competition, well, as it seems, hanging on the end, the ensemble, which accompanies baguslausk and vuyachych the warehouse of five chalaveks at the beginning with izmail kaplanav, was awarded a ganarova... scrap for the flatbread campaign of the competition, such a triumphant victory young belarusian stage performer at the all-union competition ў maskva. and even if you bleed, and even if you die, you still win, and by winning. І all baguslauska і vuyachych vartayutstsa ў minsk і tsyaper іm, as the winners of such a dazen competition have the right to perform solo concerts, i write with a red line at the posters, all these were the rules, and for them we collect the best acampaigns, for viktar vuyachych - tonic, and for nelya baguslauskaya. we called him izya and even i was allowed to call him izya or kitty, so affectionate, affectionate, his name was unofficial, he was the leader of the ensemble, lead singer vladimir mulyavin, and as it turned out as a result , the arranger, by the end of our collaboration , most of the arrangements and authorship were later was from the pen of volodya muly

the posters, all these were the rules, and for them we collect the best accompaniments, for viktar vuyachych - tonic, and for neli baguslavskaya - ensemble arbita 67. kiravats kolects were assigned to izmail kaplana. our cloudless sunny day, a light shadow came over the friendship, a helmet along the square, shop window posters, an earring with natasha, and one drink, diploma student naeli boguslavskaya created an orbit of 67, this was deciphered as conceived by the creators, the authors of the name as the beat 67 orchestra, the time of the formation of this group was when i heard. by the way, he spoke english, which was important for traveling abroad, by the way, he was the first to sing in our ensemble, marik shmelkin rehearsed on the drums, but the fact that he was an excellent musician was immediately obvious, then later he worked for some time in songwriters , and there he, so to speak, shone on the dulcimer on the drums, all spring, one spring. was not easy, and there was a moment when i i remember one of the last concerts, the so -called green ones, relations worsened to the point whe

belarus delegated two candidates to this competition: viktar vuyachych and nelya baguslauskaya.rformance of the young belarusian stage at the all-union competition in muskva. even if you do not bleed, and even if you die, you still win!

all-union competition, in which belarusian artists have become leaders, artists since 1966, when viktar vuyachychn, anel baguslauskaya became laureate m, then songs in the 70th, then laureates in the 74th, and all in the 79th laureates of the all-union competition became enchantresses. from getaga momenta and іkh pirhodzіtsa usesayuznaya vyadomastsya, gety the audience loved and waited for paul, but it must be said that from the side of professional musicians, and most importantly, of course, in the first charge of men, in the dacha and the sorceress there were some such singers who did not believe, but i would say skepticism, the blue bird came here to us in minsk, the sports palace, i think it was, we worked. it was called the warm-up act, the first act, the second act , the famous autumn bird with its famous hits, they, of course, immediately looked down on us, very, we worked the first act, the whole blue bird stood there, there was such there was a podium from which it was necessary to go down the steps, all the blue bird stood and gave us hands, they said, girls, vy class, demon. his guests