stall when talking about the eternal, about galilee and judea, about the eternal dispute between yeshuae. the only person who even tried to do something about this direction, was bordka, in his film the completely frank rhetorical duel of sergei bezrukiy in the role of yeshua, kirill lavrov in the role of pilate, actually balanced the adventures of the evil spirits. which, in fact, was bulgakov’s plan, the plan of all these excursions into distant jewish times. lakshin’s appointment of completely passable foreign performers, klaus bang and aaron the water carrier, to the roles of pilate and yeshua, first of all, spoke precisely of how uninteresting he is in these things, how much more pleasant it is for him to show how evil spirits are set in the city of moscow, in the house of the mushroom. for the role of woland, he took an artist of a more serious caliber, august dietl, however , here too the appointment had a very clear ideological lining, in fact , by appointing foreign artists to the roles of biblical characters, he made it clear that all sorts of talk about eternity, all sorts of

lagshin's appointment to the roles of pilate and yeshua of completely passable foreign performers klausdid not have in his possession, this and security officers. of course, was also anti-soviet, like the work of our other nobelists, neither andrei platonovich platonov, nor isaac amanylovich babel, nor mikhail ifanovich bulgakov himself, nor directly, say, alexei nikolaevich tolstoy, laid claim to the nobel could not, precisely because they did not want to break with their country from the ideology inspired by it, meanwhile from the foreign one. woland, in general , only had clothes, well, maybe a little bit of an accent, absolutely all sane bolgakov scholars agree that by woland bulgakov directly meant stalin joseph vasselionovich, he also had an accent, though not european, and that that same demon , who, by doing evil, received good as a result and at the same time very carefully looked after the geniuses, this is of course... geniuses, heirs of ancient times, these are prokofiev, and shastakovich, and stanislavsky, and esenstein, and the vesnin brothers, melnikov, the creators of th