seems like shit they're leaving slowly and the country. everything is moving away, they are moving away towards them ; it grew glass wall, we are late for the terrible hour. severe they leave quietly, and we sleep calmly with the food that has come. not noticing it's so scary. leaves change do not wash hurt tea is baptized, the sun will kill. russians wash the sun with his soul sharik, quiet your ski, my soul. good evening, dear friends. preserved yes light crystal dawn light over the world standing incomprehensibly your age-old sadness in belovezhskaya pushcha speaks belovezhskaya pushcha belovezhskaya pushcha is here long forgott

categorically assert that it is. the end of this quote and i will be the wife of my heart, dear vladislav misevich spoke very peculiarly about his voice at the coffin of lenya. one of the two living musicians of the first composition of the pesnyara ensemble , he said golden voices are increasingly singing with angels. this is a christian saying. this christian act of vlad misevich. why because, when in 1998 the pesnyary ensemble split and bortkevich took over, as they say, in the direction of the mule, but the breakaways? musicians who called themselves belarusian songs, they became irreconcilable antagonists, this was completely emphasized, and in an interview with one and the other in 2005 , a presentation of the book by lyudmila krushinskaya took place in the national library . i am igor luchinok. and right down the aisle lenya bortkevich comes a little late. vladik got up and extended his hand to greet lenya, but lenya proudly walked by, smiled, held out his hand to me, extended his hand and i say, splinter, greeted everyone, and even then i thought to everyone next to igor, lenya and the own

today we are interrogating with pleasure without partiality our dear guests, our guest vladislav ludwigovich miseviche one of those who stood at the origins of the creation of marina mulyavina's viopers, the daughter of vladimir mulyavina and two beautiful actresses anna demidova and anna banshchikova vladislav and for you, who he was vladimir, he was still a friend, brother, competitor, father. it's a lot to take on from the beginning of leonov's songs take any photo one microphone with one misevich's side. he sings from the other side. ulyat they always sang into one microphone. well, when the equipment appeared more, of course, they made money with the rich. well, yes, thank god, practically a comrade-in-arms. bratz who shared the microphone, i will say that i came from a family. we had three children. uh, in the forty -fifth year of birth and at the age of 14. i went into the army there, suvorov, well, a well-educated pupil. up to twenty-two years in the army, and then we already met when we were tied for military service in one year before that, which means that i was not brought up in the famil

pesnyarov vladislav misevich also helped the creators of the tape to better understand what passions were in full swing in the ensemble, how were their favorite songs born? and with a different word, the cinema takes art and documentary complement each other. and they will simply help you compare your viewing sensations with memories. you are the departed leonid portkevich or here is anatoly koshebarov in the columned hall of the house of the unions, all of them are so modest. i remember there were some handles at the seams, some faces were so expressionless, but there was a storm inside, the ninth wave was inside. in half an hour until spring, it seems that it was no coincidence that a movie without them was named the same way as one of the most poignant songs that true love comes, and a dream comes true, if there is fire in the heart, you have to go forward, they regret it. anatoliy lazarev maria emelyanova anastasia berestenko, channel one so the premiere of the first and second series of the film half an hour before spring, watch after the program time well , that’s all for now t

today we are interrogating with pleasure without predilection our dear guests in our away vladislav ludwigovich misevichins of the creation of the via pesnyar marina mulyavina, the daughter of vladimir mulyavina and two beautiful actresses anna demidova and anna banshchikova vladislav and for you, who he was vladimir, he was still a friend, brother, competitor, father. it's a lot to take on. well, i will say, yes, i will correct one. uh, here from the beginning of leonov's songwriters, take any photo of one microphone on one side. he sings from the other side. walks always they pelikam. well, when the equipment appeared, more, of course. yes. well, yes, thank god, practically a combat comrade, a brother with whom i will say that i came from a family. we had three children. uh, in the forty-fifth year of birth and at the age of 14, suvorovskaya is well for musicians. in the army, and then we met when we were tied up for military service in one year before that, which means that i was not brought up in the family. and uh, volodya is still 4 years difference. he is older than me on the verge of friendship

because of what they spoiled a large number of envelopes with the wrong deed vladislav misevich.e friends in the army. 64 then i met a bunch of officers and there our meeting places, which have changed, were an exemplary orchestra of belarusian guys. yesterday's privates and sergeants could not have imagined that someday pop stars would consider it an honor to stand on the same stage with them. today i am happy to congratulate volodya to you and your wonderful group, which does not age you today 25. this is generally my age there, my love. he died of laughter, because before kirkorov there were 25 and these jokes and timbres, charm. everything merged together we walk. stood next to better spotlights rescued. just a snowdrop. will bloom as soon as they approach. first thunderstorms on white trunks who cries birches, then cries birches? there was one mysterious episode in the relationship between mulyavin and pugacheva, allegedly alla's career who was thwarted in the early seventies wrote a letter to the voice of america radio station and asked vladimir to take it to the west. he b

the impartiality of our dear guests is our guest vladislav ludwigovich misevich. the musicians are one of those who stood at the origins of the creation of vio pesnyar marina mulyavina, the daughter of vladimir mulyavina and two beautiful actresses anna demidova and anna banshchikova vladislav and for you, who he was vladimir, he was still a friend, brother, competitor, father. it's a lot to take on. may i say one? and i 'll fix it. uh, that's from the beginning of the songwriters leonov take any photo one microphone on one side of misevich. he sings from the other side. walks always they pelika microphone. well, when the equipment appeared more, of course, yeah, they made money with the rich. well, yes, thank god, practically a combat comrade, a brother with whom i will say that i came from a family. we had three children. uh, in the forty-fifth year of birth and at the age of 14, suvorovskaya is a well-educated pupil. in the army, and then we met when we were recognized for military service in one year before that by the evs, which means that i was not brought up

place in this film, where is the truth, and where fiction took place to be our guest vladislav ludwigovich misevich creation of painters, one of the founders of this great group is the very composition of ladies and gentlemen. yes, the very first composition is the main composition of marina mulyavina. today we are visiting. this is the daughter of vladimir mulyavin. marina hello. hello, and two wonderful actresses are anna demidova anyechka hello, and anna banshchikova. hello hello girls played the same character. but perhaps with a difference of 20 years. anya has been playing a period there since the fifty-eighth year. according to what it turns out about you, here they are the eighth heiress, but and i play pocket video 68 to 76. yes , several periods of youth are displayed children's youth and you win the same woman. you somehow understand each other, some are similar. we should be similar, and you succeeded. we agreed on techniques about gestures of brown turns, such as how your people comb their hair , we had three directors who filmed different periods. yes, that is, anya was filming with o