. >> william morris was in a difficult position, because he wanted the middle-class to be able to acquire really beautifully made objects. but the piece is that he actually made, you know, took so much handcrafting that there were quite expensive. i think he would have been pleased to know that there are things like restoration hardware anne craig and bare all that tried to make available to the middle-class -- and crate and barrel that tried to make these things available to the middle class. >> over 60 lenders contributed art and craft to the exhibition. one of the partners is london's victoria and albert museum, which has been collecting the finest examples of victorian craft since queen victoria herself attended the groundbreaking ceremony. the artist of the victorian avant-garde believe that every object could contain an expression of beauty. the attention given when creating a towering sculpture should be the same as when creating a simple cottage gate. they embraced arts for arts own sake. whether in the curl of a flower or a stray lot of unpin hair. surprisingly, sensuality return

. >> you could call roesler's business a william morris agency for the departed, the caa of the doa.mg, and it's headquartered far from the glitter of hollywood in an office park on the fringes of indianapolis, distinguished only for the orange wind sock for roesler's helipad and his green bentley. inside is a multitiered office lined with memorabilia from his departed clients. first stop, a suit worn by one of the blues brothers. >> i've represented the family of john belushi, his widow, judy, for almost 20 years. >> it is all tastefully done and quiet as a morgue, a shrine of sorts for a legend whose time on earth has ended but whose career still has a pulse strong enough to produce a stream of revenue. it is part of their legacy now and may be the ultimate show business compliment. they may be dead, but they still have an agent who's finding them work. what do you do for them? >> well, it's really not that much different than if they were alive. >> you can't book them for personal appearances. >> that's correct. we can't talk to them. we can't get their approval. but we'll get som