vulga alekseeva then on the ceramist on the right because i was going to brovinsky's great-grandfatherrpovich hat was just like that . i'm talking about her grandmother. yeah, i'm semyonovna will use everything left at school. dubrovinskaya, the whistle is distinguished, of course, by a tuft. this is primary. yes, this is the top of the end whistles. it's literal. here is a crest with two tucks, uh, a hint, only for the beak. and so, in principle, everything and the completion of the form are further there everything is plastic, if it is four legs, it is a horse, if it is fins it is a cockerel, we make a common lump from the whole piece , first some parts are left there. this is the neck of the leg of the ledge of the pipe and, of course, the camera. this is the task of making the camera smooth. in 2004, alekseev's patshala, reflecting the dubrovinsky pottery traditions, was engaged in the mind that yawned one maize three lyudmila chervinskaya avos whistles trapeli hands, my fear and tear off a new home, only a couple of moves hawked, 16 images of the precious dubrovno, tsar's most arc