the truly bright people there are zhullik miloslavsky, zhullik shpag, and the petty rogue, director yakinhe surrounding reality, it just so happened that even in sportto 82, the film that was the last. in the performance and kakshenov was completely outplayed bright, beautiful, positive hero, played by alges arlausskos, not because arlausskos is a worse artist, because in life the swindlers won, this , in fact, was the end of soviet aesthetics and soviet life, it came to the point that at the same time in almost one year with my brother, a wonderful picture by maxim pezhimsky came out, mama negoryi, where the myth of such a bandit cross was actually worked out, and corrupt police officers and bandits from different sides were looking for a vulnerable, some kind of mythical creature according to nicknamed sailor, every time they practically grabbed him by the tailbone, some grace found them, they... looked for the real, real christ, our jesus iosifovich, because they felt that he was walking the right road, and even if leaves on a long journey, he always remembers that his homeland is wait

the platform to the surrounding baggage, and even his wife, the beautiful girl lida, leaves him for yakina rather frank and correct reflection of the surrounding reality, it just so happens that even in sportto 82, the film that was gaidai’s last box office success, there are swindlers in the performance of kakshenova he outright outplayed the brighter, beautiful, positive hero whom played by algis arlauskos, not because arlauskos is a worse artist, because in life the swindlers won, this, in fact , was the end of soviet aesthetics and soviet life, it came to the point that at the same time as balabanov, almost the same year as his brother, a wonderful film came out painting by maxim pezhimsky, mama negoryuy, where the myth of such a bandit christ was actually worked out, and corrupt policemen and bandits from different sides were looking for a vulnerable one, some mythical creature nicknamed a sailor, every time when they practically grabbed him by the tailbone, some kind of grace found them, they let him go, like a real, real christ, our jesus iosifovich, because they felt that he was r

truly bright people, zhullik miloslavsky, zhullik appears there sword, what a petty rogue director yakin the surrounding reality, it just so happened that even in sportto 82, in the film that was the last gaidai's box-office success, the swindlers played by pugovkin and kakshenov outright outplayed the bright, beautiful positive hero played by algis arlauskas, not because orlaovska is a worse artist, because in life the swindlers won, this, in fact, was the end of soviet aesthetics and soviet life. it got to the point that at the same time as balabanov, almost the same year as his brother, a wonderful picture by maxim pezhimsky, mama negoryuy, came out, where the myth of such a bandit cross was actually worked out. both corrupt police officers and bandits searched from different sides. vulnerable, some mythical creature named sailor, every time they practically grabbed his tailbone, uh, some grace found them, they let him go, like a real, real christ, our jesus iosifovich, because they felt that he walks the right road , and even if he goes on a long journey, he always remembers that his

really bright people there are zhullik miloslavsky, zhullik shpag, and the petty rascal, director yakinven in sportloto 82, the film that was gaidai’s last box office success, the crooks played by pugovkin and kakshenova often outplayed the bright, beautiful positive hero played by algis arlausskos. not because arlauskos is a worse artist, because in life the crooks won. this, strictly speaking, was the end of soviet aesthetics and soviet life. things got to the point that at the same time as balabanov, almost at one year with my brother. maxim pezhimsky’s wonderful film “mama don’t grieve” came out, where the myth of such a bandit ridge was actually worked out. both corrupt policemen and bandits from different sides were looking for a vulnerable, some kind of mythical creature named a sailor, every time they practically grabbed his tailbone, some grace found them, they let him go, like a real, standing christ our jesus iosifovich, because they felt that he was walking on the right path, and even if he was leaving on a long journey, he always remembers that the homeland is waiting, in t

the site, the surrounding baggage, and even his wife, the beautiful girl lida, leaves from him to yakinik shpag, and the petty rogue director yakin, this is a rather frank and correct reflection of the surrounding reality, so it turned out that even in sportloto 82, the film that was gaidai’s last box office success, the swindlers played by pugovkin and kakshenova were fair... they outplayed the bright, beautiful positive hero played by algis orlauskas, not because arlauskos is a worse artist, because in life the crooks won, that's all. speaking , soviet aesthetics and soviet life are covered. things got to the point that at the same time as balabanov, almost the same year as his brother, a wonderful picture by maxim pezhimsky came out, mother don’t cry, where he actually worked out the myth of such a bandit ridge. both corrupt policemen and bandits from different sides were looking for vulnerabilities. some mythical creature named sailor, every time they practically grabbed him by the tailbone, some kind of grace found them, they let him go, like a real, real christ, our jesus iosifovi

the characters there turn out to be zhulik miloslavsky zhullik shpag and the petty rascal director yakinnk and correct reflection of the surrounding reality , it just so happened that even in sportloto 82, the film that was gaidai’s last box office success, the swindlers performed by pugovkin and kakshenov outright overacted light. wonderful positive hero played by algis orlauskas, not because orlauskas is a worse artist, because in life the swindlers won, this, in fact, was the end of soviet aesthetics and soviet life, it came to the point that - at the same time as balabanov, almost the same year as his brother , a wonderful picture by maxim pezhimsky, mama negoryu, came out, where, in fact , the myth of such a bandit christ was worked out, and corrupt policemen and bandits from different sides were looking for - vulnerable, some mythical creature nicknamed a sailor, every time they practically grabbed him by the tailbone, some kind of grace found them, they let him go, like the real real christ our jesus iosifovich, because felt that he was walking the right path and even if he went o

platform... to the surrounding baggage and even his wife, the beautiful girl lida, leaves him for yakinly bright people there are zhullik miloslavsky, zhullik, well, the petty rogue director yakin, this is a rather frank and correct reflection of the surrounding reality, it just so happened that even in sportto 82, the film that was the last. in the performance of pugovkin and kakshenova they often outplayed the bright, beautiful positive hero, played by algis arlauskos, not because arlauskos is a worse artist, because in life the swindlers won, this, in fact, was the end of soviet aesthetics and soviet life, it came to the point that in... at that time with balabanov, almost in the same year as my brother, maxim pezhimsky’s wonderful film mama don’t cry was released, where the myth of such a bandit’s ridge was actually worked out. both corrupt policemen and bandits from different sides were looking for a vulnerable, some mythical creature called a sailor, whenever they practically grabbed him by the tailbone, some kind of grace came over him... they were released as a real, real christ

this speak, i heard what the president of israel was saying... and i i sent it to my close friend yakinesident, just listen, so that it’s clear why this resonated with me so much, clearly, the responsibility lies with the entire palestinian nation , and this is rhetoric about civilians, uninvolved and unaware. this is absolutely not true. they could rise up and fight against the evil hamas regime, which took power in gaza by committing coup d'état. we act militarily in accordance with international law, period. but we are at war, we are at war, we are defending our homes. this is the truth. and if you replace a palestinian with a jew, if you remove the accent, put it in the mouths of the most disgusting characters in human history, and if you replace a palestinian with russians, you put it in the mouth of some kind of fonderlein, and if you replace it... just the koreans put it in the mouths of the japanese during the second world war, how can the whole nation be guilty, how can to justify the destruction of the entire nation, i just want to understand, they will go kill the queen of jo