stanford and to get on a paper to flat -- and to get on a plane to fly home and see the economic work 50 yearsl at later. thinking about keening theonding to the riots and anger he encountered by young people who were simply uncontrollable when -- simply inconsolable when another young black man was shot down like a dog by a policing agency. all of that has added a bit of surrealness. i was part of a group of local byrgy, a lot of this is led local organizations like the organization of black struggle. we have been trying to calm them folks down and keep

they hadn't seen each other for 15 yearsle. he never told her he was gay. he didn't want to see her. he refused to see her for weeks. he was angry when i walked in with her. that was a real weeper, mama holding her son. he's dead now. >> so this is a reprisal of sorts for you. >> did it on broadway in 2011. i think that was it. >> it was '11. my research says '11. >> thank you. >> i saw it in '11. >> o really? thank you. >> when you have the opportunity, when you're presented a chance to play a character again. >>. hmm. >> i'm not an actor. i would assume there must be something about the character you really like that convinces you to do this again. acting is all about doing something different. >> yeah, that's true. in this case is premise of taking this role and this story and getting the chance to present it in the film format instead of -- it's so different from doing live theater. really the only thing i felt was comforted that i had as much knowledge, if you will, of things going on in the character and story going into it. because i felt more able t

stanford and to get on a paper to flat -- and to get on a plane to fly home and see the economic work 50 yearsl at later. thinking about keening theonding to the riots and anger he encountered by young people who were simply uncontrollable when -- simply inconsolable when another young black man was shot down like a dog by a policing agency. all of that has added a bit of surrealness. i was part of a group of local byrgy, a lot of this is led local organizations like the organization of black struggle. we have been trying to calm them folks down and keep out of harms way. it is a tragedy that as a clergy a tear gas mask more than i need a collar to do the work that i feel called to do. we have been attempting to diffuse the situation and the escalade the young people's anger, not that their anger is not righteous. we are trying to protect them from the police. in one of those instances, we are attempting to do that. let us be clear that we are engaging in work that should not be necessary in a democracy. we should not have to spend our time trying to protect children from police in their own co

so it's only 37 yearsled old. so we actually have in the book, you'll read that the original person, chuck cuffer who started this program, tells who you how he got started. who the associate director at the time"wu(áq schaefer who later became the police commissioner, nypd. how they started the program. throughout the book, you'll hear stories of all those who started back then. there's one that talks about technology and says that technology consisted of a phone book, a road map, and a roll of diems that you could stop and use the payphone to what they are there together. other stories are the highest surveillance technology that's out there. tactical equipment. everything that's going on. these are actually the stories that they are telling you through their life span and how we've evolved to be one of the most crime effective programs in the country. dangerous, absolutely. you know, it's nothing we're proud of, but as the first federal law enforcement agency, we also have over 400 on our roll call of fallen fe