a deep voice can be created within minutes, find an online tool fitted with voice samples. and once the software has enough training data, upload a voice recording also tags. steve was draft translated into the other person's voice. we've taken grimes up on her offer and we took a random beat, made up a little melody and jet dvd to write us an apple extreme pop list and read the way . then we'd offload it into a website that's offering grants, voice as a pre set. and a free day, i wake up using a video editing software. we mix device samples with the beat. here's the results. the way, the way this is so. so so say ok, there's a lot of room for improvement here and it's highly unlikely we'll make any money with this track. but can this be a model for the future? if so, you could create the next number one hits, the even websites that can do the mixing for you, but it's highly debatable if these websites are legal. in the meantime, grimes invented a business model, a sales. she released an app for creative to use who voice print, the f even allows hoops, direct the upload you

translated into the other person's voice. we've taken, grimes up on her offer. we took a random beat, made up a little melody and subject to you to write the listing popped verse and read the way. then we'd uploaded it to a website that's offering grimes voice as a preset. every day i wake up using a video editing software. we mixed the voice samples with the beat. here's the results of the day. oh wait, wait to this way. so. so, so products, let's say ok, there's a lot of room for improvement here, and it's highly unlikely we'll make any money with this track. but can this be a model for the future? if so, you could create the next number one hits, the even websites that can do the mixing for you, but it's highly debatable if these websites are legal. in the meantime, grimes invented the business model itself. she released an app for creators to use who voice print, the even allows hoops, direct the upload your blogs, a i song for distribution to streaming platforms. but that will cost you about $10.00 a year. audio dfcs and

that's why there is some kind of, well, gradation of voice, as your voice already will lead how yourimbre will sound, because one voice is only material, of course, here, and there we are already working on the subtleties of it ourselves. and then, here's what we heard. and in general, everything you do, it's a whole performance, since your voice allows you to find any colors. what are necessary for the home? let the performance suspect the figure of the director, among other things. and who is the director, and who are you with dear icebreaker, she finds where which one to take eh? what timbre what paint take it you line this play? or do you have a director, yes, who gives the task. it may be, let's say a performance, if we take boris godunov, which we performed quite recently . but it was a modern production. and in a modern production, it was necessary to find a modern one, not even that modern sound , but a modern approach precisely as dramatic as an actor and also sound, so that it would all be, but in one whole, or you can illustrate, although, although some passage from this,

about your voice, but after all , we need a voice not only to be a voice.o each other in a large hall. before me for so many years the wall stood, and above the wall there was a star and a hundred barriers shone for me. i moved as much as i could. larisa dolina is a huge star, an incredible voice that gets better over the years, i won’t hide it i admire, but today larisa is not just a singer, but the creator of the academy, larisa dolina, and here she is both an adored star and, of course, the teacher and her students sing dorina's best songs and the latest many years ago. is there really, is there birds , flowers and people? can you imagine, without love, there are oceans of clouds and cities only about love, no one has ever heard of. i listened to these children sing and remembered my childhood. here it is the choir, young, proud, kemerovo and this is me soloing the singer. i did not become a doctor, but the love of music remained for life. today. i came here. as a doctor to talk about the voice, but could not resist and asked larisa how she came up with

voice—over: this is bbc news.e'll have the headlines and all the main news stories for you at the top of the hour, straight after this programme. welcome to hardtalk, i'm stephen sackur. acting as the most precarious of professions and elation today can be followed by rejection tomorrow. the only certainty is uncertainty. it says much and then of the talent and resilience of my guest today jane horrocks that her career has spanned four decades and has spanned four decades and has seen her excel on stage and screen. increasingly she's written and created her own shows, is that the pathway to empowerment in an industry where actors can be just another commodity? jane horrocks, welcome to hardtalk. jane horrocks, welcome to hardtalk— jane horrocks, welcome to hardtalk. ., ~ y c hardtalk. thank you very much. it is ureat hardtalk. thank you very much. it is great to _ hardtalk. thank you very much. it is great to have _ hardtalk. thank you very much. it is great to have you _ hardtalk. thank you very much. it is great

voice-over: this is bbc news. we'll have the headlines and all the main news stories for you at the top of the hour, straight after this programme. i've been an opera fan for decades and i want to share my passion with you, so i'm on a mission to find out how opera is making itself fit for the future. i've come to munich to meet one of my all—time opera heroes, the german tenor jonas kaufmann, who's widely viewed as the world's leading opera singer. he's a charismatic person, performer. his way of communicating, his intelligence that one hears whenever he is singing, isjust unique. and that makes him really very special. but the pressures of staying at the top are immense. the highs and lows of life as an operatic celebrity from one of the people who knows him best. to get to the top is not so difficult, but to stay there, this is really a hard one. are the sacrifices worth it? the moment it all falls into. place and you are at a position that you've hardly ever dreamt| of is so much of a payback that everything,

well, the gradation of the voice , how will your voice lead you, how will your timbre sound, becausece is only material, of course, here, and there it is already for him to work on subtleties. and then, here's what we heard. and in general, everything you do, it's a whole performance, since your voice allows you to find any colors. which are necessary for magic, but let the performance suspect the figure of the director, in addition to everything other things. and who is the director, and with whom are you , dear ledara. find where which one to take ah? what timbre what color to take it you build this performance? or do you have a director, yes, who gives the task. it may be, for example, a performance, if we take boris godunov, who we recently performed in a caress. but it was a modern production. and in a modern production, it was necessary to find a modern one , not even that modern sound, but a modern approach precisely as dramatic as an actor and also sound, so that it’s all like it was, but in one whole, you can either cut through, although, although some passage from this, wha

well, the gradation of the voice, how your voice will lead you, how the timbre will evoke, because onece is only material, of course, here, and there already on the subtleties. we are already working on our own. and then, here's what we heard. and in general , everything you do, it's a whole performance, since your voice allows you to find any colors. which are necessary for magic, but let the spectacle suspects a figure director, among other things. and who is the director, and with whom are you dear yes, you find. where to get what? what timbre what color to take it you build this performance? or do you have a director, yes, who gives the task. it may be, let's say a performance, if we take boris godunov, which we recently performed at skala, but it was a modern production. and and in a modern production, it was necessary to find a modern one , not even that modern sound, but a modern approach precisely as dramatic as an actor and also sound, so that it’s all like it was, but in one whole, or react, you can show, although, although some passage from this, what are you talking about w

at vital voices, but my journey with vital voices started more than 25 years ago. i have been a member of this network for 25 years. it all started back in beijing in 1995 when there was an amazing synchronicity when elizabeth, melinda, secretary clinton and others independently -- we did not know each other at that time, we were at a conference. i was one of those who were in the room. here are the words that changed my lives. women's rights are human rights. that moment i realized that the work that i started basically begins with me, and it is not just social work. i started the program for women in russia, and at that time i am thinking that i am just helping women, but in 1995 i learned that i am doing more. the next stage of my awareness was in 1997. the first vital voices conference in vienna. and another slogan, another wisdom, which was democracy without women is not a democracy read that also changed my life, because i realized that fighting for human rights is political. and that we all need to be aware of that. since that moment, i became a member of th

the more we can bring voices to the table like the voices of young people, people my age already experiencing the impacts of climate crisis at a rate three times higher than our grandparents, so having these voices at the table who understand the severity and urgency with which we need to tackle the climate crisis i think will really push progress forward. >> right. thank you so much, and thank you very much for joining us for this conversation. [applause]

although i never go with my voice and not only with my voice. thank you very much.ook on to the living there to hook on the heart, and my soul drew attention to it , and peace will go with me. incredible joy happiness is what i got. i want to show myself different even more interesting, but believe me, i can do it a lot. from the moon show what you can be capable of. i know that let everyone see russia tinkoff bank admires its customers and all project participants. participants who did not pass the next stage tinkoff bank gives a tinkoff black card with a nice cash bonus. install the tinkoff application and issue a tinkoff black card right now opens performances in the troika of vladimir presnyakov masha may hey wait you know her, you recognize her. you will recognize him. you will recognize her. words heart try spring long. you know, i'll meet in peace. heart lord christ thank you masha may excellent cool fresh, well , then in the team of vladimir presnyakov akhmed akhmedov performs in knockouts with me it seems you succeeded in the word. what are you standing bec

i voiced the life of samghin's film.is seriously, when such a film process depends on you, and you are still 22 years old. eh , you can say, well, almost a child still can’t do anything and only somehow mastered a folk song more or less and suddenly they tell you to do something artistic. and you do it. uh, you know, i had feeling like i'm a child prodigy. here i felt like a child prodigy. probably because i, uh, was such a kid at the time. in general, i have recently matured, i’ll say, look there, therefore, no, what are you? no, of course, i had several psychological sessions, probably, yes, probably, yes. so, when i realized that this is already a psychologist, then i realized that i can grow up with her childishness helps, applied. uh, where it is necessary in time , they say, it helps and adulthood helps, in general, feelings help. eh, you know m-m. yes. well, i i don't think it's a secret. e once upon a time i performed in a high place and a rather serious gentleman approached me e and said e a it was i'll tell you

you simply voice any noun . i accept it if it turns out to be true that you are unlikely to earn five points. if not, go to the construction site, after i give a hint after this hint, first, it should. a little clearer about what is at stake. well, and secondly, you will again have the opportunity to ask me leading questions. can you get to the truth again? our third tour will last either 10 minutes or until the tower collapses the tower falls on this we say goodbye to the team that dropped the tower. she naturally loses all points and flies out of our game. good luck you won't get another chance. we are starting our third tour. time has passed and the first question these two items are depicted on the coat of arms of the belarusian city of petrikov, their name is also associated with the name of one of the apostles, so they are indispensable attributes that accompany all his images. what is it about. banderas you have 15 points less than the opposing team, so i want to start with your team. you have the opportu

voice visit the site of the first channel.mi-finals of the voice project and right now i am closing the voting line for the team of anton belyaev. now, as promised, dear viewers. we are in for a surprise. today a star guest came to support the participants, for whom our the project is just a home. meet leonid agutin will you ever come back again? will you come back, someday to me again? will you come back someday one day it's important to me will you come back someday again? one day by chance when i carry the mission to wait, on this day, you will return again. why are you coming back? again you know to wear disgust, and you will not live under our blood, then you will return, you will return, you will return. to me in the souls of cases when jesus this day will you return? and will you come back? what a legendary turn the history of the project has just made voice because i will remind you for the last time this song by anton and the project in the second season, when he was a participant himself, and leonid agutin was his me

all voices be heard tonight. i will. calling on the speakers who arise and line themselves up over in this corner. in this corner. in the corners of the balcony. should you require assistance of townspeople who are familiar with the imaginations of town meeting? we'll help. please hand their card to them and they will assist. you remember may voice your support their positions by saying five or josie josie. this is draper pelham. i do you wish to address the assembly? thank you, mr. savage. please. my name. my name is margaret draper. my richard is the editor of the massachusetts gazette and boston weekly. while we are the official publication person of the royal administration in massachusetts we do bring to our arguments from both sides of the aisle. as for my own personal beliefs because of course women are involved in the political discourse. even if we are not allowed in the meetings. well, for myself, i am a loyal english woman and i would be proud, fulfill my duty to the empire, paying a small on my. dues. i do wo

i'm a senior director for advocacy here at vital voices, but my journey with vital voices started more than 25 years ago. i have been a member of this network for 25 years, but it all started back in beijing in 1995 when there was an amazing synchronicity when many of us working independently -- we did not know each other at that time -- we were at beijing conference , and i was in that room. i was one of those who was in the room, hearing words that change my life. women's rights are human rights. that moment, i realized that the work that i had started, basically much bigger than me, and it is not just the social work. at the time, i was thinking that i'm just helping women, but in 1995, i learned that i'm doing more. the next stage of my awareness was in 1997 at a conference in vienna. another slogan, another wisdom, which was democracy without women is not a democracy. that also change my life because i realized that fighting for human rights is political. personal is political, and we all need to be aware of that. since that moment, i became a member of the vital voices network. n

i want to bring in another voice from our community. alice spirit, who is reporter, with the intercept. the shooting was one, hundreds of palestinians were killed by is really forces each year, including many journalists. but she was also one of several american citizens who have been killed by israel with no consequence. in her case, for the 1st time ever, do us government eventually launched its own independent investigation, but that only a few months after she was killed. and after a large scale pressure campaign, including by members of congress, while the f b i investigation is ongoing. it shouldn't take such an effort to get the u. s. government to do something to get accountability for the killing of one of its citizens, particularly by a country whose military to us funds to the tune of billions, billions, indeed, $3800000000.00 a year and security assistance from the us to the is really state and this is causing, um, like i said, some impatience and really aggravating advocates for the press here in the us on may 3rd across th

their voices have been silenced for too long.hy now, this should've happened decades ago, this has been going on for too long. there is a certain bum and tongue we are trying to ride. the connection between the dissidents inside the human rights leaders and the diaspora, lawyers, leaders around the world, has never been stronger. this is a demand coming from inside. the goal is to push governments to expand the legal interpretation of apartheid to include, not only racial hierarchy but gender hierarchy. beyond the international legal arena, this is a huge opportunity for us to shift the paradigm with regards to how we relate to these countries, to these regimes, the oppressors, as opposed to the people inside. this is an opportunity to elevate our collective consciousness so that no matter what, anytime the taliban or islamic republic is mentioned, their identities are forever wound -- bound to the words gender apartheid. words matter, definitions matter. [applause] i am hopeful, everyone is hopeful that we will be able to create

flies very such a voice. like i said, warm warm, and i think the audience will always take it with a bang. vno university go forward not backward. if you don’t get it for a day, there’s a chance where to sew in, larisa viktorovna helps irina with new vedas, a speaker on the choreography of the voice, practicing with a student of shatyry alone, and for you, a day for a semester , i accidentally sort out 5 songs a year ten. your shoulder dima petrov your head. dima pushed him away, not only with good vocal data, one of the most important subjects, the basis of acting. as a performer of folk songs, irina has artistic charisma. beautiful voice? she has a very memorable smile, well, she is very intelligent. but this intelligence is revealed not only in the fact that she tactfully and politely has intellectual potential, but also in a deep feeling and gratitude to the teachers who educate and train her. here it is extremely important for us to understand how to work the tempo with the rhythm of speech, what is the

i’m marginalised, but these days, has a voice in every sense.— voice in every sense. every sense. i'm talking to you. in the past— voice in every sense. i'm talking to you. in the past i _ voice in every sense. i'm talking to you, in the past i would _ voice in every sense. i'm talking to you, in the past i would never- voice in every sense. i'm talking to you, in the past i would never do l you, in the past i would never do that. i you, in the past i would never do that. ., �* you, in the past i would never do that—just- that. i wouldn't either! just anyone- — that. i wouldn't either! just anyone- i— that. i wouldn't either! just anyone. i wasjust really... j that. i wouldn't either! just| anyone. iwasjust really... i that. i wouldn't either! just - anyone. iwasjust really... iwas anyone. i was just really... i was quite closed off as well. being able to be... resilient and be able to tell myself, you know what, i can do this. i can talk to new people, and express myself as well. for rankin, used to mixing _ express myself as well. for rankin, used to mixing with _ e

yes, and it is often my voice.an get away with not being recognised but as soon as i open my mouth they go, "oh, i know who you are." but, yes, telly is a much more immediate, isn't it? i wonder about absolutely fabulous, do you think it could... it is based on women behaving badly. drink is taken and sometimes drugs are taken as well. sometimes these are women with very politically correct lives and views. these days there is such a focus on not offending, on content that ticks various boxes. do you think that kind of show would get made? i think it would be much more of a struggle. jennifer saunders was very much left to her own devices at the time and often came up with things last minute so there was not the interference that there is now in making a piece of television. in that the producers were not on her back all the time. she was able to get on with it. as far as kind politically correct things, for some things she was restrained. doesn't worry you, sad you? doesn't worry you, sadden you? i don't think the

incorrect cast incorrect selection of voices, because higher voices began to sing the repertoire thatten as verdi has written media watch medium voice warm voice that covers the range of upper notes that sound round and lower notes and there were such teachers as imanueli garcia who raised pauline viordo. this is his daughter and maria malibran, for whom russian operas such as otella were written. and there is an otelloverdi there is a hotel in russia well, they said, we bring up our girls in three octaves. that is, a three-octave range, maybe only when it’s convenient for the singer, when the larynx lifts up, when it’s embarrassing for you not to take these notes, not the lower notes, and therefore verdi insisted to the last, but the year 1939 arose. and even before that, there were these conversations. what did you quite rightly say? the 18th century began to say that and why not raise build? why not give some new sound? something like improvisation or it's a special assignment to take and create, uh, another setting. you understand, if you approach, er, this from the point of view

voice—over: this is bbc news.e'll have the headlines and all the main news stories for you at the top of the hour, straight after this programme. welcome to hardtalk, i'm stephen sackur. acting is the most precarious of professions. adulation today can be followed by rejection tomorrow. the only certainty is uncertainty. it says much then of the talent and resilience of my guest today, jane horrocks, that her acting career has spanned four decades and has seen her excel on stage and screen from comedies to musicals. increasingly, she's written and created her own shows, is that the pathway to empowerment in an industry where actors can be just another commodity? jane horrocks, welcome to hardtalk. thank you very much. it is great to have you in the studio. you have been in this acting business for almost four decades. i wonder when you think about your own career, do you feel that you very consciously shaped it or is it more a question of serendipity and stuff thatjust happened? i think there is a lot of both actu

you can always use that twice to add your voice to many more voices are demanding better. virginia fees, better jobs, better education on better health. the one of the things that i'm really pleased about is actually when i manage to um, push for sign language. interpreter's obviously things for the low house and also the upper house is a long time coming and everybody thought i was crazy. but i said, sorry you were really being unfair. if you do not have this service for persons with disabilities with dis disabled to as a senator who is a p w d. um sometimes i, i feel a bit frustrated because people treat me like i'm a child the most of the time people feel that they have to always have to help me and i'm like, i don't, i can't help myself. the 2 beds a but the do you know your movement speak for itself. my a horrible self. a young women who want to enter politics to go ahead. i think the lead gets organized. get involved the persist in rekey by your routine last insurance. and for more women and hallway and to achieve a community pool. and we need to say, we need young women like your

today's voice knockouts stage is always a dramatic look. good evening on the air of channel one, the main vocal project of the country, the voice is with you. i am yana churikova outside the window is already a real spring , a time of inspiration and new achievements, perhaps the best time to continue move towards your dream, but our vocal obstacle course does not get easier each time and we begin a new stage of knockouts. the situation is as follows now, each team has six participants. today they will be divided into threes. after each participant performs his solo song, the mentors will choose only one who goes further with him, but there is a small ray of hope for those who have chosen. at this stage, mentors competitors can save one participant each, dear viewers. i remind you that each of you has your own personal red button. during the broadcast, press. use the red button on the remote control to log in by phone number and guess the fate of the project participants, also receive instant prizes , promotional codes and vote for the best

this is apple’s mass method of obtaining, a voice cast, it must be said that attacks using voice haveeady happened, for example, it is known about the theft of a colossal amount in the united arab emirates , the managers of a japanese company who had a bank account in dubai called someone with a voice like that of a general director and ordered to make several transfers according to certain details, the company just had to pay off a major transaction and the manager did not suspect a trick, however, we similar attacks until they became apple, however , assures that their solution was protected, as it should be, bibliometric data will be stored and processed. only on the device it will not be uploaded to any cloud storage. this is all technology we continue after advertising news of the economy. will us default joe biden make an emergency return to the country? with age, changes in vision can change the usual things, then the background is created to nourish the restoration and preservation of youthfulness of the eyes, it is recommended to apply daily for 3 months three course per year

you can always use that twice to add your voice to many more voices are demanding better, virginia fees, better jobs, better educational and better health. the one of the things that i'm really pleased about is actually when i manage to um, push for sign language, interpreter's settings for the little house and also the at the house is a long time coming. and everybody thought i was crazy. but i said, sorry you were really big on say, if you do not have this service for persons with disabilities with dis disabled to as i said, it's a who is a p w d. and sometimes i, i feel a bit frustrated because people treat me like i'm a child the most of the time people feel that they have to always have to help me and i'm like, i don't, i can't help myself. the 2 beds a but the do you know your move man? speak for itself. my a horrible southwick's the door, a young women to one, to enter politics, to go ahead. i think the lead the gets organized. get involved. the persist in rekey by your routine. last insurance and for more women and to achieve a call in to me to say we need young women like your

or that as my voice completely in it.i keep a successfultransition to digital health is an active regulatory scheme , digital technology to improve outcomes and interactions. the last is by the constant confidentiality. it seems to me we want to invest in ourselves, we better hope others have data and their participation online. don't assume we want to know have confidence about how people like us did with a plan of prevention. we've not reached the right balance on these things and believe we need to have a vibrant discussion about the advantage of research participation and data sharing and the obligations of those who collect the data. cross industry digitization and other types of mathematical outcomes in everyday life or making a profound difference but government agencies like mine quite simply need to assemble the resources to put in place those policies adaptively align our digital health efforts to support a health and regulatory innovation in the world as changingrapidly . we have good reason to hope we will ful

-- were building those voices?n: we started with a series of demos to show the world what is possible. what we have done is, we typically donated from an unlicensed demo of -- for we get a deal done with charity. core of our business is through these signed, license deals with influencers and celebrities such as the one we are an ansi today with ameron. -- announcing today with ameron. ed: what about your own fundraising? john: it has been a world wind -- whirlwind of a week. we are in that position now where we are turning this into a hyper scaleable business where we see the next two years, every significant influencer that is looking to make a living off of content or youtube, twitch, instagram, what have you, will raise their hand up and say, i want to create nai version of myself -- an ai version of myself. we see every influencer having a version of themselves in the next one to two years. caroline: thank you. coming up, new moves from disney that will reshape its business and intense battle with the state's