and we're back in modern—day winnsboro, the ghost face killings, which have been immortalised in thed there's the usual cocktail of meta—textual gags, because the whole thing about the scream franchises is it's a scary movie, which people talk about being in a scary movie, but there's original cast members and there's also a fresh new blood. the co—directors and writer of this made a film called ready or not. which you and i talked about before. it's a kind of horror movie—black comedy hybrid and i really liked it. so i went into this with fairly high expectations. they weren't generally met because the film is fine — if you've never seen the wes craven original in the cinema, ok, fine, there will be a new generation of people wanting to see this on the big screen. the problem is, what you don't have is the fear of the original. the original scream was scary. people forget. ok, it was post—modern and everything, but it was scary. and also, you don't have that an amazing thrill of originality. the thing i would say is, if you are really interested in scream and you want to see somethi