and only then turned up to the composer over the creation of ports, tours, vyacheslav kuznetsov protsevar six months. yura troyan was the first censor of the creative vyacheslav kuznetsov for musical phrases, the choreographer in the thoughts would give ice performances from his emotions there was a repulse of glyadatsky sprymaniya. there is one place in the second act where the tatar invasion torments the protagonist and their children. when i saw, uh, in the clavier, i listened to this very moment in the recording, even if not the most perfect working one. i didn’t write right on the edge, i listen and cry. this is the first time in my life i 've written this. because my first reaction was like this. the panorama of the fact that the performance will be very violent has become visually the first stage corpses, alleys trainees archers graduates of the choreographic college. the data warehouse is not due to the judgment of its professionalism , exactly with the little artists , the decision-makers wanted this channel to get up. i kiss the princely sons and daughters of ivan petrashevich