. >> daniel wordsworth heads another minnesota-based group, the american refugee committee. arc also saw a huge response to the haiti earthquake. but support for pakistan, hit by massive floods a few months later, was far weaker. initially, wordsworth says, there also was indifference toward the horn of africa. >> i think what we see in both pakistan, and we're seeing it very strongly in somalia, is that, and it really is almost confronting to us, is the lack of belief that people have for that country. so it's not that they don't feel compassionate. they just can't make the connection. they don't believe that either change is possible there or that their money, or their resources, what they give, will actually translate into something different on the ground. that's the crisis that we're seeing. >> wordsworth says it's the deeds of one percent of the population that have given pakistan and somalia their reputation as hostile terrorist havens. so in its fundraising campaigns for somalia, the american refugee committee has tried to "de- fang" somalia's image, drawing heavily

varies a great deal, but the heart and soul of my teaching is poets, emily dickin son, blake and wordsworth and keets and shelly and for a little bit of opposition, i teach jane austin. >> in your book you write about marcel prp oost. i must confess i wouldn't know much about him if it hadn't been for this show and a visit we made a few years ago to shelby foots' home in tennessee. i want to show you a clip and ask you why people read marcel proust. >> my mother gave me this for my 78th birthday, and every time i feel i've earned the right to do it, i quit everything and reread proust. i've done it -- in the back of this, i wrote each time, it's the ninth reading, 1993. i haven't felt justified in taking off too much since 1993. >> so you've read this book, and it's what, 3,000 pages? >> yeah, mm-hmm. >> nine times? >> right. >> why? >> it's -- two reasons. one is pure enjoyment. proust is one of the most entravonning writers that ever lived. and the second is he can teach you something. a writer can learn from proust. and he can indeed -- we were talking about shakespeare. that's the grand