as wynton marsalis had bade him he was the man. and a lot of a lot of rock guitarists and composers they dare to take just 4 notes for their rockers some of the most famous rock for search down down down 4 notes and that's something that people didn't do before beethoven was around they absolutely did not they don't was it was totally new to that i mean he started a symphony with 4 notes in the minor key what a shock was that that hadn't happened for us it's normal we know it but but in those days it was a bit of a shock and that that was what beethoven did he push boundaries and today there are top stars who make so much money with just 34 notes rio for the orchestra still has to play all the notes now film composer john williams he knows a lot of notes he's also in this documentary he's the guy behind movie scores are including star wars. jaws harry potter quite a big coup to get him on the movie and it wasn't planned but you ended up playing with him how did that happen well spotted there's a tiny clip where the 4th floor and yo

as wynton marsalis had big to them he was the man. and a lot of a lot of rock guitarists and composers they dare to take just 4 notes for their rock for some of the most famous rock for sir dun dun dun dun for notes and that's something that people didn't do before beethoven was around they absolutely did not they don't was it was totally new to that i mean he started a symphony with 4 notes in the minor key what a shock was that that hadn't happened for us it's normal we know it but but in those days it was a bit of a shock and that that was what beethoven did he push boundaries and say their top stories here make so much money with just 34 notes 30 for orchestra still has to play all the notes now film composer john williams he knows a lot of notes he's also in this documentary he's the guy behind movie scores are including star wars. jaws harry potter quite a big coup to get him on the movie and it wasn't planned but you ended up playing with him how did that happen well spotted as a tiny clip where the 4th floor and you're obvious

as wynton marsalis said bay to them he was the man. and a lot of a lot of rock guitarists and composers they dare to take just 4 notes for their rock for some of the most famous rock for sir dun dun dun dun for notes and that's something that people didn't do before beethoven was around they absolutely did not they don't was it was totally new to that and he started a symphony with 4 notes in the minor key what a shock was that that hadn't happened for us it's normal we know it but but in those days it was a bit of a shock and that that was what beethoven did he push boundaries and today there are top stars who make so much money with just 34 notes 30 for the orchestra still has to play all the notes now film composer john williams you know a lot of notes he's also in this documentary he's the guy behind movie scores are including star wars. jaws harry potter quite a big coup to get him on the movie and it wasn't planned but you ended up playing with him how did that happen well spotted there's a tiny clip where the 4th horn you're obv

jazz legend wynton marsalis has used the lockdown restrictions to join up dozens of musicians from their. marsalis is a multi—grammy winning musician and his blood on the fields was the first jazz composition to win the pulitzer prize for music. he is the only musician to win a grammy award injazz and classical during the same year. upbeat jazz music plays # i said, everybody wear that mask. # boy, you gotta wear that mask. # i said, everybody wear that mask. # boy, you gotta wear that mask. # i said, everybody where that mask. # boy, you gotta wear that mask # i said, everybody wear that mask. ..# well earlier i asked wynton marsalis to explain the back story and making of the video. that song is part of a larger piece called the the ever funky lowdown, and everybody wear that mask, the piece was actually written in 2018 and everybody wear they mask is actually something that goes with one of the prizes in the game called the ever funky lowdown. so you prophesied the future, you wrote a song about masks before you knew what was going to happen this year? well, in the piece, the mask is

as wynton marsalis said bay to them he was the man. and a lot of a lot of rock guitarists and composers they dare to take just 4 notes for their rockers some of the most famous rock for sir dun dun dun dun for notes and that's something that people didn't do before beethoven was around they absolutely did not they don't was it was totally new to them and he started a symphony with 4 notes in the minor key what a shock was that that hadn't happened for us it's normal we know it but but in those days it was a bit of a shock and that that was what beethoven did he push boundaries and say their top stars here make so much money with just 3 or 4 notes real from the orchestra still has to play all the notes now film composer john williams you know a lot of notes he's also in this documentary he's the guy behind movie scores including star wars. jaws harry potter quite a big coup to get him on the movie and it wasn't planned but you ended up playing with him how did that happen well spotted as a tiny clip where the 4th floor and you're obviou

the americanjazz legend wynton marsalis managed to get dozens of musicians to reimagine one of his songsupbeat jazz music plays # i said, everybody wear that mask. # boy, you gotta wear that mask. # i said, everybody wear that mask. # boy, you gotta wear that mask. # i said, everybody where that mask. # boy, you've got to wear that mask # i said, everybody wear that mask.# a little earlier i spoke to wynton marsalis. he explained how important it was for people to listen to one another. listening takes a lot of patience, a desire to understand a person perceived to be another. it requires the willingness to develop a greater acuity. there has to be the thought that you could perhaps be incorrect, and that there could be something to learn from listening to another person, and the desire of being part of an us instead of me versus you. i mean, i write music everywhere, but it comes from people, from life experiences. my father was a musician. i am from new orleans and people and musicians all over the world. they are deeply human things. my music is not really topical. it seems like this

wynton marsalis is live from new york city. i saw you moving your head.own, and it was written in 2018 and everybody wearing the mask is actually something that goes with one of the prizes. you wrote a song about masks before you knew what was going to happen. in the piece, the mask is a mask of surveillance so we mask is a mask of surveillance so we repurposed it to fit this town —— time. and it turned out well. the orchestra was fantastic and it was members of our staff, everybody is home, a great way for us to stay together. we were almost dancing in the studio. how do you make music? in a lockdown ora you make music? in a lockdown or a pandemic year? well, we communicate with each other and we record pieces, we start a session, the bass, drums and piano and recorder track and the rest of us play. we have a meeting, all the lead parts on the record everything. is there any benefit to the circumstances of this year for someone circumstances of this year for someone who is a composer. you must have had. for me, i'm trying to help out in organisations mus

wynton marsalis is one of the most famous trumpet players in the world he's a 19 grammys and he is the artistic director of the house of jazz at lincoln center . something people have credited beethoven with there's this panel sonata his very last found it's not a 100 number 211 and people say it was stravinsky that came up with the quote it was a pretty echo of boogie woogie because of the snappy bass lines and and the syncopation in there what would you say as a master of jazz i think that is just a dot is 16. the consciousness of it is the ground rhythm that does not change so even pass a car you know is kind of forms where the bass repeats and the challenge of playing is maintained to be dooby dooby dooby dooby dooby doo long span. the challenge of stride in jazz styles is can you keep that left hand in strict march time and play the figures on the top. so you have a dotted 16th no rhythm is really people are hearing that today and saying oh that must that what it what it was but it it's a big credit to beethoven that something he did then people are still analyzing you know been t

wynton marsalis is one of the most famous trumpet players in the world he's a 19 grammys and he is the artistic director of the house of jazz at lincoln center . was something people have credited beethoven with and there's this palace and after his very last found it's not a 100 number 211 and people say it was stravinsky that came up with the quote it was a pretty echo of boogie woogie because of the snappy bass lines and and and the syncopation in there what would you say as a master of jazz i think that is just a dot is 16 rhythm. the kind of just most of it is the ground rhythm that does not change so even pass a car using those kind of forms where the bass repeats and the challenge of playing boogie woogie is maintained to be dooby dooby dooby dooby dooby doo long span. the challenge of strat in jazz styles is can you keep their left hand in strict march time and play these figures on the top. so you have a dotted 60 no rhythm is really people are hearing that today and saying oh that must that what it what it was but it it's a big credit to beethoven that something he did then p

wynton marsalis is one of the most famous trumpet players in the world he's a 19 grammys and he is the artistic director of the house of jazz at lincoln center . was something people have credited beethoven with and there's this palace an art of his very last finest not a 100 number 211 and people say it was stravinsky that came up with the quote it was a pretty echo of boogie woogie because of the snappy bass lines and and and the syncopation in there what would you say as a master of jazz i think that is just a data 16 rhythm with. the consciousness of it is the ground rhythm that does not change so even pass a car using those kind of forms where the bass repeats and the challenge of playing is maintained to be dooby dooby dooby dooby dooby doo long span. the challenge of stride in jazz styles is can you keep that left hand in strict march time and play the figures on the top. so you have a dotted 16th no rhythm is really people are hearing that today and saying oh that must that what it what it was but it it's a big credit to beethoven that something he did then people are still ana

wynton marsalis is one of the most famous trumpet players in the world he's a 19 grammys and he is the artistic director of the house of jazz at lincoln center . something people have credited beethoven with there's this palace an art or his very last found it's not a 100 number 211 and people say it was stravinsky that came up with the quote it was a pretty echo of boogie woogie because of the snappy bass lines and and and the syncopation in there what would you say as a master of jazz i think that is just a dot is 16. the consciousness of it is the ground rhythm that does not change so even pass a car you know it's kind of forms where the bass repeats and the challenge of playing is maintained to be dooby dooby dooby dooby dooby doo long span. the challenge of stride in jazz styles is can you keep that left hand in strict march time and play these figures on top. so you have a dotted 60 no rhythm is really people are hearing that today and saying oh that must that what it what it was but it it's a big credit to beethoven that something he did then people are still analyzing you know

he was a mentor to wynton marsalis.liner notes for dozens of iconic jazz albums including releases by fimiles davis, chick korea. he was 74. this is a real loss. he didn't always agree with them. he was a very aggressive critic. but he was one of the most eloquent and insightful writers and thinkers i've ever head. >> he was such a good person, too, to call the ideas -- i still have his number. it's eerie to see that. i hadn't heard that. so sad to hear that news. >> sorry to hear. >> great writer and person. >> tony? >>> all right, i've got a talker out of florida. a school in orange counti-- ora counties is in a fight over a student's face mask. an 11-year-old named ian has a mask this has the hooters logo on it or says hooters in hooters orange. his teacher said it was not appropriate for school, and asked him to remove it. the principal backed up the teacher on that. ian's father went on tv to disagree. take a look. >> principal told me it was deemed offensive to women and inappropriate. and i mean, i showed you the