and you're an xxxxxxx! i'm an xxxxxxx. i'm an xxxxxxx, huh? huh? i'm the xxxxxxx, huh? i'm the xxxxxxx? get off my car! you won't see these folks at the post office. they have businesses to run. they have passions to pursue. stamps.com mail letters, ship packages, all the services of the post office right on your computer. get a 4 week trial, plus $100 in extras including postage and a digital scale. go to stamps.com/tv rea saw anything. they tell sachs where to make the drop? the deal changed. the same ransom, but they added narcococs. the doctor bought a couple hours to put it together. we ought to work up his patient files for addicts. the nurse is bringing them over. you sure you're okay? yeah, i'll be all right. hey, lieutenant. listen, uh, don't do anything rash on that haverill s suation. what haverill situation? i'm just s sing, give it time to play out. i don't know what you're talking about, andy. and if i did, i'd tell you it's none of your business. i got nothininto say. that car looked like you were on a trip. full ashtray, a lot of litter in the car. like

xxxxxxxs. i got it. you just call me an xxxxxxx, mackey? yeah, you call me an xxxxxxx with my back turned. now i'm here in front of you,,? what am i supposed to say to someone looks to hurt his own? so if i wanna go upstairs, i'm gonna go upstairs. if i wanna stay right down here in front of your face, that's what i'm gonna do. any more?

let that xxxxxxx ferd sit in thehenterview and stew. yeah. j-just let us know whenever you're ready to have the blinds open. let me just get myself together. okay, i can do it. it's her. that's my wife. you want some water? what happened to her? - she was strangled. - who did it? we don't know. well, why y s she strangled? where was she? where-- where did you find her? she was found in an alley. was your wife having any kind of problems with anybody, mr. dawkins? any enemies that you might know of? none that i ever heard of. she wasn't raped, was she? it's my faulul okay. take it easy. i feel dizzy. why don't you just sit down in the office. you know, i think i need some air. i want to go outside. there's some signing of stuff you need to do, but it can wait. i can't cope now. i can't cope with it. i want to go home. all right, that's fine. we can take you home anancome back later. why does he proceed to tell us absolutely nothing? about the only thing he gavevep is her working here. [ knocking ] what is it? police. we need to ask you a few q

hector, we'll catch these xxxxxxxs, and they will put you in the middle of this, 'cause that's how xxxxxxxs are. you coming here before you had to, that tells us you're not that bad a guy. but you don't cooperate, it don't matter what kind of guy you are, gonna look to get you executed. help us here, hector, and we'll try to keep you out of it. jimmy and frankie were their names. [ simone ] where do they hang? one of those scummy motels. the rutherford. down by houston street. now i'm out of this, right? why wouldn't you be out of it? all you did was set up some murders. what are you checking your watch for? [ buzzer buzzes ] i gotta meet someone in a while. half an hour, i'm good. [ buzzer buzzes ] can i be trusted with who you're meeting? i'm not s. - [ buzzer buzzes ] - yes, officers. - what's your name? -hilton. oh, go ahead. make five or six hilton jokes. uh, maybe they go by the names of jimmy and frankie. left this morning. beer cans all over the floor, pizza boxes. these are them. j. james, f. franklin. they cheheed in nine days ago. - you cleaned the room yet? - yes, we did. ofofou

and now he don't answer, and this xxxxxxx's on the street. er! take it easy, andy. how am i supposed to take it easy, huh? there's rats all over this office, this guy's in trouble, and i don't know what the hell is going on! control your man, lieutenant. don't tell me how to run my office. what are letting happen here, huh? [ fancy ] that's enough. we gotta go look for this super, and i don't know if we're gonna like what we find. this is the rape-assault? now it's a rape-homicide, and maybe still counting. we're going over to his building. we'll want to be alert. does anyone on the rat squad follow us, lights. - are you lieutenant fancy? - yeah. what do you need? i'm lou garvey, john o'neil's boss. well, um, we've got some preliminary pieces put together. um, riders' statements and so forth. i thought you and i should talk before we went much further. -appreciate that consideration. -yeah. we've spoken with the passengers. except for the idiot that hijacked the bus. yeah, except for that idiot, right. how's it add up for my guy? well, let me put it this way, lou. i

let that xxxxxxx ferd sit in thehenterview and stew. yeah. j-just let us know whenever you're ready to have the blinds open. let me just get myself together. okay, i can do it.

surprise this xxxxxxx detective we found the guy. i wanted to talk to you about the incident last night. the incident? i'm curious what was going through your mind, deciding a busted taillight warranted me and my wife being treated like, uh, bonnie and clyde. lieutenant, i regret whatever the inconvenience to your wife or yourself, but we got to protect ourselves out there. you wouldn't be here if i thought it was about protecting yourself. do you feel the sisiation was handled appropriately? it's me who pulled you over, sir. it's me you got the beef with. officer mccaslin can't speak for himself? how about it? well, police have gotten shot during car stops. we need to protect ourselves. - how long you been on the street? - ten monthshs you? six and a half years. queens the whole time? so what? so what did you perceive as so threatening about me that you reacted to the degree that you didid i knew. i knew you were gonna make this a black-and-white thing. you tell me one thing i said out there to disparage you or your wife racially. t

hey, xxxxxxx, tell me what you did to me! mm-mmm. no sale, mouse. you bastard. you sick bastard. don't seem like your first shot there, mouse. - tell me what you did, or i'll kill you! - look at you cry. i can't believe you did that to me. bad as you are, i thought you cared about me. and you u ow them cartoons? you got the good and bad goofy, and they're sitting on either one of your shoulders? tell me what you did. listened to good goofy telling me it wouldn't be no fun if you didn't say yes. you waiting for me to say it's a fib? uh-huh. no fib, mouse. what you said, thinking that i cared about you, that's you being a good judge of character. don't tell me you didn't put a xxxxey in my drink. - ah, bad goofy, liery's evil twin. - and that lets you off? no, i wanted you. i lost patience. i wanna kiss you. don't murder me for this, huh? i'm goin'. i undedetand. one degree to overlap. stand by to photograph. now. [sighs] three days of this now, sir. other ships must have made star maps of some of this. negative, lieutenant. we are the first to reach this far. [beeping] it's moving

they got three xxxxxxxs in theheront room, and the junkie girlfriend watching the kid in the back. you guys go in the front. we'll crash through the back and grab the kid. hold on a second here. you guys ever hear of a warrant, for crying out loud? don't we?

you are gonna buy yourself every jackpot you can imagine trying to give this xxxxxxx up. where am i on the case now, huh? liery's a collar. he's giving up this douche bag. o.c.c.b.'s gonna take all the credit in this, and my hand's on my joint. if this guy doesn't work with you, what are you gonna do? live in switzerland? i'm getting crocked, and i'm making my play. hey, tube steak! get over here. you hear it once. we collared up on your pal, jimmy liery. very tough guy. took 14 seconds to stick the pin in your donkey-ass for those ak-47's... and the fun coming up at the airport. ignorant as you look, liery's probably got another partner... no. no, huh? two donkeys but only one rat? i don't know what you're talking about. are you happy now? sure. perfect. 'cause if you had half a brain, i'd have half a chance at a career. - so, you guys are cops, huh? - [scoffs] give me a bottle of scotch. dump on my play and break my balls? i don't know any jimmy liery. well, he knows you, pal, and he turned you over good. oh, man. do what you gotta do. we going, or you want to wring you

this xxxxxxx loudmouth, he's on his way out. i said what i needed to. it's to the short strokes now. the question's whether you're smart enough to turn the weight loose. maybe i'll try a bottled beer. yeah, do that. andy: "there were 3 bears that lived in a forest." [telephone rings] a big guy... hello. it's bobby, andy. i'm sorry to be calling you so late. i, uh, hope i didn't wawa the baby up. no, no, no. we're... ears here. bobby: yeah? yeah. so what's going on? some stuff came up. we gotta talk. i was thinking about coming around the station house. [sylvia whispering to theo] good. sure. i'll see you tomorrow then, huh? i put on a small amount o oweight. yeah, well, i'll pick you out. mm-hmm. good night. [clearing throat] yeah, we're getting together in the morningng yeah. i guess that means andy, too, right?p i think--i think he's catching. i'll call when we leave the crime scene, as soon as we're starting back. good. bobby, i know how you feel about andy. at some point, for yourself.k out diane, if andy's jammed up, it's over looking out for me. w

xxxxxxx does six months behind acting in concert on two child homicides. don't forget, arthur was doingngard time. that's a maximum-security facility, plattsburgh. yeah. is this it? yeah. the entrance isisown there. we'll take the back. be careful. hey, cartwell. where are you going, huh? wait a minute! wait a minute! against the wall! i didn't do nothing. i don't know how you got out. i didn't do nothing the last time either. shut up! upside with our penal systemem arthur-- locked up repeatedly for crimes you don't commit. james,s,reg, we got him out here in the front. . how you doing, sherilee? fine. can i come in and d lk to you? uh, well, it's a little messy since i didn't know you was coming. so is maceo here? no. why? he in trouble? no. my wife bumped into him on the street a couple of days ago. - he told her he quit school. - yeah, yeah. lieutenant fancy, you the last person i'd call. so when did you come back to new york? you were so set on south carolina. yeah, well, it didn't work out down there. yeah? seems like you're doing okay here. mm-hmm. -

my xxxxxxx gave up their names. give the mother the lay of the land? d.a.'s call, but i think he can prepare a prosecution's unlikely. you know, this kid-- we could have talked to him all day. his parents are somewhere in greece. the hotel, annette? uh, i don't know their names. it's these two. - are you gonna arrest them? - we already had carey and ted in. carey mad at me? you hush up. here's how it works, mrs. morris. we'll turn in the results of our interviews over to the district attorney... to decide if charges will be filed. oh, they're gonna charge the four of them for what they did. and they should charge the one special for leading her on. the one you so worried's mad at you. charges won't get brought. [simone] that's not to say annette isn't telling the truth. i think everyone pretty much agrees that she is, and it was a bad thing that happened up there. - did they bribe you? is that what happened? - nobody got bribed. they forced sex on this girl. - i-- i don't want to talk about this anymore. - annette-- maybe if you let us talk to just your mom

hey, xxxxxxx, what, they just invented traffic? [ clears throat ] shut up. did tim give you the message we'd be seeing you at, uh, 5:00 today? [ liery continues, indistinct ] twenty minutes. [ knocking ] yeah, i brung you. yeah. looks like you slept good. [ sighs ] what happened? what happened? yeah, what happened? did you drug me, jimmy? mouse, that's a little raw, huh? what do you want me to say? i drugged you, had my way? took advantage when you were helpless? i gotta go, mouse. you son of a bitch. you son of a bitch. hey, can you get over to patrick's? that's where we left your car. mouse? get away from me. o.a.'s khryn dabrowski. cleaning lady found her when she showed up for work. super says she's lived here 12 years. thanks. no problem. strangled. looks like ligature marks. where's the cleaning lady? he said she went home all upset finding the woman dead. let me talk to this guy. i'm detective simone. hey, how's it going? isn't this somethin'? what can you tell us about miss dabrowski? - well, she stayed to herself. - was she married? have any kids? n

you collar this xxxxxxx. big picture in the paper-- you and salvo at arraignment. now you showed you're straight. you're no use to salvo, the bureau, the rat squad, or the job making you go undercover. you're useless for nothing but us goin' back to work. andy, if they know that i'm against them, anything that i do, they'll try to turn it around. how they gonna turn that? you're putting bracelets on salvo. how? suppose they put out that i set up the collar, i worked this prick salvo on the robbery squad. this is a genuine badass. thanks for the tip, andy. i watched this guy take out a kid with a baseball bat when we were 15. citibank stickup-- three guys from his crew-- they showed up dead. the pie don't need to get cut up so small. this is salvo. [ knocking ] i know it is. - the shrink's back? - they got you wearing a kel? i'm not wearing a kel. i'm gonna wear a nagra. yeah, that's the choices they left him, sit down. what a grim environment to have to work in every day. yeah, thanks for the big concern. what developments with christine? past being murdered? it do

they got three xxxxxxxs in theheront room, and the junkie girlfriend watching the kid in the back. you guys go in the front. we'll crash through the back and grab the kid. hold on a second here. you guys ever hear of a warrant, for crying out loud? don't we? come on, sarge. i sure as hell can hear her cryin'. yeah, i guess i can hear it too. all right, you guys, go when you hear the crash. thanks a lot. yeah, merry christmas. come on. let's go. [ all shouting, indistinct ] get down on the floor! [ shouting continues ] he's going out the window! shut up! don't say anything! put your hands behind your back! - hi. - can i come out now? come on. fe. you're goin' home now. she's okay. we didn't hurt her! you can see that! we just wanted something for the holidays! we got the little girl. how about you? we got three male suspects slightly damaged due to necessary falls. they'll live. hiya, titi. it's nice to see you. thanks. this is john kelly. yeah, hold on a minute. hold on a second. go ahead, honey. wish your dad a memey christmas. hello, daddy. it's me. in. watch your head. let's go.

and the next time you murder somebody, xxxxxxx, change your shoes. the lab is gonna run that shoe, jimmy, and if that's angela's blood, you are going down for murder, man. if that's blood, i don't know how that got there. so, what? was it the operation? huh, jimmy? did that enter into it? she had me doing things that was n ner who i was. out there on the stroll, giving me her money. i wanted a wife and a home! she's treating me like a pimp. so what t ppened on the street? it was just like you said. e's going out to work. i get all messed up drinkiki, and i go out looking for her. it all extends out of that. you find her with a john? jimmy, that make you upset? [ sniffles ] [ shivers ] when i met her, you want to write this up? be dancing sometimes. slow dancing. be holding her. she was so sweet. "that's it, baby. don't change nothin'. just do how you are." and you just killed her? - cortez writing his statement? - simone's got the better rapport. - okay. - could i buy some of your laundry detergent? i've decided not to sell that in the squad. - deter

that's who you hit, xxxxxxx. let him get t out, what he's trying to say, greg. . hear me, ugalde? huh? want me to say it again? no. - so you don't want to give us no statement? - no statement. - nah, he's too much of a puta. - up on your feet. all right. come on. screw him. we got two eyewitnesses and that mendonca told us m mive. yeah, and it's lucky for us, greg, 'cause you blew that interview good. ah, guy got my goat. everybody got your goat today. i asked you going into that interview try to control your temper. you weren't so upset, uh, mymyoat's being gotten... when i smacked that mendonca with the yellow pages. you'll recall that produced, uh, this perp's name. ad. andy don't xxxx off a perp and walk out with his hand on his johnson. andy breaks bad with a guy, he comes out with a statement. well, excuse the hell out of me for not being andy.. like you said, uh, we did get the collar. why don't we just call it a day, okay? as-as-as far as, uh, letting my emomoons run riot, but you don't unmake spaghetti, james. you vent your emotions in one context, whack a guy with a phon

all i got was some street xxxxxxx throwing shots. plus, no food permit for the sausage guy. uh, what's this guy's name, vince? - uh, lorenzo sharp. - [ simone ] oh, good. yeah. excellent. i want to tell you this: i'm getting those chest pains again. ' else. twelve days ago i snuck in new jersey for a-- a stress test-- injections in my veins-- and i tested abnormal. and i wanna tell you that now. - you gettin' pains right now? - no, but i'm very upset. want someone to give you a ride home? we'll take a ride. no. you go ahead. -i'm gonna go in a few minutes. -hey, you gotta take care of yourself though, vince, huh? i'm detective simone, lorenzo. this is detective sipowicz. y'all drag me in here. man, i'm just tryin' to make a living. i ain't hurtin' nobody. -all right. don't go to pieces. -we need to know what you saw on the street before. not a damn thing, man. - you didn't see no robbery? - nope. - hear no gunshots? - uh-uh. yes, you did, lorenzo. you saw daddy kool get robbed, and you saw him shot. no, sir. just give me my summons. lorenzo, now my shift didn't even start ye

so, this has got nothing to do with getting these xxxxxxxs off the street before somebody gets killed. what's up, arthur? i, um-- i need something taken care of. you're not big on asking for favors. it must be something. you're pretty tight with the chief of patrol. - pretet tight. what's up? - i got pulled over last night in queens. cop breaks my balls like you wouldn't believe. i'd like to see him sent somewhere he has to earn his money. how'd he break your balls? overeracts, number one. orders me and lillian over the top of the car for a broken taillight. i show my shield and this, uh, meathead szymanski e the summons anyway. so, you want him transferred? szymanski? i. the only black people he sees are the ones he pulls over, wondering what the hell they're doing in the neighborhood. he needs to do some time in brooklyn north or harlem, where he has to learn to deal with everybody. understand who's a threat and who's not. - you sure this is how you wannnnhandle it? - i had him in here today. gave him a chance to fix it. all this guy wants to do is smart-mouth. here. thanks. excuse

so, ifif keep my word, that makes me an xxxxxxx. that's right. twist everything into a knot. i trtrd to help get that woman back safe. when'd he get so sensitiveve hi. hi. wait 40 seconds, you can be the first detective on the 4:00-to-1:00 you're not a jerk. totoall me a jerk. they ought to rewrite all those orientation talks, how my job and yours are allied. you're good-looking, you got a big future. on the days he's feeling real good about himself, andy sipowicz might figure he's smart. the truth is, the only detective whose opinion i care about... is sitting next to me. she thinks you're ok. yeah? pbpcpfphpiplpmpoprptpupw so your guys are writing? i don't think cynthia's gonna have to testify. both these guys, they're rolling on bear r etty good. probably a good thing. a lot of times a jury will take a witness in a straitjacket the wrong way. yeah. good night, naomi. good night, lieutenant. i really apologize for being overfamiliar. oh, i meant to come back and explain. attention away from the witness. things in new york are so rarely just as they appear. yeah, well, good

these are the most egotistical xxxxxxxs i ever met in my life. this is not past them. anything on carlin's finances? valerie says she'll issue a subpoena for relevant books and records, but she wants more first. so do i. carlinin got a bodyguard. we'll bring him in, see what shakes out. may i help you? yeah, i'm looking for them two. what do you need, flossy? my bad for spacing it. oh, yeah, that sounds legit. in there. if i hear from michael, i'll let you know. you okay? yeah. thanks. i was supposed to hookokp with lyle this morning, but i overslept. why'd you shine us on? start asking about a meet i blew off? so i figured i was in trouble. yeah, huh? and then you said lyle got robbed. so why are you here now? jiminy cricket pay you a visit? no, i scoped you two out. word is you're cool, so i figured i'd set the record straight. never know when we might do business, right? so lyle calls and told you to come in with a new story? no, no. man, i would never do that. you and lyle screwed up... 'cause this whole thing was sealed off, i ain't do nothing but lie earlier. no,

u xxxxxxxs. go inside. go inside. come on. he's a decent guy, you know... except when he, uh...when he drinks, he gets, uh... where's sam? i don't know. uh, he goes out late. ma'am, your son may be involved in a serious situation. we need to talk to him. all right. all right, i'll tell him. if he comes back, i'll tell him. don't tell him. call and let us know. ok. better let night watch set up on this place. we gotta go back and tell that family, andy. yeah. that's gonna be fun. yeah. come on in. sweetie, the detectives are here again. oh. here. have-- have a seat. so, some news about the...stolen car? mr. and mrs. torelli, there's nothing more we'd like than not to have to tell you this. no. your car was recovered. she'd been shot, and the car was then set on fire. is she dead? yes, i'm afraid so, mrs. torelli. you said just the car was stolen. who did it? the kid i forbade her to see? he is our main suspect, this sam depaul. we'd hoped to have him in custody by now, if he does try and contact you, we would appreciate you not saying that you know what happ

i'm such an xxxxxxx. we're gonna tell you how things are, mel, then you'll decide the future direction. i didn't do anything. t's crap. that casket casing that you put antoinette's body in, mel? some of her hair got caught when you zippered her up in that. i don't know what you're talking about. that's first cousin to "i didn't do nothing," and it's gonna get you struck. there was nothing incriminating on my property. you wanna bet your life that a jury's gonna care if it was on your property or in the alley just off of it? i never hurt anybody in my life. i never even got a speeding ticket. why am i gonna kill her? that's what we were wondering, mel. what hatched your sick self from the eggshell? no, i don't have ladies to my place. what about, uh, christy darling? you don't whip your skippy thinking about what you'd do to her if you saw her out on the street? what about chantal marmont? you saw chantal, you'd follow her to work, wouldn't you? - i don't know 'em. - [ paper bag rustling ] i don't know any

shut up, xxxxxxx. [simone clears throat] yeah, all right. sit down. what is it? someone bumped into your brother's'sab. where were you this morning about 3:00 and 4:00? i, uh... i went to visit my brother. you have talked to him? he let me to borrow the cab. i, uh, drove to make some money. what area were you driving? broadway, times square-- a lot of people still out ononhe street. you drive down by a gas station at houston and bowery? no. there was plenty of gas in the car. i didn't ask you was there gas. i asked did you drive by a gas station at houston and bowery? no. i was not in that area. someone there wrote down the license number of the car you were driving. no. a mistake. a cab driver got robbed last night. you see anything? i saw nothing. eriously here. i'm not fibbing. knowing something you don't report can jeopardize your whole situation. may i go? yeah, you can go. if i hear anythingng a, i'll be sure to call you. hey, you're not being a wise guy, are you, kumar? no...i'm not. just be available. keep to your usual spots. all right. i won't go anywhe

shut up, xxxxxxx. you didn't notice anyone sitting there? i was carrying out a bag of garbage when i heard the shot. you see who fired? i ducked down, and i didn't look up for, like, a minute, p showed up. greg and baldwin radioed. a guy saw a black male sprint around the corner. said he was todd grady. said that grady lives at 1203 ridge street. who's todd grady? it could be the shooter. [ knock on door ] hey, mr. grady, if you're there, we just want to talk to you. todd? todd grady? greg. gun! [ panting ] oh, my god. you're gonna be okay, kid. just hold on. 15th squad to central "k"-- go ahead, 15. have an ambulance respond forthwith at 1203 ridge. andy: medavoy, jones, you all right?! we're okay. what happened? who fired? both of us. bullet through the wall. this one of yours? i don't know. probably. prognosis going in was guarded, which could land on either side of the fence. anything on the cameras? no one saw it. what about the old lady? all she saw was us standing over the kid. with guns in our hands. she recognize him? theodore lawso

hey, xxxxxxx, what, they just invented traffic?

xxxxxxx we needed this or this or that, it was just we should look for diversity of people and as clay says, every study that has been done on this in the context of organizational dynamics says the more diverse set of views around the table, the better the decision-making. >> diverse could be age. >> i don't think that democrat versus republican, it is about a well-managed organization. >> i agree. >> when you do the policy panels going agencies, do you see that as a concern? or it just another policy expertise? do you sit down and say, look at this group. they're going to the labor department and they are all this one kind of person. they all have a strong union background, for example. >> these agencies are huge. the agency review teams are relatively small. the expertise is that the that you focus on the most because you want somebody who knows the faa and the fair labor standards act and the substantive needs are great at that point. again, you also keep in mind that you wanted to be a diverse group. you want to make sure you have a variety of perspectives. >> one thing about tran