razin burns, like in the fire of the inquisition, in kalina red, grandfather father-in-law tells yegor prokudinrazin is also for me, even in the film the stove of the shop, where razin was not on the screen, there was a moment in the script when the hero’s wife. lidia nikolaevna dreams of her husband, in the guise of stepan razin with a drunken ball-ball, she gives them all in a dream kicks, and then wakes up. this was not included in the picture, but it is clear to what extent this motive worried shukshin. shukshin prepared for this role constantly and seriously, every year from such a daring, mustachioed handsome man. he became more and more gimlet-eyed, his gimlet eyes began to appear more and more, stepan timofeevich razin was clearly not a good-natured person, and in the novel it was written that he walked with his toes spread apart, as stepan timofeevich razin himself walked, we don’t know now, and hardly anyone one of his contemporaries wrote about this, that’s what shukshin himself wore socks in a nutshell, everyone remembers this very well from the movie kalina krasnaya. by the way yeg

in raskaryaku, everyone remembers this very well from the film kalina krasnaya, from the way yegor prokudining arrived to him, introduced themselves as correspondents, he like once i walked with my socks on the other hand, probably still in saber combat, he practiced and trained so as not to look like an amateur in combat scenes, while the script was constantly rejected for him and sergei fedovich bondarchuk himself explained all this to him, he said that the studio... the first four films, is simply poor as church mouse, she won’t be able to pull off a powerful historical production, a color costume production, obviously a two-part production, and without some guarantee of commercial success, she won’t be able to, and she’s afraid of losing the author, so she feeds him breakfast, telling him that the script here is unfinished. and bandarchuk suggested making shukhshin something cheap, but at the same time so that the film would pay for itself as many times as possible, that’s why, in fact, shukhshin was forced to make a movie about his contemporaries, and not about stepan razin, not becaus

yegor prokudin’s repentance before his mom, this is actually repentance itself shukshina.t don't react to this. what happened to him? he was going to conquer moscow, he wanted to become a writer, he... wanted to study at a literary institute, but this was impossible for two reasons: firstly, he did not finish school, he dropped out of school as an adult, he was a poor student in general, dropped out of the automotive technical school where he studied in barnaul, but he was still bored by it, he dreamed of a different life, a different destiny, and felt his calling, so he comes to moscow, but moscow does not accept him, he does not belong to moscow needed, he doesn’t have a certificate to enter the institute, besides, to enter the literary institute, he must pass a creative competition, send some of his own... and essay stories, shukshin didn’t have anything like that, then he just starts look for work, come home back to nothing he doesn’t want to, he comes to kaluga and goes to work at the plant, this is the most difficult period of his life, this is post-war russia, this

his raskoryaku, everyone remembers this very well from the film kalina krasnaya, from the way yegor prokuding correspondents in the neck, well, everyone remembers, the thieves, when they came to him they introduced themselves as correspondents, he was just walking with his socks . to the sides, probably still with saber fighting, practiced, trained so as not to look like an amateur in combat scenes, at the same time - the script was constantly rejected for him and sergei fedorovich bondarchuk himself explained all this to him, he said that the studio of children's and youth films named after gorky, which shukshin was assigned to the staff, which consisted in the state that produced all of its first four films. she’s just as poor as a church mouse, to pull off a powerful historical production, in color, with costumes, obviously in two parts, and without any guarantee - she won’t be able to achieve commercial success, and she’s afraid of losing the author, so he feeds him breakfast, tells him that the script is unfinished, there is something unfinished, they won’t let you in anyway, bondarchuk