igor svyatoslavovich asks for a blessing and says goodbye to his beloved wife yaroslavna.ght back, always, yes, a high chin, it is always dignity and nobility. the opera is imbued with the russian spirit, says the performer of the prince's part, gremi nominee vladislav sulimsky. he recently returned from the most authoritative opera festival, where he was once again convinced of the world's love for russian music. now there was the idiot of vaenberg, the packed hall in walsburg, that's it.

egor gerashchenko and the very young artist yaroslavna kuprina.erally just graduated from the vaganova academy. swim, swim, yaroslavna. don't lift your hands. moscow cheremyshki is also tomorrow. the only operetta by dmitry shestakovich, the composer who wrote the seventh symphony, which inspired residents of leningrad during the blockade and confused the germans, decided on a light genre. to all the eyebrows raised in surprise , he replied: a composer should try his hand at all genres. the main advantage of this performance is that it is... not just the fact itself: a children's performance, if in this children's performance the actors have a minimal chance to realize themselves, well, perhaps, without denying it, but it is quite difficult, here is precisely the richest material, each new season is like, probably, for all residents of russia the new year, always the expectation of something fabulous, interesting, i would like to wish everyone patience, strength and health this year, because the workload is big, the repertoire is quite large, and

egor gerashchenko is a very young artist yaroslavna kuprina. literally just graduated from the vaganova academy. swim, swim, yaroslavna. don't lift your hands. moscow cheremyshki is also tomorrow. the only operetta by dmitry shestakovich, the composer who wrote the seventh symphony, which inspired the residents of leningrad in blockade and confused the germans, decided on a light genre. to all the eyebrows raised in surprise. answered: a composer should try his hand at all genres. the main advantage of this performance is that it is light, ae, it is about simple human values, joys. in the new season, a new ballet, a big one, awaits contemporary dance. negotiations are underway with three young, but mature, as emphasized by ballerina gergiev, choreographers. in the spring with maxim petrov ballet music by radion shchedrin, in november a gift for children. ballet by genrikh mayorov chapalina, set to music in 1977. there is something for the actors to dance to, which is very important, not just the fact itself, a children's performance, if in this

yaroslavna is dignity, a straight back, always. the opera is imbued with the russian spirit, says the performer of the prince's part, gremi nominee vladislav sulimsky. he recently returned from the most authoritative opera festival, where he was once again convinced of the world's love for russian music. weinberg's idiot was just now, the salzburg hall was packed, all the performances, there wasn't a single empty seat, prince igor, i think, would have caused even more excitement, because it's some kind of russian flavor, and i think that foreigners will be very interested in it. with breaks for two intermissions, almost without cuts, horses are waiting for their turn backstage, professional actors who are not afraid of loud music, and even in the bolshoi theater they have already been boris godunov and la traviata before prince igor. opera alexander borodin was included in the poster. it will be dominated by young singers, said valery gergiev. we need a backbone to rely on. gulya boltaeva, ekaterina novikova, sergey evdakimov, mari

how they bow, the whole sleeping beauty, i say, it consists of beautiful monograms, the ballerina yaroslavnader the direction of nadezhda gracheva, prima ballerina of the bolshoi theater of sleeping beauty with 31 years of experience. rehearsed with galina sergeevna ulanova, since i am the last student of galina ulanova. this performance was staged more than half a century ago back in 2011 they opened the historical stage after reconstruction. the last 4 years it was not in the repertoire and here is the restored version for the opening of the 2049 pre-anniversary season, music by pyotr tchaikovsky, choreography by marius pittip, maestro valery gergiev at the conductor's stand. what music, and he is also at the microphone in the large imperial faye of the theater, sharing plans for the new season. concentration and at the same time maximum on names. choir, 12 opera classes in each are singing, the season is opened loudly on six in the orchestra 285 musicians and fifty soloists venues. in the bidhoven hall serenade. for string orchestra, on the new stage interns, soloists of the bolshoi and m