i would be woody, i'm so sorry for always coming and pestering you. i'm nervous and i want to make sure i do a good job. he looked at me and said don't worry at all. i thought he was ignoring me. he goes you know, i'm not ignoring you. i'm a little deaf and i have this hearing aid and he takes it out of his box and shows it to me. he goes every time you are talking to me, i just turn it off. i thought that is nice. probably a wise move. he is just like turn her off. tavis: i'm glad you figured out what the quite good thing means. that could drive you crazy. >> i was like oh, my goodness. i was so embarrassed. he must have thought i was a complete maniac. he was complimenting me and i am like wait, wait. tavis: one thing that is interesting about the story is there is a back story to how you got the role. nicole kidman. >> i got a phone call and it was my agent saying he wants you to go meet him. i was totally broke and i'm like oh, i've got to go. i got a call. i was in london in the middle of the night. they said he had given part away. i was devasta

let's start with woody allen. >> okay. good place to start. >> we will talk about what won in a moment. >> i think this is, you know this is very slight movie in some ways. it reminded me of some of his sketches that he wrote and collected bk in the '70s and '80s, stuff where the guy goes and brings madam above ary into manhattan this is, has a very charming premise where owen wson playing the woody allen surrote character as this frustrated, he is a skrin writer, a hack screenwriter. he wantses to be a novellist. he is in p business his kind of pruddish, materialistic fiancee played by rachel mcadams and this magical thing happens which i think is very nicely never explained like in purple rose of cairo. how did the guy get off the screen, you don't know. a car pulls up, an old-fashioned roadster and inside are helda and f scott fitzgerald. and he does this time travel, by day in paris he's in modern day paris kind of moping around and going to tourist sites with his future inlaws. and his unbearably pretentious friend pl

and that was another thing with woody.n't expect him to be -- he was terrified of my dog. i mean, i knew he wasn't going to be jack london maybe but i didn't think he was going to be like just like literally almost shrieking in terror at gar sea when garcia, my dog, would come on set. but -- >> jimmy: what kind of dog do you have? >> just like a little, you know, australian cattle dog. it's not like a pit bull or anything. but it was funny. his family actually loved to see the dog because they're not allowed to have pets. because of his kind of phobia. and his daughter was over, you know, kind of excited to see garcia. and she was actually said to me one day, she said, i really wish my dad would put bloopers at the end of his movies. >> jimmy: what? >> and it made me think, woody allen movies with bloopers. it was hard to imagine. i kind of wanted to see. yeah, that's a good idea. i wanted her to go -- because he was over on his iphone. i was like, why don't you -- go, yeah, you should tell your dad that. she was like, nah

woody can help. thank you, woody, for being here. >> thank you. so we're going to talk a little bit about carville by the sea today. carville was a unique community out on the edge of san francisco. as you can see by the slide, it was made up of old street cars and horse cars that people used for residences, bars, restaurants, clubhouses. it had its peak in the 1890's, around the turn of the century. i should mention that you see this is a color shot. none of these photos were originally colorized. i essentially put color in there for the book just to make it pop a little bit. so don't be fooled. before we get started i'd like to talk about the organization that i helped found 10 years ago, the western neighborhoods project dedicated to the history of western san francisco. we have a very popular website, outsidelands.org where we have old photos, stories, over 15,000 messages put up by people remembering their time in the richmond district, the sunset district, west of twin peaks. i couldn't fit everything into a book so i decided to have a littl

i didn't expect woody to be on the record. i just said, woody, come on. i was joking. and when he sang, i was like, oh, that's cool. let's put you on the record. and he was up to it and we did it and that was it. tavis: so if, on your next project, i happen to stop by the house, is it possible that i could end up on the record? >> it's possible, yes. [laughter] tavis: all right. i'll be by, then, in a few weeks. ziggy suggested a moment ago he's not trying to preach or proselytize. we'll give you a chance right now to see whether or not you enjoy the new stuff from ziggy marley. the new project is called "wild and free" and we are now going to have a special performance from ziggy marley in just a moment. stay with us. tavis: from his forthcoming c.d., "wild and free." here is ziggy marley performing "forward to love." good night from los angeles and keep the faith. ♪ ♪ ♪ don't go away when you know that it feels good ♪ why don't you stay 'cause you know what we could do ♪ baby we could get hazy ♪ hand-in-hand we feel ♪ we see true love in our eyes ♪ baby this ain't a

woody allen's already filming his next movie in rome this summer.en himself. >> if you're in one of his movies, you always get to travel to a great location to shoot. >> we should do it. >> let's do it. let's get on that. >> i saw "midnight in paris." it's pretty good stuff. >> you loveddki it. ♪ [ woman ] sam begged and pleaded... so i sent him to camp. we'd earned lots of points with our new citi thankyou card... and i put them to good use. he told me about his bunkmates, and how he signs up for every activity. ♪ he even hangs out with the camp director. just like that. [ male announcer ] the new citi thankyou premier card gives you more ways to earn points. what's your story? citi can help you write it. prices are likely by the fourth of july weekend. that's because the u-s and other nati lion >>> good morning, 8:25 is your time. let's get you caught up on some of the headlines. lower gas prices by the 4th of july weekend. that's good news. it's all because the u.s. and other nations are releasing 60 million barrels from the emergency stocks. the

>> reporter: outside of amish country, good luck finding a kid or parent who can't identify woody anduzz, mike and sully, nemo and -- >> wall-e. >> wall-e. >> reporter: their first 11 films have earned more than $6 billion. their trophy shelf is bulging. and their headquarters should be the envip of anyone who ever sat at a desk. >> it's not an ordinary stat chew -- >> reporter: oh, that's fantastic. can i go in there? we'll show you around in a second. but to appreciate all of this, you must understand that in the beginning of the pixar story, disney is the villain. >> darkest part of my career was being fired from disney. >> reporter: as a son of an art teacher, john was a kid consumed by cartoons. and when he finally landed a job in the magic kingdom, he was certain he could use computers to tell stories in a way that would have thrilled his hero, walt. but when he directed this test animation of "where the wild things are," his bosses just didn't get it. >> they said, no, it's too -- the only reason we'll do computer animation if it is saves money. it was just like, i couldn't bel

woody can tell us about carville. >> this is the last in fact carville house. it was a community of discarded streetcars, horse pulled cars, various modes of transportation that were made obsolete by electric streetcars so cars were dumped out in the beach and sunset side and people made residences and the one is there and two cable cars and that is the upper and lower level and from the back it doesn't look like anything and they had club houses and bo hemian musicians would go out and take a dip in the obligatio ocean and romance. >> what a wonderful time. >> people didn't like it and came up with a slogan "burn the car out of carville" and they wanted traditional housing. >> wind mills. okay two in the park and one that is now restored and functioning which was the dutch wind mill and the other, the murphy wind mill which is being restored. the dutch wind mill built in 1902 and make it a high rise. >> only at the highest level. >> of human occupantacy and at the bis. >>base. >> and cost $18,000 to build and the sails are of oregon spars and intended to pump

there's lots of great resources out there. >> that was terrific, woody.nk you so much. >> i couldn't have enjoyed it more. [applause] >> we'll see you next >> hello. welcome to "culturewire." we are here today with bay area artist jody chanel, and we are here to see the plaza where your piece has just been installed. >> i have been doing large-scale paintings in the galleries and museums, and the idea that in the future, i could do something that would hang out a little bit longer than the duration of the installation the kind of appeal to me. i quickly found out about the san francisco arts commission school and realized there was a pre-qualified school you had to apply to, so i applied to the. >> how long did it take you to develop this work for the plaza? >> this was a fast track project. design development was about a month. >> let's look at the beautiful mural. i have never seen a mural created on asphalt. >> the heat of the asphalt, a new layer of asphalt. then, these wire rope templates that were fabricated for the line work get laid down and liter

. >> woody, i was wondering. you said they dragged them out. i know the maps from that area, and basically the lincoln street line is the most southern railway for the city at that time. so everything south of that, you're telling me, sandunes. we all know walking sandunes. how did we drag them out? did we drag them out on lincoln with horses? were we able to put out some rails. there's a good deal of bodies when you say 50 or 100. >> that's a good question i was really struggling with. well, for one thing, the golden gate park, the roads, the park commissioners were very jealous about. they didn't want anybody to use the golden gate park roads for commerce or transporting things. they wanted to keep it for recreation. so for a long time i thought maybe they used that streetcaroline on lincoln way, used the rail, somehow put the cars on some kind of fladbed rail thing, brought them out to the edge and dragged them across the sand, perhaps on sleds or something. i finally came across what heyman did in an article. he actually somehow talked the

right away you run into woody guthrie. we--i asked david to research it, and david came back with, there is no other work written on this subject, and that was irresistible to us. you know, we feel very strongly about it. we knew we had an advantage if we went to speak to the people who do it, you know? i don't have to walk in cold. i'm not, you know--it's like, "how did you boys meet?" i know, you know, who i'm talking to, and generally, we're at least acquaintances if not close friends, and we're talking about events that we did together or that we've done, you know, separately, but the same event, you know, at different times. and it gave us a window into these people that other people didn't have. we asked them, "what really matters to you? "what are you willing to put yourself on the line for? "what are you willing to put your rep and your honor "on the line for?" (bender) "and why?" (crosby) "and why?" (bender) you should see their eyes light up when you ask that question. it draws something out of them equivalent to

and i never did that again on a plate. >> and now every time you hear a squeaking you think of woody allen? >> yes, okay, tatum, put that down. it's been like that a lot. there's so many of those experiences so -- >> your dad was so mesmerizing as a star. >> right. >> that you can't even imagine when you watched him that he was going to go on to be the great romantic lead for the next 20 years and he didn't really. why do you think it never really happened in the way it should have done? >> i'm not really sure. i have some suspicions but i'm not sure. >> what are your suspicions? >> i wouldn't tell you, because their my suspicions so i'm not going to say it on national television. >> really juicy. >> i think that people sometimes go down a wrong path and that path isn't the path that would bring you the kind of success that would be 20, 30, 40 years later and i think that that's okay and we need to forgive those people. >> would you be in a movie again? >> i think i would like to be working in a way that was just where i would be considered kind of thing. i think that's more -- than

. >> woody? >> yeah. because he said charlize is not like a delicate girl. she's a classic broad in terms of being a beautiful woman, incredibly talented and also able to tell more vulgar jokes than you, and drink you under the table. >> none of this -- >> guilty as charged? >> none of this -- there's no truth to it whatsoever. >> there clearly is. i can't imagine you being vulgar. you seem such a nice girl. >> i'm not vulgar, i wouldn't say i'm vulgar. but i think i was raised by a broad and some of that rubbed off. and i'm really -- i'm very -- i'm grateful for that. will smith one day said what i like about you, chuck, is that you're like from the white house to the ghetto. and i thought that was one of the best compliments that was ever given to me. >> that's a great phrase. you calls you chuck? >> yeah. >> it's getting ever more complicated. you're going to have to restate your name now. >> i know, seriously. >> you can't have americans call you chuck. >> look, i loved working with woody. we actually did a film together that was a true story of this ver

and i never did that again on a plate. >> and now every time you hear a squeaking you think of woody, okay, tatum, put that down. it's been like that a lot. there's so many of those experiences so -- >> your dad was so mesmerizing as a star. >> right. >> that you can't even imagine when you watched him that he was going to go on to be the great romantic lead for the next 20 years and he didn't really. why do you think it never really happened in the way it should have done? >> i'm not really sure. i have some suspicions but i'm not sure. >> what are your suspicions? >> i wouldn't tell you, because their my suspicions so i'm not going to say it on national television. >> really juicy. >> i think that people sometimes go down a wrong path and that path isn't the path that would bring you the kind of success that would be 20, 30, 40 years later and i think that that's okay and we need to forgive those people. >> would you be in a movie again? >> i think i would like to be working in a way that was just where i would be considered kind of thing. i think that's more -- than just being in

. >> woody was just given this time. >> i have been wanting one of these for years. i know they were at 5300. >> the building is still there. >> they were not the most enlightened company. they were strict about not showing homes to minorities. they got in trouble for that. willie brown actually made his name by going and trying to see one of the homes. it was a very political thing. he would walk up with a whole bunch of people in the person showing the home would sneak away. >> even in the teens, there were a lot of neighborhoods that had restrictions against certain groups of people. >> this was in the 1950's. willie mays had trouble buying a house in san francisco. a couple of people would not show him a house. they had to enlist the mayor and a bunch of people. this is their reservoir. companies would take a block and there would start wrecking houses. there were building two a day -- they were building two with a. the 1930's were the big boom times for the sunset. >> this is a recession. >> these are the homes in west would park. -- in westwood park. >> how did

woody allen once i was sitting at a table with him and i was cutting my food.are you doing? i go, well i'm cutting my food. he goes, no, no, don't do that. don't ever do that again. it was squeaking and i didn't know that. i was like okay. then i never did that again on a plate like -- going -- >> piers: every time you hear a squeaking -- >> i think of woody allen going, okay, tatum, put that down. i go okay. it's been like that a lot. there are so many of those experiences. >> piers: do you think -- your dad in "love story" was so meds mer rising as star. >> right. >> piers: that you kind of imagined when you watched it he was going to go on to be the great romantic lead for the next 20 years and he didn't really. why do you think that it never really happened in the way it should have done? >> i'm not really sure. i have some suspicions but i'm not sure. >> piers: what are your suspicions? >> i wouldn't tell you because they're my suspicions so i'm not going to say it on national television. >> piers: they sound really juicy. >> i think people sometimes go do

he thought of george constanza and woody allen. he thought of philip and alexander's father yelling and screaming telling his son he was the son of the family shames. you don't be deserved to be called a view. you, alexander are being embarrassed by the surface of the mirror. you don't deserve to be a mexican. nor the fact that mexicans are the hardest working people and came here to work and give their children a better future. there is no mexican who tried to justify with arguments like a fantasy to celebrate cinco de mayo. you, my friend are the self hating [inaudible] of all mexicans. you are nothing but a big master baeter. foolish man who hides from the rest of the world and sees his shame in order to dream a man can exist without a pas port or green card and labels him as what he is. remember the ones who tried to pass as something else? remember the [inaudible] of life. the [inaudible] of the nation of the [inaudible]. remember the guy from tijuana you met years ago and is proclaimed he was italian because he would and peop

woody allen said hollywood is such a competitive place, it's worse than dog-eat-dog-- it's dog won't return other dog's phone call. but in the u.s., we have become more generous, precisely as we've become more competitive. my kids come home and hand me pledge forms-- readathons, walkathons, swimathons, knitathons! and don't forget the susan g. komen race for the cure, raising $2 billion for breast cancer research. charities are more effective because competition forces managers to prove they don't waste money on fancy cocktail parties. by the way, low taxes spur giving. during the 1980s-- the maligned decade of greed -- the growth rate for individual giving jumped 67%. giving lifts our spirits. when nerdy bill gates and warren buffett open their wallets, from certain angles, they even look chic and stylish-- almost. so when that kid jogs up to you breaking a sweat, please break open your piggy bank. you'll feel better and we'll all be better off. i'm todd buchholz >> susie: that's "nightly business report" for tuesday, june 21. i'm susie gharib. good night, everyone, and good night t

woody has devoted a lot of his time and effort to the outside lands. >> we are a nonprofit in our 10th year, and we are dedicated to preserving and sharing the history of san francisco. >> it is great to have you here. and pat, who has a lot of knowledge and brought to be sure today a lot of [inaudible] , and she can share with that -- she can share that with us as well, and we only regret that harvey the wonder dog could not be here. we talked about [inaudible] what area, generally, are we talking about? >> the term came from what was called the pueblo land when the san francisco peninsula was switched over from mexican ownership to american ownership. certain tracts were preserved, so there was a more orderly, even though it took decades, transfer of ownership of those lands, but there were also what were called pueblo lands, which were sort of a poem by the town, and then, there was a whole lot of discussion about what should happen to those -- which were sort of zero and -- sort of owned by the town. >> so was san francisco's bordered upon at the time, or did that happen later? >>

often you can't put this into words but it is there greatly. >> physicality. >> and there is a woody allen figure you want to be a funny neurotic guy. you just want to be funny. so there are certain ways of being. i took a class, i didn't take a class but sat in on a class by a guy who became famous later, allen bloom. >> and so i remember, i would come periodically because he was such a great character. at the beginning of the term everyone lked like nmal students. by the end they all wore the same shoes, the same white shirts, smoked the same marlboro. he just had this effect. and strong psonality. >> one observation of your book who compared this to allen. >> yeah. >> i didn't quite get that. allen bloom was a superhigh intellectual. and i'm not quite clear sure i'm like that. but it is a book i guess like bloom. >> i think they were talking more about what he wrote rather than the quali of his intellect. >> he doesn't like rock musi i really like rock music. i guess one of the thins -- >> but he clarely had an influencon new. >> well, i think his book, actually, the book that did

>> well, i mean, i think new york is the same town that brought you woody allen and brought you everybody having a psychiatrist. there not a great deal of stigma to being neurotic in new york. it is accepted to the point of maybe being desirable in certain circles. i think now that these medications are more common, new york is the place where people are going to be comfortable with it and going to be open about it. >> you make a point of saying here that this is brain styling, not mind altering. you make a clear distinction between the two, do you not? >> yeah. i think people when they have actual problems like anxiety, depression or insomnia. they take these drugs. they become normal. they don't become drugged out. >> but you're differentiating certain kinds of drugs from very serious drugs, and you can speak to this, dr. doyle. >> sure. >> and that, say, schizophrenia. we're not in that category of drugs here, are we? >> it is highly unlikely for people in new york to pop antipsychotics for the fun of it. >> we're not talking about bipolar, are we? >> we end up talking about that, and

it's a little bit nuttier, a little more woody flavor, a little more robust flavor compared to the traditionalwhite mushroom. >> ok. >> so if you're really wanting to do a stir-fry, or sautee some mushrooms and get some reay robust flavor, try some of the criminis out. they're great. >> and so i get this home-- my big questio washing it. ok? do we put it under the tap, do a little damp cloth? what do we do? what do we do? >> well, you know, you definitely don't want to wash them beore you're ready to use them. so always wait until you're about to use them. so don't think you have to wash them before you store them in the fridge. that's a bad thing. >> ok. i would do that. >> but you do. you always want to either brush th with a soft brush or rinse them lightly before using. just to get all the debris that may be othere. >> that is gonna do it for the show today. if you have any questions about the recipes or the stories you've seen on the show today, check out our website at www.californiacountry.org. and we'll see you again next week on "california country". [captioning made possible californ

and then, of course, graduated to this land is your land and the songs of woody guthrie and the songsoming what my brother calls "the folk scare." and i loved the songs, and i loved the literature in the music. it was so appealing to me. what timing for a young woman who had a-- a social heart, who had a great voice, who had a national guitar, right? and at a time when this country was changing dramatically and the kind of music you loved was emerging. i mean, you joined, literally, a movement driven in part by young women like--like you. do you remember those early days and some of those early alliances and friendships? you--you had to--you had to meet a young joan baez, certainly. you certainly ran into bob dylan. mm-hmm. mm-hmm. what were those days like? well, they were very exciting. it was very-- it was very fast and very--now, in retrospect, it all went so quickly. but in the time that it was happening, it seemed to be a slow process. my own work was--was growing. i was going to the clubs that i was working in. i had to make a living, and it turned out that i-- the only thing i

is that says woody harrelson from the movie very lucky guys sitting. in the bunker with like twenty twelve or so with one of those end of the world movies oh this is so there's the comic element which is apparently like three hundred million three hundred miles away excuse me but i think it's three hundred i think it's like three million miles away three million that are looking million euro simply it's not three hundred miles away but it was but it's somewhere out there by late august first supposed to be able to see it as like a fuzzy star in the sky that has a little tail so you think of the government hiding it from us. obviously if you knew someone thought would you tell everyone you know you have a bunker for yourself and keep it for yourself what that would do you think it would actually work i mean true confused by the obsession with the end of the world i mean it's going to happen it's not just going to happen there really is going to be i will have side that's the whole i mean the one. in paris so here on the other side the real world in augu

that says woody harrelson from the over the new movie premier the guy sitting in the bunker would like twenty twelve years it was one of those end of the world movies sure well this is so there's the comedy ellen in which is apparently like three hundred million three hundred miles away excuse me and i think it's three hundred i think it's like three million miles away three million i'm looking william it really is simply it's not three hundred miles away that would be able to but it's somewhere out there by late august for as opposed to be able to see it as like a fuzzy star in the sky that has a little tail where you think the government hiding it from us. obviously if you knew someone thought would you tell everyone you know you have a bunker for yourself and keep it for yourself look at it what do you think it would actually work i mean for of confused by the obsession with the end of the world i mean it's going to happen it's not just going to happen or it is going to be i will have side that hold you know human. the deep impact of so here on a few other sites around the world in

i mean, i can't explain it, but they have, like, two yelling deejays that, you know, as woody allen says, "deaden the sensibilities of this great democracy." but you turn on cable television, you have two people yelling at each other in 30 seconds or less. yes. they're not looking for any middle position. what is it, though-- you know, you sort of talk about the big companies that shove this down our throats, but what does it say about the american public that they buy it? you do a riff on the grammys and about how the music's shoved down their throats and mediocre talents prevail. whose fault is that? it is--it's a-- it's a combination of faults. you know, what came first, the chicken or the egg? the mediocrity or the desire for the mediocrity? i would say if you spoon-feed mediocrity to young people constantly, they think that they want mediocrity. but, you know, there is a huge, huge, huge market for good music out there. a huge market, and they're buying indie rock, and they're buying, you know, classical, all kinds of things. i just happen to prefer indie rock, you know, myself, and

i just saw my wife -- we saw the woo woody allen movie one night in paris and i enjoyed not knowing anythingbout it and therere movies where i'm on the fence so i think it depends. >> charlie: if you like a movie do you like to go back with your analytical brain >> to see it again? >> charlie: sure. >> i'm sure if it's what you do to go to see a movie and you're a filmmaker you can't help but be aware of the process but at the same time the greatest movies you get lost in which the idea of 3-d can beoolis beside the points. the great movies suck you in f more than 3 does. it's a story. >> charlie: what's the common denominator of everything you do, story telling? >> i can tell you what it should be and what i'm determined to do is it's got to be something they desparately love and i would truly want to se myself. there e times when you work on something and you think t audience will love this and you are doomed. like if you think you kn -- it's never going to work and if it does which it could i guess was a hollow victory because it wasn't what you love it was a guess. >> charlie: okay. lost

i was not planning on -- you know, to some extent it was woody allen who said in one of his movies, marriagedeath of hope. and i had not had a lot of luck in my first couple of marriages but, you know, i found myself in a relationship. we've been together for about 2 1/2 years now where i just couldn't imagine spending the rest of my years with anyone else. and it just doesn't get better than this. i mean, we laugh a lot and that's what it's all about. >> oh, yeah. >> i think you've got a scoop for me, haven't you? reveal the date of the wedding. >> the date of the wedding -- can i tell them? >> sure. >> it is june 18th. >> june the 18th. >> this year, saturday. >>> we'll be there obviously. >> we're excited. >> a huge cnn breaking news event. >> of course. you're invited. >> a june bride. >> a june bride. >> my brother will be my best man. the groomsmen will be my two youngest sons. >> it's going to be a lot of fun. we've done -- >> the bridesmaids. >> the bridesmaids are my best friend -- anna is my maid of honor and my two sisters are going to be my bridesmaids. >> is it going to be a big

." >> jimmy: no, it's a woody allen film, isn't it?ted now! >> yeah. >> jimmy: well, this is unbelievable. i've never seen you blow up like this. this is a really new side of you. >> we can talk about it later, jimmy. [ light laughter ] >> jimmy: no, let's do it now. that's what my show is all about, man. i'm like piers morgan. [ light laughter ] >> are you? >> jimmy: yeah. i'm the next piers morgan. >> oh, you're going to take over for him. >> jimmy: yeah. >> okay. >> jimmy: no, i'm going to take over for larry king. yeah, i'm going to take over for piers morgan. what are you getting mad for? >> jimmy: no. i --i'm here. >> jimmy: no, we're going to talk about "memphis beat." what makes you mad about it? >> i'm excited about it. >> jimmy: yeah? the second season. >> well, i like it so much i that i get frustrated. >> jimmy: yeah, yeah. so on tuesday -- >> on tuesday, june 14th, we have a season premiere for the second season. >> jimmy: and you're going to get mad? >> yeah, i get really angry on the show. >> jimmy: because you're so psy

hanks is the voice for woody in the successful toy stories series.on't comment but did release this, the first trailer for new movie "brave." you heard about it when bob redell was live from pixar on friday. this is our first look at the animation. "brave" is pixar's first film to feature a female as the lead character. it's due out next summer. microsoft is in the cloud above your head. the company is flying small planes above cities taking pictures at one foot resolution. 152 cities will be photographed for the microsoft bing maps. and the chicago museum looking for someone to live in this glass house for a month straight. as part of an exhibit. you'll be replacing a young woman whose month is almost up. after the museum closes for the night you can wander wherever you want. you can sleep in the german u-boat, you can apply on line. 1500 people applied to live in the box. >> they don't have fears of claustrophobia. >> or museums at night. could get creepy. >> you and ben stiller. thanks, scott. this morning congresswoman gabrielle giffords continue