then there was yevgeny grishman yevgeny glebov vladimir orlovnikov and in fact that's the whole anthologyf belarusian jazz. here are the creations before our times sounded from the stage, where we talked about what it was, that we should be proud of it, that many of us came up and said, but we didn’t know that we had such a story in the forties, the richest pop jazz, so it was very pleasant that we also perform an educational function unconditionally. there are connoisseurs and listeners all over the world. and this musical direction. eh, developed and continues to develop styles such as winx blues sauce and so on. that's about our belarusian listeners. what style do they perceive and who is your main audience, firstly, of course, in order to listen to jazz, you need to love it, yes, like music, especially since there is jazz more accessible like swing and there is jazz, which is very difficult. he predicts the cursory public, which should be prepared, which is being sorted out. of course, we perform music that is more accessible to people, so that people enjoy the music without sitting.