thank you so much for your insight, mary wareham, the editor of "land mine monitor."nother actor voicing his view of the brit herb press. >> that's right. britain's tabloid newspapers have been accused of acting like the maff -- mafia and bullying victims into silence. that was part of the evidence presented by actor and comedian steve kugan at a hearing here in london. >> he's a public performer who says he's not interested in fate, whose best known character is a bumbling reporter. he said he's lot count of the kiss and tell scenes. one involved the editor of "news of the world" who became advisor to the prime minister. >> there was a girl who was going to speak to me on the phone, phone call would be recorded, and she would try to entice him to talk about intimate details of -- me to talk about intimate details of my life. >> he said it was time for britain to have privecy laws. >> -- privacy laws. >> in the interest of protecting public interest, that's why we need privacy laws, so genuine news is not affected. mary ellen field was accused of -- was affected by th

act five, scene one, the graveyard scene wareham let is holding yorick's skull. >> alas, poor yorick. i knew him, horatio. a fellow ofnfinite jest, of most excellent fancy. he hath borne me on his back a thousand times. and now how abhored i my imagination is is. my gorge rims at it. here hung those lips that i have kissed i know not how of the. where be your jibes now? your songs, your gambols? your flashes of merriment that re wont to set the table on a roar? not one now to mock your own grinning. quite chap-fallen. now, get you to my lady's chamber and tl her, let her paint an inch thick to this favor she must come. make her laugh at that. >> rose: >> fantastic. >> just think. at the end of this play no matter how much shakespeare cut it or anybody cuts it you've been in the theater for hours. you've watched all of this action, sword fight ansdz murders and hamlet flees abroad and there are plots and then everything slows and there's hamlet looking at that this come lum of characters that he's never mentioned before and meditating on mortality. it's an extraordinarily bold thing fo

act five, scene one, the graveyard scene wareham let is holding yorick's skull. >> alas, poor yorick. i knew him, horatio. a fellow ofnfinite jest, of most excellent fancy. he hath borne me on his back a thousand times. and now how abhored i my imagination is is. my gorge rims at it. here hung those lips that i have kissed i know not how of the. where be your jibes now? your songs, your gambols? your flashes of merriment that re wont to set the table on a roar? not one now to mock your own grinning. quite chap-fallen. now, get you to my lady's chamber and tl her, let her paint an inch thick to this favor she must come. make her laugh at that. >> rose: >> fantastic. >> just think. at the end of this play no matter how much shakespeare cut it or anybody cuts it you've been in the theater for hours. you've watched all of this action, sword fight ansdz murders and hamlet flees abroad and there are plots and then everything slows and there's hamlet looking at that this come lum of characters that he's never mentioned before and meditating on mortality. it's an extraordinarily bold thing fo