, tokyo, these were the days of russia, russia in japan, we opened, these days were precisely the yalantameeting with pletnev, before that we, i performed the part of the princess beloved beauty in the opera by rimsky korsykov, koshche the immortal, also from the maestra, we were also in japan, the japanese really love russian music, in fact they adore pletnev. i was pleased, of course, it was a great honor to work with such a great master, when i asked, when i said, thank you very much for inviting me to iolanta, because the biggest competition is with the sopranes, there are many of them everywhere, there are a lot of sopranos in russia, i said that you could have invited any other soprano, there are a lot of them in moscow, on what mikhail pletnev told me, yes, there are a lot of sopranos, but iolanta is such a part, it is both a girl and at the same time a bright image, but it was written for a strong soprano, the sound in the image should be such a virginally beautiful angel, but at the same time very young girls are not yet cope purely physically with this part, it was written for a