wanna. - "whoop, wanna." big vocabulary breakthrough. whoop. wanna. whoop, wanna what, fred? what do you wanna whoop? w-wanna mama. you wanna mama? you got a mama, fred. whoop. oh, golly. where's your mama, fred? is your mom okay? whoop. whoop. golly, golly. [hooting] whoop, whoop. you got your phone number? ooh, golly. ooh. come here. let's call your mom. oh, golly. come here. sit down. oh, golly. hey. so how's it going? okay, i guess. yeah? that guy's pretty strange. guy with andy? seems like he's got some kind of private language. yeah, you'll get some of that-- people controlled from radio towers, time travelers. i guess he's pretty harmless. i think so. yeah. andy says he bit the heads off of his mother's birds, ling in okay? yeah. in general, yeah. yeah? 'cause, uh, i'm sure glad you're down here. i figured a rose was too much of a statement. an apple won't raise no eyebrows. thanks. - there's no answer. - whoop. whoop. all right, you wrote down your number, fred. is there anything else you want to write me? anything else you want to write about your mom? whoop. whoop.

i don't wanna hear any more of this, ok? see--see, son, grady and-- i said i don't wanna hear about it! no, but see, we went down to this tv station-- i don't care about-- would you stop it? now, just stop it, man! you just couldn't let me have one day out of the year to get attention for myself. you had to spoil it. you didn't even do what you said you was gonna do, pop. listen, son-- i don't wanna hear nothin', man. d now look what happened! everybody's leavin', man! there ain't nobody left at my party! what have you got to say about that? here's your present. i don't want it. you keep it. where did i go wrong, cinderella? and i don't know what to do. cinderella, can i borrow your slipper? what you gonna do with that, fred? i'm gonna drink out of it. if that don't kill me, nothin' will. i'm all alone now. this is all my fault. elizabeth, i'm comin' to join ya, honey. i messed up our son's most important day. lamont! it's you! hi, pop. sit down, man. i wanna talk to you about something. yeah, i know. you're leavin'. no. all

wanna have some fun? how? let's pick at ol' ben a little bit. he says he don't want bert sellin' on the street. let's move that bench in the vacant lot and put bert's suitcase on it and set him up a temporary store. let's do that. come on, come on, come on. hey, uh, hey, bert? say your feet been botherin' ya? my feet been givin' me a rough time. your shoulder's hurtin'? bursitis. the doorbells bother ya? you know, i can't stand them doorbells. well, i believe we got a cure for that. huh? why not move your suitcase over to crowley's vacant lot and set up a temporary store? oh, no, no, i couldn't do that. well, why not? well, folks might get the idea i's bein' pushy. why would they? you'd be settin' and sellin'-- ells. don't that sound good? yeah, it does. well, do it, then. well, now, are you sure that they won't 'spect i was bein' pushy? i'm sure. 'cause i hate a pushy salesman. i know. come on, let's move it. ? you get a line and i'll get a pole, my honey ? ? you get a line and i'll get a pole, my babe ? ? you get a line and i'll get a pole ? ?

you wanna win, right? isn't that what you guys wanna do, win?ult of that effort, is gonna have a big bearing on how you feel about yourself in the next year. you gonna go through the world seeing yourself as a winner? or a loser? because believe me, being a winner is just... is, i don't know, just better. ( chuckles ) way i see it, that trophy up there has got your name on it. and those guys over there... are trying to steal it from you. whose trophy is it, danny? ours, coach. whose name is on that trophy, sanchez? yankees? take a good long look at your opponents over there. do they look like champions? huh? not for me to say. but no, they don't. you're a great team, it's been a great season, but it's not over yet. lets go finish it, huh? one, two, three! all: yankees! buttermaker: all right, let's go, guys. bears: one, two, three! bears! buttermaker: hustle up, guys. let's go get 'em. ( cheering & applause ) all: b, e, a-r-s! go, bears! go, bears! ( whooping ) go, toby! ( honks ) announcer: next up for the yankees, number 10, jimmy wilkins. str

andy and i wanna spend some time alone. right... okay. you call mary. what do you wanna do? no, barn. that... that's not what i had in mind. that's not what i had in mind at all-l-l. you see, what i had in mind was i want to spend some time alone with mary. do you understand? see, i wanna spend some time alone with mary. hmm? follow me? are you kiddin'? son of a gun, of course i follow you. good. then, we'll be alone tonight, right? sure, pal. good, good, good. well, i'm going to floyd's and get a haircut. sure, you do that. oh... that son of a gun. i should've guessed. he's gonna pop the question tonight. andy and mary? really, barney? they're gettin' married? yeah. oh, isn't that wonderful? andy? getting married? my andy? yeah, yeah, he's asking her tonight. well, why all the secrecy? why didn't he tell me? well, you know andy-- tight-lipped. the only reason he told me is he knew he couldn't hide it from me. can't keep anything from old eagle-eye barney. andy getting married! yeah, he's taking the plunge. oh, barney, i hope i don't cry at the wedding. now, don't you start,

look, i brought the fun bag today. [ laughter ] >> i wanna ask-- i wanna ask you a question. have you guys seen the new "saturday night live?" >> yeah. >> yeah. >> actually, i did one of 'em. >> what did you think of it? >> i thought mine was great. [ laughter ] [ applause ] no, and i'll tell you something. in fact, it's been ten years,

if you wanna call it junk, call it junk. it's junk. if you wanna call it ugly, call it ugly. it's ugly. if you wanna call--call the hospital and get a room ready, now is your time. 'cause i'm tired of you talkin' to me. i'll see--see ya, lamont. now, son, i'm gettin' on back to work. hey, wait a minute. wait a minute. wait a minute, wait a minute. now, we got over $200 worth of inventory out there on the truck, pop, and i can't even bring it in here because of this-- tower. tower? that's right. they got the watch tower, and the eiffel tower, and now, the fred g. sanford memorial tower and private park and historic landmark and forest. you're really serious about this, aren't you? that's right. well, i'm gonna level with you, pop. in my opinion, you've created a shapeless, formless, meaningless piece of nothing. son, don't be so hard on yourself. i'm expressin' my true feelings about your tower. and i'm expressin' my true feelings. this is more than a tower. it's part of my life. everything here means something in my life. look at it. i mean, just look around. pick out somethi

-- >> i know you don't wanna talk about it-- >> see, i don't wanna-- >> 'cause you get embarrassed. >> right. >> let me plug it. [ chuckling ] no. i really did-- >> have you seen it? >> no, no. my brother saw it, at a screening. [ laughter ] and my brother is-- no, no. my brother thinks "rocky" is the worst film he ever saw, so he's really critical, okay? he really, really flipped, over your movie. >> well. >> he did. [ applause ] [ cheering ] and it takes a lotta guts, to do it in black and white. >> yeah. >> i think that's good. [ laughter ] >> gimme the five. [ chuckling ] gimme the ten dollars. [ laughter ] >> i haven't seen "rocky iii," but i heard it was great. [ laughter ] [ applause ] >> wanna go steady? >> now, my picture, "dead men don't wear plaid--" you said that was good, too, then. >> what'd you bring it in, for? >> yeah. [ mumbling ] >> really? [ laughter ] how 'bout "dead men we'll do a sequel together. >> are you gonna stay, a while, or do you have to really-- just-- no, i mean-- >> he has to go? >> he mentioned, a while ago, he's got a plane, because he's out doin' s

[man and woman arguing] man: i wanna watch when i wanna watch. somebody at the door. benny! - i watch what i-- - shut up! benny: you get the door. hello. detectives, ma'am. stions. i'm on the job, manhattan north. what's it about? it's kinda serious. we don't want to get into particulars. show some respect. i said i'm on the job. manhattan south piece of crap. how about you take a walk? how about you try working harlem? see what real police work is. i worked harlem when you were in high school. now back away before i forget you're on the job. right there, benny. right there. right there, buddy. your son sam depaul? yeah. u xxxxxxxs. go inside. go inside. come on. he's a decent guy, you know... except when he, uh...when he drinks, he gets, uh... where's sam? i don't know. uh, he goes out late. ma'am, your son may be involved in a serious situation. we need to talk to him. all right. all right, i'll tell him. if he comes back, i'll tell him. don't tell him. call and let us know. ok. better let night watch set up on this place. we gotta go back and tell that family, andy. yeah.

where you think, look, "i've got such a good story to tell, i wanna go deep." and in fact, at the beginning of every embedded, and there've been seven or eight, right? - yeah, we did a whole season of nine episodes. - at the beginning of every one you say, "we take a news story and we go deep." and it really is an opportunity for you to do what you cannot find on most broadcast media, right? you don't get to have the luxury of 26 minutes or 40 minutes, 'cause these podcasts are of different lengths. when you take one story and you just sort of look at it from every single angle, i think it's fantastic and i think it shows me why they saw in you what they did when they gave you this opportunity to co-host, because you are such a great journalist. and that comes across, in the way that you... let's be clear about what's in embedded and what's not. it is not all your reporting. - no. - right, you feature reporting of others. but you frame it, and you give us, "here's how to think about this." and i think that's something that is kind of amazing. as we sit here at

the facts, we wanna give you the information. what i can sorta specialize in is i can try to break down the numbers and try to make some sense of it. and whatever side you're on, i'm trying to give you some information. so, that's what i see happening, i hope is happening, i hope people are getting out of msnbc. but also, i take your point and i think about it all the time and i think it's very true. more than ever, people can pick their news. and i get the feedback all the time and i tell myself i hope it's not too representative of what's out there, but especially in an election season, how many people on the left, if it's a headline that is at all critical of hillary clinton, "how dare you? "you're only helping donald trump." and on the right, if it's a headline that's at all critical of donald trump, "how dare you?" and i think that's destructive. - well, stay buckled up for the rest of this campaign. - yeah, thanks. (laughs) - steve kornacki, thank you very much. (applause) - sure. - good, thank you, good. we'd love to have

we don't wanna have to use fore any more than you want us to. please, because it's my fault. no, grace. you write down the address here. are you sure the victim was his responsibility? yeah. nah. i-i'll stay outta that building, okay? god, it's, like, such a big deal. two of youse-- two detectives. been drinkin', harvey? yeah. so? that's still legal, isn't it? - what else do you do with your time? - i work. what kind of work? - advertising. - you're an ad man? - i distribute advertising. - you mean you hand out circulars. ve me a name. drummin' up trade for the porn industry. it's not just porn. - they got nude dancers too. - they do any dancin'? you got a job, why are you squattin' in that building? i just been in there a few weeks. i got kicked outta my apartment. i fell behind on the rent, you know? and blowin' your money on crack. i don't smoke crack. what do i want with crack? where were you this morning around 9:30,0,0:00? asleep. - anybody vouch for that? - no. i was alone. who-- who you gonna show that picture to? - girl in a hospital. somebody c c her face up. - whoa

i don't wanna sit down. i just need some-- poppy, sit down. just sit down. i don't wanna sit down. i just wanna borrow some money for the bus. poppy, just tell us where you've been. because i don't wanna have to tell you that i'm leaving. leaving? poppy, why do you want to leave? because i'm just taking, taking, taking. i'm not giving, giving, giving. that's why i'm leaving, leaving, leaving. taking what? you're not taking anything. he's right, poppy. you're giving. oh, poppy. remember what you used to tell me when i was little? huh? you used to say if a tree don't have no roots, you don't have no tree. now, that's what you give this family, poppy. our roots. i give that? yes, poppy. and the tackiest painting i've ever seen in my entire life. ellie. ellie, listen-- no, no, no, hal. she's absolutely right. i mean, my picture made your house look ugly. that dumb painting shouldn't make us uncomfortable in our own home. poppy, you bought that painting because you love us, right? and we hung it because we love you. enough? hmm? enough. ok. all right. [sighs] hey, come here now. i'm goi

you wanna know something? i like older men. you do? mm-hmm. they're so much more refined and experienced and wise. they are? mm-hmm. they really are, daddy. can i call you daddy, grady? if--yeah, you can call me granny or dadey or just anything. i want you to stop calling yourself a old man. you not such a old man. i'm not? mm-mmm, daddy. you still got it. now i'm gonna get your supper. oh, lord. maybe i still got it, ahh, she likes older men. [speaking spanish] yeah. i begin to understand. you do? yeah. you ask me if you got it. you got it. and she wants it. what? your social security. no, she don't want that. then she's crazy. what? no, she's not that either? i'm gonna tell you something. a woman wants either of 2 things-- either your money or your body. and you ain't got neither one. so, she's gotta be crazy. that's it. no, no, no. that's it, man. she's gotta be crazy. now, wait a minute. now, tell me--tell me what i should do. do you think i should tell lamont? sure. tell him. yeah. and then, act like a gentleman and show him that you are

i didn't wanna give that up to him yet. was he on the ear when you were running the case for the boss? could've been. 'cause he was laying that doctor-patient privilege stuff on pretty thick. sayin' we oughta be looking at the d.o.a.'s loved ones. which he says he don't know she's dead yet. - i'm calling her parents. want me to hang up? - we wanna be looking at 'em. poor girl. i hope she was suffocated before they poured that into her. m.e. says that's how it went. - [ knocking ] - [ man ] who? new york city detectives. mr. albert lakos? what's it about? - can we talk inside? - [ lock clicks ] i'm detective sipowicz. this is detectives simone and russell. - we have some questions about your daughter christine. - come. - is she sick? - when did you see christine last, mr. lakos? about a week. she talk to the mother every morning. is that by telephone? on the telephone. did you talk to your daughter this morning? [ speaking greek ] not this morning. christine missed a doctor's appointment this morning. uh, psychiatrist. six-f

he doesn't wanna! maudie, a man has certain rights of privacy now, i'm not coming out and that's that! look, arthur, if you're not coming out, i'm coming in! walter: come on, maude! look. you two are still golfers, aren't you? ( shouting ) fore! maude! you shouldn't be in here! maude, will you get the hell outta here! don't read the walls! now, look, arthur. i came in here because i believe d one that i find most difficult and embarrassing to discuss with you, but... arthur, i believe that you are afraid that compared to chuck in certain rooms of the house, you don't compare to chuck. maude! i am not about to discuss my s-e-x life in the m-e-n's room. why don't you write it on the wall, like everybody else? look, arthur, this is nothing to be ashamed of. you think of chuck and the flame flickers. you know, walter had the same problem about chester. maude! even though i was married to albert in between. maude, when i married you, you never once complained about my flame flickering. come on, walter. don'

- don't wanna be a chicken, i don't wanna be a chicken, i don't wanna be a chicken, i don't wanna be a chicken, i don't wanna be-- (canned laughter) i don't wanna be a chicken, i don't wanna be a chicken, i don't wanna be a chicken-- i'm a chicken, i'm a chicken! - you look great. - oh, you look beautiful, micky! (knocking on door) - [ivan] natasha! we'll be late, natasha, for entrance! - oh, we better hide! come on, i'll help ya. steady! - [micky] (makes chicken noises) come in! like they have never seen it danced before! (micky makes chicken noises) - that's for sure! (canned laughter) (micky makes chicken noises) (canned laughter) (door slams) (dramatic classical music) (smooch) (drums) (music becomes tense) (screech to a halt) (dramatic classical music) (humorous saloon music) (muffled thud) (clang) (tapping) (thwack) (ding) (thud) for adults with advanced non-small cell lung cancer previously treated with platinum-based chemotherapy, including those with an abnormal alk or e.g.f.r. gene who've tried an fda-approved targeted therapy, this is big. a chance to live longer with opdi

you got any good news you might wanna confess? you might wanna talk to james. 'cause you were the subject of a lot of smiles and signifying before. you should probably talk to him. what this was-- we should go check this guy at bellevue out. "black male with a gunshot wound." i have tried so hard to forget what it felt like when someone told me i had colon cancer. we had the follow up, cat scan which showed that it had gone to her liver. it was pretty intense and we needed to we needed a second opinion. that's when our journey began with cancer treatment centers of america. one of our questions was, how are we going to address my liver. so my doctor said i think we can do both surgeries together. i loved that. to find out more about our treatment options, go to cancercenter.com our teams of physicians and clinicians are experienced and compassionate, bringing you a level of care you won't find anywhere else. you have people that really care. they are my family now. these people are saints. ha, they're saints. please call or visit cancercenter.com today. the evo

-- >> i know you don't wanna talk about it-- >> see, i don't wanna-- >> 'cause you get embarrassed. >> right. >> let me plug it. [ chuckling ] no. i really did-- >> have you seen it? >> no, no. my brother saw it, at a screening. [ laughter ] and my brother is-- no, no. my brother thinks "rocky" is the worst film he ever saw, so he's really critical, okay? he really, really flipped, over your movie. >> well. >> he did. [ applause ] [ cheering ] and it takes a lotta guts, >> that's right. >> i think that's good. [ laughter ] >> gimme the five. [ chuckling ] gimme the ten dollars. [ laughter ] >> i haven't seen "rocky iii," but i heard it was great. [ laughter ] [ applause ] >> wanna go steady? >> now, my picture, "dead men don't wear plaid--" you said that was good, too, then. >> what'd you bring it in, for? >> yeah. [ mumbling ] >> really? [ laughter ] don't wear boxing gloves?" we'll do a sequel together. >> are you gonna stay, a while, or do you have to really-- just-- no, i mean-- >> he has to go? >> he mentioned, a while ago, he's got a plane, because he's out doin' s-- >> i got a

wanna sign this? appreciative as i am, detectives, i do not believe that any of today's events refute our article's concerns about coercion of suspects or selective application of the laws. vocabulary, mr. highsmith, there's gotta be "good-bye" in there. quite right. [ chattering ] uh-oh. i think i feel another one comin' on. - [ grunting ] - [ jamal ] oh, damn, man! he bit my finger! oh, man! excuse me, mister, you got somethin'? can you help a brother out? please! - hank, get 'em outta here. - [ laughing ] move it. [ laughing continues ] mmm. is that on? i'm not gonna wear it. i'm gonna be transmitting all over the place. i gonna have them give me a body recorder. what you gotta do, stop lettin' 'em move you around. yeah, okay. if this is their game, bobby, you're screwed. you make it so there is no game. we gotta put stink on the operation. tive stink. like how, andy? how do we initiate that? you collar this xxxxxxx. big picture in the paper-- you and salvo at arraignment. now you showed you're str

that's right. - i wanna do you a favor. - don't bother. i don't wanna have to like you. i made you an offer for your ranch. i'll double it. twenty thousand. that's mighty nice of you. but i think i'll hang onto it. have a drink with john dembro to the alliance. the alliance. you run together like a pack of mongrels because you think it makes you strong. well, keep out of my way. just keep out of my way. maybe you'd like to try that with me. you know, you're gonna cross me once too often. well, cock-a-doodle-do. [everyone laughing] i guess that'll hold him for a while. - john, take it easy. - you alright, fella? you alright? help me get him in the wagon, cheyenne. - take it easy, now. - goodnight, john. hope you feel better in the morning. isfied. every men in this town is laughing at you. - dad! - we'll take care of him. [singing indistinctly] let's put him in the back. easy does it, john. oh, bodie, you're coming back, aren't you? yeah, we still got some things to settle. - be right in. - good. sheila doesn't seem too happy. she wants things. things too hard to get. com

these guys don't wanna socialize with us any more than we wanna socialize with them. [ both ] what'd you say? i mean, it's a well-known fact that youse colored guys... would just as soon stick around with your own kind up there in harlem. is that so? that's what i always heard. oh, horace. look what we done found here. uh-huh. a genuine, 100%-dyed-in-the-wool bigot. no, no, no. no, no, no. yes. come on. say something bigoted, baby. wait a minute. now, that's wrong. i ain't no bigot. i'm the first guy to say it ain't your fault that youse are colored. that's number one! that's number one! [ excited chattering ] hold it, hold it. come on, guys. you see, he doesn't understand. he associates the crime and the stealing... oh. then you must be a liberal. well, man, we done found us a genuine liberal... and an honest-to-god bigot. now you can't beat that. come on, guys. hold it. you're putting me on now. all i meant was that... he doesn't understand what living in the ghetto can do to a man. and you do? well, i'm studying it in my sociology class. he's studying it in his sociology class. i

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i wanna be elected elected elected ? ? i'm your man i never lied to you i've always been cool i wanna be elected ? ? i gotta get the vote and i told you about school i wanna be elected elected ? ? why not me elected you know i'm your man four, three, two, one ? ? respected woah woah oh oh i wanna be elected ? ? by the people of i promise a coalition of the new party, the wild party, though i know we have problems right here in hollywood, we have problems in san francisco, san jose, los angeles, all over california, and person al ally -- i don't c! we got to win this one take the country by storm. ? i wannabe elected ? ? you and me together young and strong i wannabe elected ? ? elected ? i'm your man! ? elected ? ? respected ? ? i wanna be elected ? by you and you and you! ? ladies and gentlemen, the candidates! ? ? ? ? ? >>> this is "nightline." >> tonight, inside the final 30. girls' power. >> it's important places where your voice may matter. >> lena dunham on the trail chasing down voters for hillary clinton, now up ag

so if i wanna go upstairs, i'm gonna go upstairs. if i wanna stay right down here in front of your face, that's what i'm gonna do. any more?

i wanna write this down. i don't know nothing about what that boy was doing. - can you leave me alone for a minute? - yeah, sure. uh, i'll be right outside. ? ? if you're on medicare, remember, the open enrollment period is here. the time to choose your medicare coverage begins october 15th and ends december 7th. so call unitithealthcare to enroll... the benefits and stability you're looking for, an aarp medicarecomplete plan insured through unitedhealthcare. what makes it complete? it can combine medicare parts a and b, which is your hospital and doctor coverage with part d prescription drug coverage, and more, all l one simple plan for a low monthly premium or in some areas, no plan prememm at all. an aarp medicarecomplete plan and most immunizations all for a $0 copay. you'll also have access to a local network of doctors and much more. you can get routine vision and hearing coverage, a fitness membership to help you stay active, and worldwide emergency care. for prescriptions, you'll pay the plan's lowest

james, you wanna get yourself off the case? hell no. i wanna c cch this guy. then get a hold of yourself. you keep talkin' like that, you're off. okay. okay. i'll watch it, all right? just don't let the boss take me off this. [tapping] - mornin', gabe. - what's goin' on, jerry? new york city detectives. we understand you have a meeting this morning with a fred morgan. yeah. he should be here any minute. is somethin' wrong? we have some questions that we have to put to mr. morgan. now we're gonna be standin' right over here. now when he comes in, just try to act normal, then step aside when we move in to talk to him. look. look, it's him. [shouts] where's my sister? - where is she, u son of a bitch? - [simone] unlock the door! [simone] hey. hey. hey! police! stop! "robert, frank, david, 960." [sipowicz panting] oh, that's great. rfd-960. all right? rfd-960. 15th squad to central. 15th squad to central. okay? - forget about it, bobby. - well, what possessed you to do that, mr. silverton? idiot! - huh? - [silverton] i lost control of myself. ? ? if you're on medi

i wanna put this one on. this is the one i wanted to wear first, then i switched it up a bit, 'cause i love this. - so the same for this. the skirt was created through the class, the shirt is a print design done by one of our faculty, barbara rhodes and the necklace is done by one of our alumni. she has a collection of jewelry here called amery. - okay, so let's move on over here. i love all of the print work. we have a live model to show you too. as a collection here called my tattoo where she has designed everything she has on, as well as the shirts that we have printed. - what does it take to put something like this together? - i basically take my inspiration of time moving on and making decisions, so each print was designed by that inspiration. this one here, is just the decision of moving and sort of, always coming back to what you originally went to. also, this triangle design, which is just picking directions, things like that, and i take all my prints and mesh them together and sort of make them into

still wanna work for me? more than ever. i'd like to stay and find out if your word is worth the sound. i've made a lot of allowances for you. maybe too many. you've given me a lot of reasons to wonder. an innocent man is allowed anger when his honesty is questioned. elf. 'a man builds a ranch spreads wide as the county' 'owns a town, speaks the law and looks to bigger things.' i'd figure, on the way there were things he might want kept hid. maybe i got the key to something. i dod't know how or what. maybe when mac gets back, i'll find out. what makes you think he'll come back? this ranch is the lodestar to all of it. he'll be back. you're not very politete mr. bodie. sorry, but... there's something about you. just now, i thought i i membered you from somewhere. and do you? psst, ovov here. thanks for the gun. - why did you come here? - the gun was empty. - i was afraid-- - afraid for your husband. you're a good wife. i guess a girl like you does know how to please a man. you better leave. you better get out of here. why sho

i don't wanna fix the past. i don't wanna fix it in 1865, or 1965.nge. i wanna document the change along the way and celebrate that change. the burden of race is upon us and we ain't gonna shake it. and that can make us better. >> anthony: i'm a yankee. so, for me, it's kinda shocking to see this flag. it means a lot of things to a lot of people. first and foremost meaning, "i'm not a yankee, and i don't much care what you think." there's no doubt that much of mississippi history is ugly. from slavery, which was pretty much the backbone, the foundation of industry here from the get go, to jim crow, lynchings, to church burnings. 14-year-old emmett till, killed for talking sass to a white lady in 1955. the assassination of medgar evers in 1963. the murders of civil rights workers james chaney, michael schwerner and andrew goodman in 1964. hell, they had to send in 30,000 armed federal agents, national guardsmen, and military police just to enforce federal law allowing a black man to attend state college. a notion that was, shall we say, less than popu

and you're nobody's mother. - you wanna bet? - hey, watch it, that's my leg you're pushing on. - where is my son? - [cracks] you don't have a son. especially a nice lady like you. - you kidnapped my son. - i never heard of a car bang anybody around their bumper before! - where is my son? - an abandoned warehouse on front street. near main. (laughing) (upbeat music) - the car, it talks. i saw it. grundy was right. - [fish] that's all right, that's, that's all right. take it easy. - it talks, it fights. - stop it, stop it! i'm hitting you for your own good, now stop it! easy, easy, it's all right. (laughing) all right, it's all over now, relax. (upbeat music) - it's too late for that, let's head for the airport. - you drive. - of course i hit you, i hit you for your own good. - cars don't talk, fish. - of course they don't talk! all right, now relax and tell me from the beginning exactly what happened. (laughing) at a boy, all right. - grundy was right. - all right. - the car talked. r is this creep's mother. - of course it is. -

don't you wanna listen to captain blast, mr. wilson? captain blast here has never-- he's just back from mars, mr. wilson. well, he's just-- mars is so far away. you can go to any zoo and see a monkey just like-- just like that. gee. can you, captain blast? well, dennis, let's see what mr. wilson has to say. is he just an ordinary monkey, mr. wilson? well-- [music] --well, it's just-- now that i take a better look er like him in any zoo i've ever seen. i'm sorry i make such a fuss just because a venus guy jumped on me. heck, that's okay. he doesn't care, huh, lieutenant peep? well, now that the professor knew what to expect from the snake people, he got out his ray gun right away and hid behind a big rock. what, lieutenant? to tell you thank you very much. dennis: did the professor shoot the snake guys? well, no. no, he didn't, dennis, because just then, the king of the snake people came in and he looks a little bit like a mongoose. well, everybody knows how afraid snakes are of mongooses, so the-- and then, martha, i just couldn't bring

what do ya wanna go to town in a wagon for? strangers that come to town in a wagon you know, i've been thinking, cheyenne. why do i have to wear these clothes? because you'll do better in julesburg if you make out like you got a purpose in town. but i don't know anything about selling guns. - 'i'll tell ya, smitty.' - tommy? looks like we got a stowaway. better turn around and head back. please don't send me back. please. can't i stay with you? i-i don't wanna go back without-without my brother. well, alright. but when we get to julesburg you're gonna have to pretend that you've never met me before. i never saw you before in my life. i'll ride on ahead. et to teach smitty everything you know about those new guns. i won't. the smith & wesson products are superior to all other firearms. the new revolver's balance is superior plus the new quick-loading metallic cartridge. are you listening? hmm? yeah, yeah. alright. so i'm a gun salesman. (smitty) 'hyah! hey!' [cattle lowing] - how many, floyd? - two hundred and twenty six. two hu

i just don't wanna go no further, that's all. i could, but i don't wanna, see. yeah. that was my idea in the first place. what's the joke? just come to me what a bonehead move that cheyenne made when he leff his burrow in our keepin'. how do you mean? figured we do his sweati'' for him, huh? herd this pack train along so he comes s ong free and easy just behind us. what are you gettin' at? don't you see? it all belongs to us noww we don't go back to bigfork, savvy. not at all. you're not serious. you don't realal mean what you're sayin'. you and cheyenne was the ones that got scared and wanted to leave the mine, not me. listen, duncan. while i can stand on my two legs you won't touch a single grain of cheyenne's gold. - you understand that? - sure, partner. sure i do. i see just what you mean. we'll split up right now. that'd susu you just fine, wouldn't it? why me more than you? so you could shoot me in the back. sneak up on me, get me from behind. well, if you feel that way, i'll go ahead. so you could ambush me on the trail, my pal. one move out of you brother, i p

>> yeah. >> i wanna see that. [ laughter ] >> "the power of matthew star." this is about "a seemingly ordinary high school teenager, who is actually from another planet and possesses telekinetic powers." an-- "bring 'em back alive." now, remember-- >> right. >> who that was? >> frank buck. >> "based on the exploits of big game trapper frank buck." uh, "mama malone." oh, that's on cbs. the "bring 'em back alive." they also have "mama malone." this is about "the widow of an irishman, television cooking show, from the kitchen of her brooklyn apartment." [ some laughter ] let's see. they also have a show called, uh, "the good witch of laurel canyon." [ some laughter ] "a lighthearted drama about a pair of married private detectives, whose lives are complicated by her unpredictable psychic powers." psychics are in, this year, i think. on abc. ron glass, from barney miller. and demond wilson-- remember? "the odd couple." the new-- it's called "the new odd couple." let's see. [ laughter ] here's one called "star in the family," "a comedy about an ambitious young po

you want to make a will, what do you wanna say? whereas i hereby bequeath my homestead y dauger, mary. in the first place you don't need "whereas" and "hereby." i never heard no legal document yet without "whereases" and "herebys." alright, alright, it's your will. where you going? to get some liniment, do you mind? those spurs of yours aren't made of rubber. where you goin'? that's a bad cut, you might need help. now, i suppose we'll have to cook our own supper. alright, pop, what else? - dark in here. - scared? not yet. how's the leg?g? it's better. i think it'll be alright. oh, you can't be too careful with a cut like that. spurs are rusty. you better use that liniment. oh, i'll get it. i can reach it. this, what you wanted? - yeah. - sit down. - pull up your dress. - what? pull up your dress. higher. say, t tt looks bad. it'll be alright. you wanted liniment, you're gonna get it. ooh, stop. ooh, quit! stop! quit! why'd you cut yourself like that? cut myself? i don't wear that kind of a spur. why'd you do it? i wanted to get you

- who you know wanna be locked down? - what, you owe someone-- lookin' to alibi why you didn't have that money, huh? you got the mind of a criminal, arthur. you'd better get off your story, clive. the black cop was watchin' their car while the white cop was roughing me off and robbin' me for my money roll. now i.a.b.'s gonna come down hard on you, clive. d.a.'ll ask for 20 years. [ scoffs ] man, it was just a little possession for my own use. they're saying for sale, in proximity to a school. oh, man. that's-- [ sputters ] tell me the play, clive. i'll see if i can help you. [ sighs ] man, my mouth hurts. i got these sores my woman, she be criticizin' me all the time. plus she say they be clickin'. [ clicks teeth ] [ scoffs ] and you were holdin' 600 for someone else? a fella i do some things for. so you owed your supplier 600. you were gonna tell him the cop took that when he collared you, [ exhales ] here come breakfast. clive. hmm? clive. mm-hmm? if they pull back to simple possession, will you drop the complaint on t

i don't wanna make ya say something you don't wanna say, but-- >> yeah. [ chuckling ] i don't know. >> but you haven't done a lotta these shows, have you? >> no. >> yeah. are you-- are you comfortable, all right? i mean-- >> yes, i'm real comfortable. [ laughter ] my hands are stuck in this chair! >> you look like you're mak-- you look like you're making your first flight, on, uh-- [ chuckling ] >> i know. >> trans-debris airlines, or something. why don't you-- [ laughter ] just relax, and-- >> okay. >> pretend you're sitting in my livin groom, at home. >> yeah. sure, okay. >> and the wife is outta town. no, i-- [ laughter ] you know that. [ laughter ] >> do i seem real nervous, to you? >> no. are you? why? >> no, i'm not real nervous. i just wanna know if i seemed like it. i'm not nervous. [ chuckling ] [ laughter ] >> well, you-- the chair is really not very comfortable, is it? i mean-- >> no. >> to be perfectly honest with you. >> it's not like-- is your livin groom like this? [ some laughter ] >> no, not-- no, not really. uh, see, the chair-- y-ya can't move, in the chair. you're

you wanna write it down? you sure you don't wanna give me a summons? the two of you have a nice night. let's get out of here. [ engine starts ] could i switch seats with you? it'd be a big favor. yeah. appreciate it. aw, andy. can i give you a kiss? will they throw us out? oh, my god. i can't believe it's you. [ both laughing ] how you been? how's theo? oh, god, he's-- he's wonderful. he had some health questions, but he-he's fine. and sylvia's good? she's wonderful. she's a wonderful mother. i, uh-- i wish we'd have seen you sooner. we had a lot of sorrow with your death. pop, we didn't see each other too much when i was alive. what's your inference with that? no, i'm just saying, you know? nobody says i didn't make any mistakes. i would've liked to have seen the baby and sylvia too. that's all i'm saying. i took you for breaking balls, it's a little e te about that, pop. i wish to hell they'd let you come over there, andy. ththlittle guy, huh, well, he's a real xxxxer. and in 40 ways he reminds me of you. i never say that to sylvia 'cause of the upse

i didn't wanna scare him off. you know how jim is, he never pushes himself. - oh you're so right. - he could be a very important man in this town. - make sure he comes to that meeting. and i'll do the rest, get him acquainted, get him on a committee, and then in the next three months he'll stand a good chance to step in as president. but the first things to do is get him to that meeting. - well don't worry, he'll be there. - good. - i'm with you john. - we'll put him where he belongs in spite of himself. thanks margaret. - goodbye john. - oh boy president, i'm gonna put this in the biography. - oh no now wait, he's not president yet. i better start spading as soon as he gets home. (laughter) oh how'd things go at the office today? - oh about the same as always. oh i told ms. thomas about the biography kathy wrote... - anything unusual happen at the office? - no, and she got quite a kick out of it. - have any interesting visitors today? - no the usual run of people. - what did he want? - what did who want? interest

you and your customers don't wanna get hurt. we're closin' up, everybody. when you get outside, you can send for the sheriff. tell him to come in here after me. full of kentucky courage, ain't you, mike? [gun cocks] i said to clear out. i'll get the sheriff for you personally, mike. be my pleasure. you wanna buy a mirror? (mike) you waitin' for something? you'll have to. on your way. my quarrel's with the sheriff, not with you. now, get going. why don't you let me stay? you don't scare very easy, do ya? i'm scared. drop your gun. [gun cocks] [thump] kick it away. i'm gonna let ya stay. i like ya. you know wes garth, the sheriff? no. too bad. and i'm gonna kill him. [table creaks] [thumping] alright, mike, on your feet. move! - you look kind of sore, mike. - better get his old cell ready. why didn't you leave? he likes me. give him six months this time, wes. - and keep him outta here. - i'll do that. anybody beat aces and threes? we'll play the hand over. i got a better idea. let's see who won it. how do we know you didn't get them aces out of the deck? why

just another reason to wanna go to the islands. and we also wanna thank janelle wang as well as lance lu and glen iomora for all their work on those segments. when we come back, a look at the ingredients that make the hawaii food and wine festival such a big event. that's next, so stay with us. who says i shouldn't havmy doctor.very day? my dentist. definitely my wife. hey wait. we have better bubbles. make sparkling water at home and drink 43% more water every day. sodastream. love your water. at the marine mammal center, the environment is everything. we want to do our very best for each and every animal, and we want to operate a sustainable facility. and pg&e has been a partner helping us to achieve that. we've helped the marine mammal center go solar, install electric vehicle charging stations, and become more energy efficient. pg&e has allowed us to be the most sustainable organization we can be. any time you help a customer, it's a really good feeling. it's especially so when it's a customer that's doing such good and importa

white man wanna pay me like i'm u-n-o wanna see me at my funeral ? ? neither of my own homie wanna do me though layin ? that's my i ain't even wanna do it though if i don't do it i know he gon do me though ? ? cause he broke and he trippin bout stupid hoes but i'mma die just like mother julio black man ? ? ? black man drop top there go the cops there go the cops there go the cops ? ? is it because of my people is it because of my sneakers is it because of my jersey ? ? it is because that you nervous ? ? police see i got my hands up still wanna kill me they don't understand us ? ? they be lookin for a reason just to shoot me and wanna do me how they do us in the movies ? ? or how they do it out in baton rouge or ferguson or florida or baltimore they make excuses ? ? like i did cause i thought he had a pistol or i did it cause i thought he was a muslim ? ? my message to america felon or death here the liquor we die we just substances left here ? ? first you put us in a small hood and then you beat us and you treat us like it's all good ? ? and then shoot

we wanna talk to a guy who'll be back later. he's a contractor. wife said he helped the d.o.a. around his house. - wife seems somewhat nervous. - she might be worth another conversation. old-time neighborhood. no one was exactly falling over themselves to cooperate. - you wanna use a sound truck? - xxxx 'em off, you mean? - then maybe they tell you something else. - we'll get the truck. okay. um, diane? should we, uh, be talking about something? no. should you be talking to somebody? i can't hold simone hostage to management problems that have nothing to do with him. he's on that squad, arthur. if morale would suffer because bobby got a promotion and sipowicz didn't, you'd be wrong not to take that into account. well, sipowicz's work wouldn't suffer just 'cause he's too full of bullheaded pride. what i hate is him being able to think that i reached out to keep him down. you put him up for that promotion. you think sipowicz will believe that? and if he does, was a backdoor way of reminding the board that he had problems with kwasi before. don't liv

wanna party? -i'm not buying. i'm looking for someone. -well, look somewhererelse, because i ain't no info booth. -hey, you're going to want to help me on this. i'm looking for bad bob kattrain. -some girl on division street saw him this morning. scared the living hell out of her. -where is this girl? she work a regular corner? -taff building. -hey, listen you've been a lot of of help. here, take the afternoon off. -i'm confused with this part of the master plan, sarge. i mean, uh, is there any particular reason we're parked here? -bridges, we're parked here because crime happens everywhere. -oh! -as a matter of record, i was parked right here, in this very spot, back in 1971 when a stabbing went down right in front of me. -ah, that's from the deja vu chapter of the crime stoppers textbook. -and we're parked here because just about two blocks away kattrain made contact this am with one and sometimes the morning. -you know, i should be writing this stuff down. i mean, an education like this doesn't happen to a guy every day. dispatcher (on