according to voutas, the digital age phenomenally transformed cinema in china.et, in the 1990s, and vcds, different types of video discs, that these movies were able to enter the home, and be consumed by people who beforehand didn't have access to these type of stories. and voutas says an easy way to get your hands on a dvd copy of your favourite movie was from a bootlegger on the street. he got the idea for the story when one of his previous films, also set in china, was bootlegged in real life. it was sort of a spark that got me writing. so our previous film, within a week it was on the streets of beijing. and, rather than get angry, i was actually very impressed with the creativity that the bootleggers had. they had done their own artwork, they had done their own credits, really interesting stuff. so i realised that there was a creative element to the bootlegging, and that is how it started. it is more of a sort of... i guess you could say it is a celebration of the creativity of that — of that world. king of peking is sam voutas‘s first film to premiere at t