this is the grodin region, where the influence of western european catholic art is felt, free interpretationl christian subjects within the framework of the canon, it led to the amazing phenomenon of the belarusian icon, unlike some other phenomena of other schools has. probably in a greater degree of spirituality, the sincerity of naivety, even, which is very uh, it is important to notice. eh, we have and compare with other art schools. as you can see, i say, cautiously enough, because any hint of better or worse in the faith is fraught with certain consequences, and i am by no means a supporter of saying that russian orthodoxy is like this, but belarusian orthodoxy is not like that, by no means, no, not in this is the essence, and the essence is that the icon, like any creation of the people of the people, it absorbed and transmitted those primordial most important features of us belarusian people who lived here with us and live here for centuries. and here is an icon. everything contains icons; they can be here and there , in the church, in the church, and in the museum exhibition. who fo