that's what vzglyad, you may not agree, you always left some traces that you patented. i don’t know, you revive one word, what is worth , uh, there is no such person in the literary workshop who does not know what, but there is a word you revive and sergeevich came up with it. a probably it's really so yeah e don't claim. yes , i hope. tell me please, but what is at that moment, well, in that era. i mean, already the seventieth, of course, the years to a greater extent, which i also partially caught, what was the book of criticism. it came out in 10 or even 20,000 copies. it is beyond the present moment. yes and here is a book and right away they went differently, who wrote a monographic work about some class or a classic of the 19th century or a classic of the soviet era, i don’t have a person. works about no one , even both rybkin, although i prepared several of the distant babarykin and other writers of the early 20th century, who, nevertheless, in those years, at first, at first , most of all poetry, i came out with a close-up book. these were portraits of the most