that's gonna be fine. ♪ our house, ♪ in the middle of the street ... ♪ forget the walkman.. binoculars and water. (background conversation) same setup for both. turn that back. right. different directions, same track. (background conversation) yeah. dolly charge. so if you could hook that up -- (woman) yeah. i got it. awesome. (background conversation) great. okay. let's -- let's do a -- just a walk-through for dolly. okay. so let's call this our start. okay. and just go for it. okay. let's cut. i picked up somebody walking into the frame. but here's the deal. two things. one: that start is just -- no matter what we do it's going to be tough. it's just jumping out on t door and hard to coordinate. so why don't we start wider? i needed to establish the skyline, anyway. so just start on the skyline and -- start on the skyline. find the door. keep it as wide as we pleasantly can. and also i'm a little concerned that we just see so much of this skyline and not susan's face. why don't we move along? let's do that. let's try to shoot it. because you're mostly back to camera -- uh