p.m., repeat at 12:10 p.m., let's get back to the conversation. with us as guests, we have yehor pavlyuk, laureatethe all-ukrainian prize named after dmytro kremen , writer and taras krem, and authorized representative for the protection of the state language, we literally still have 12 minutes to talk, i would like to concentrate on what mr. igor i will ask you talked about the fact that our people are now the vast majority either in depression or in aggression, and it is clear that now literature also works for the consumer, relatively speaking, this is a war going on, we don't know how long it will last, and writers should also give certain messages to people now certain sustenance that is needed now well, of course , it is possible to write or record something for yourself so that it will be published later. then after this after this war, i would like to ask you what sustenance people need now and how are you as a writer you see and evaluate the war itself and what is happening to us, what assessment would you give this process to the artist? well, also, now i am briefly trying to formulate,

- this is a program worldview hormone about literature during the war with us visiting us yehor pavlyuk laureate of the all-ukrainian award named after dmytro kremenya, a writer, and taras krem, and the commissioner for the protection of the state language... well, we literally still have 12 minutes left to talk . i'd like to focus on what, igor. us people are now the vast majority or in depressed or in aggression, and it is clear that now literature also works for the consumer . relatively speaking, this war continues, we do not know how long it will last, and writers must also give people certain messages , certain er, certain sustenance that is needed now . well, of course, it would be possible to write for myself to record something so that it will be published later. then after this after this war , i would like to ask you what kind of food people need now and how you as a writer see and evaluate the war itself and what is happening to us, what assessment would you give to this process the artist well, also. now i’m trying to formulate briefly. first of all, i haven’t talked to mr. taras fo