handsome sergey volchkov i am glad that he has such a wonderful audience.to you, together with sergey, we notice that you died protecting you. i love you life did not hope it? so i wanted to say that i have such excitement the finale of the first part, then we went backstage. and where alexander nikolaevna pakhmutova stood, he says, why are you so worried, he told me a joke. my mood immediately cheered up and the second part has already passed more than one more talent. i always wished he had an incomparably tell anecdotes when they met elena vasilievna exemplary. that was impossible. i have been present several times now, yes, and we were very friends with lena and it was just they would not have been stopped, it was absolutely simple yes, and when i arrived after the second solo concert. well, can you add something to change? he says he really wants you to have your song and it is desirable that it be in russia and that's when he was not here yet. a year later, such a song appeared to sing, which is called i love russia and, uh, to summarize. i just i wor

once volchkov turned on the song of the seventy- fourth year for the people's artist, he listens to itto it for 4 minutes . uh. yes, he listened, he says, you know, seryozha is very, very good. this is your entry. and yes, he really wanted soviet songs not to be forgotten himself. the symbol of these songs today's performance is not genetics. this is fashion kobzon - this is genetics, my life is full, my my strukov maria emelyanova and vitaly nikonov hello hello what kind of performance is this? well, come with me. veronica vasya, you can't spare 10 minutes, if you're not in a hurry, please, of course. hello , there should be an audition here, but we can never give in pipe. here from here. hello hello i 'd better take it please. well, shall we sing? actually, nothing is needed. you need it and sing just come forward forward. get out. i'm more comfortable here. song along the st. petersburg music, i don’t know the folk words, probably whose folk songs are also performed by the burlakov’s presenter, the most these priests are coming. not a team, not a mosquito, writes, who is umotakum, d

imitate the kobzon in everything, it came to the ridiculous once volchkov turned on the song of theeople's artist in the seventy-fourth year. he listens to her, listens for 4 minutes, and he listens and says, you know, seryozha is very very ok. this is your entry. and yes, he really wanted soviet songs not to be forgotten. he himself was a symbol of these songs. bright shepherd dog today's performance is not genetics. this is kobzon's fashion - this is genetics sound today in donetsk and in moscow and in sochi, the city where kobzon met a woman who has always gone through life with him and in everything i support all the time i wanted to say goodbye from the stage, but before you started to hurt, be sad, mope and start again come up with ways to sing at some anniversary concerts, who at creative evenings. anyway, he could not quit this profession. that is why on the stage during the last anniversary concert, a happy person who managed to live his life the way everything is sung in his songs. wave, out, life is my concern aleksey khripanov strukov maria emelyanova and vitaly nikonov

once volchkov turned on the song of the seventy- fourth year for the people's artist, he listened, he know, seryozh sang. you are very, very good here. rather here. your entry. and yes, he really wanted soviet songs not to be forgotten. we're performance, it's not genetics. this is kobzon's fashion - this is genetics sound today in donetsk and in moscow and in sochi, the city where kobzon met a woman who always went through life with him and in everything i support all the time i wanted to say goodbye from the stage. but it was he who began to get sick, to be sad, to mope, and began again to invent ways to sing at some anniversary concerts. who is at creative evenings. anyway, he could not quit this profession. therefore, on the stage during the last anniversary concert, a happy person who managed to live his life the way his song is sung. everything slept for us. outside my life, my free and instructed maria emelyanovna and vitaly nikolaevna to close and that’s all for now we are following the development of events, and now on channel one documentary, 1812, borodino august 26, 1812 1

people , but i mean, purely hypothetical, what are your priorities on the stage, the same gromov volchkovsian executor. i don't really like it when this modernized sound, it's called cotton in the mouth performers now eh? a lot of young e good ones, it's important that they don't get lost. here in this momentary fashion again at night to wake up mothers. your children, so that the horn is not under the wall god of health sons everything that is on it by you sources to lose souls that give fire and in heaven lord i only mothers do not sleep your lord alone for a long time from the place and still you only swear. already climbing to the heart and heart. i want us to look at the footage. think, can you guess why we prepared them for you? don't worry, we'll talk. that's what i thought, suddenly i'm interested in you as one of the authors of the reconstruction of the bolshoi theater. so the ballet has its place of honor in this theater. do you often visit? there is no such place as a premiere. it happens that valentina nikolaevich elizariev, since he then also headed this reconstruction from t

here on the stage is the same gromov volchkov, our belarusian performer.ized sound, it ’s called uh, cotton in the mouth performers now eh? many young good ones are important so that they do not get lost. here in this momentary fashion, but it will wake you up with matter, so that you do not write quietly not far standing on the trailer. in heaven, this means that they give fire joy in heaven of the lord, only mothers do not sleep in your sins and the place of the lord, and all the same, i’m only ready for the mother, taking away the sharpness and the spirit gives me the heart. yes , only the mainland. i want us to look at the footage. i think you can guess why we prepared them for you? don't worry, we'll talk. that's what i thought, just wondering. as one of the authors of the reconstruction of the bolshoi opera and ballet theater, you have your place of honor in this theater. do you often visit? here are the premieres there is no such place. it happens that valentin nikolaevich elizarov, since he also headed this reconstruction from the theater and we st

man who is sitting to the left of larisa alekseevna so let's reveal the secret that this is valery volchkovs vain words twins of sorcery crystal gloom is rich in molten candles flickering the earth. vain words i exhaled it has already gone out. you haven't lit a new one vain words. vain words are easy to say, vain words, ears are not judgmental vain words. i will soon burn out in your goddamn, the bells will sling. will not confuse the tracks, my hasty step. you are the first world of the end to understand me do not let the fate of vain words. they don't rush. come up with a plot, and tenderness, where crumpled grass and the smell of a tail scattered yeast will roll scaletia vain words, vain love. love vain words vain words not difficult, i say, vain words are gone. do not blame vain words. i'll catch up soon at your porch. do not flinch, the bell will not confuse the traces of my hasty step. you do not understand the first moment of the end for me let the fate of vain words slowly. thank you for such a beautiful performance. tell us where you came from. the weapon was forged. it seems. zam