and i can tell you now, and i wouldn't -- i didn't have the nerve to tell you when you were woshingenou did a brilliantly. what worried me most is whether or not you could make on film august's stuff accessible because as you know web the stage is one thing, film is something else, and the stable and the mind of a lot of people, especially the work can be labeled highbrow for people that don't want to have a patience to wrestle with it. were you ever afraid that you would have trouble making it accessible? >> i didn't -- no. no. i didn't think about that or i didn't -- i mean, my point is this, when you watch august's stuff, you got to wrest wl that thing. it's not acting. i mean you ain't got a bunch of stuff flying through the air, pyrotechnics. >> you mean you've got to listen? >> that's what i mean. >> imagine that. which is why i started the film in black. >> exactly. >> so that you had to lean forward and listen. i did that on purpose. >> yeah. >> you know, so that you would listen. >> what made you feel that people in an era where fans are like that, faster than that would sit,