. >> in the shadow of the wasatch mountains, just south of salt lake city, lies utah state prison, or usp. originally built in 1951, this enormous institution has grown to cover over 680 acres. >> i've been at the utah state prison for over 25 years. and during that time we have gone from 1,200 inmates to almost 4,000 here. >> warden clint friel is tasked with the responsibility of running seven different facilities that house every variety of inmates. from gang units, to female offenders to death row, usp holds it all. the facilities at usp have earned their monikers from the surrounding mountain ranges with names like wasatch, oqirrh, timpanogos and uinta. building uinta-5 houses the prison's receiving and orientation, or r&o. >> uinta-5 is probably a time when they are most afraid. it's when they first hear the slamming of the doors, see the officers. and it can be a very difficult time for the inmates. >> after 20 years in the corrections business, lieutenant dale whitney knows that the first few moments with an inmate can be the most dangerous. >> we don't know when these guys ca

. >> on their first morning of shooting at utah state prison, the "lockup" crew entered the wasatch a cellblock, home to some of the prison's most violent convicts. we met a group of inmates playing cards and talking about who really runs the prison. >> the guards don't run the section. it's all run by your inmates. they pretty much tell what goes on. a guard does your section. but the inmates are pretty much -- they don't get along, they'll either force them out or they'll get moved. >> they'll get moved. >> they'll get moved. they'll get straight out told, you get your ass down to the pod. >> hit the bus. pack your stuff and go. >> have your stuff with you. >> you ain't welcome on the block. >> the guards distribute the food. they're only in there to make sure nothing major goes on. other than that, the inmates run everything else. >> sergeant danny herring was one of only two officers assigned to manage the 95 men on wasatch "a" that morning. >> yeah, they can take the block, but they're not going anywhere. what are they going to do? that really doesn't bother me. i really don't ha

sits between utah lake and the wasatch mountains and between u wasatch mountains. >> provo totally ruinedon most livable -- >> i was going to say the other great thing about provo, it has very tax friendly businesses. adobe has relocated there. great mayor, great governor. >> and then you have ithaca there at number two, ithaca, number two, most livable. i lived in ithaca for three years so i can fact check you there and say no. >> you didn't like it? >> i had a good time there, but i wouldn't put ithaca at the top of a list for cities about anything under any circumstance ever. >> ooh. >> wonderful people. love the people of ithaca. but i would say no on the fact checking. but tell us about how a small town like ithaca ends up on that list. and we wanted to give a shout out to asheville. tell us about both of those. >> with ithaca and all the cities really, we put it out online and so the town people rallied their base. so you could vote every round. the people of ithaca, they have a lot of pride in where they live and they came out. the civic leaders rallied the people, they shared it w

wasatch us up with who she and the number of different things she did. >> she began by wanting to ben actress. she liked the glamorous life. she liked being in front of the camera, on the stage. also, she liked the fact that actresses if they were successful became wealthy. her mother who had always thought that money was the most important thing in the world because she didn't have any, encouraged that. before she was in her teens, she got a part under studying mary pickford in a broadway play. -- a tasteistaste for life behind the lights. she was a major character as a 13-year-old in a thomas edison movie. she went out to new jersey and made this film. it was called "heart of the waif." she really wasn't an actress. i think she was a bit too concerned with her own persona rather than the persona of the person she was supposed to be playing. she realized maybe her real talent was writing for the theater or the movies. she started to write plays in her teens. by the time she was 33 years old, she had written one melodrama which was a flop, and then she had this immense " which with "