with a novel, it ually tak me about wpl h a ydilo ahe i have a very strong sense of meter and rhythmiti, wog,th t'snkll whether that's it a abe w anr g tsa w yeaald whether the dialogue works. there's something about saying the dialogue allowed that makes you tnkateed fie, hd or 'sntti how forgiving myself i am running my eye over the sentences andow i lose that ability when i'm acal ying t snc d, bermeg mayoar i aho n y. ou r sncud for example, and your breathless at the end, that's nature's way itced dtou it w ron athado tmae itht written. i almost feel as if i'm going to run into my charaers on the street. ateath cen akh tr,o he dyst, problems, or issues, but to have them as real as anybody you might see on the corner in the afternoon. >> host: anna quindlen, th clof19 is fromdr bs , ouknt nyyslkinrk listening to your work on audio cd. i' also a barnard alum and acma yckut tpe u? nce e'ot m anbos. tut where does race fit into your books? >> guest: good point. il cin tkeitst a obou t, il knnyaye ueuy oof t instructive books about racism that's ever been written. i give it to my chi