mustang also benefited from a terrific score by warren ellis. f modern cinema's most intriguing composers. alongside the likes of johnny greenwood and clint mansell, who did superb work on ben wheatley‘s adaptation ofjg ballard's dystopian novel, high—rise, his woozy, sensuous score perfectly capturing the film's increasingly unsettling tone. i'm so sorry. i'll survive. i thought you were empty. ijust moved in. you're an excellent specimen. high—rise opened in uk cinemas in march, where it went head—to—head with the coen brothers‘ splendid throwback hollywood fantasy, hail, caesar!, one of the most delightfully silly films of the year. why do you say it like that, why do you say "t‘were"? well, you said "say it like i say it." yes, but... you seem to be lingering. it's interminable, the word, i'm wondering when it will end, and we shouldn't be wondering, should we, we should be marching right along for so simple. would that it were so simple. calm down! when april rolled around, nothing could touch thejungle book, disney's reboot of its classic c