three-quarters of it in tone of green soap van gogh's letter played by the people's artist of russia yevgeny mironov to his brother theo yes, a truly preserved document, stretching for hundreds of pages of the cries of suffering of a huge dying artist. this is a letter from a very talented person, but he knows about his talent, only he himself and only his brother believes in him, the tragedy in this fantastic philosopher of his time, in addition to the orchestra and the actor on stage, there are only two chairs, sunflower easels, but the main props on multimedia screen throughout the performance. there appear in the artist's painting, both portraits and landscapes, a synthesis of the arts , poignant words, letters seem to be based on beethoven's masterpiece performed by the chamber ensemble of the moscow soloist under the direction of yuri bashmet. the depth of reflection in the text itself, secondly, how does zhenya read it? thirdly, how do we fit in or fall into the contrast of some kind? well, i would say that the new genre continues the tradition, cross -genreness, the trans-siberian art festiv

for by the charitable foundation for supporting artists of the artist, ironically, its founders yevgeny mironova, the daughter of the very ekaterina gradova, who yakovleva recognized. how scared she is to die an amazing coincidence or mystic, which in the life of the star of the crew has always been enough to remember, although would this doll left by the grandmother amulet to her in the most difficult period. the actress turned to illnesses, especially often, and help always came, sometimes in an unexpected way, quite recently. so i got to kaliningrad to meet with readers, i arrived already as a writer and playwright. well, kaliningrad to visit kaliningrad and will not go out with alexandra yakovleva , i don’t know, it’s like getting past the sistine hood to the vatican, we went somewhere to the sea with her. she was in a charming blue suit and told me about her life. that's about this novel with the railway began to say that , of course, she would like to play something, but what? so i say, so sasha is. i have one little thing three people in total two female roles one male is called the lieu

yevgeny mironov is a businessman there and met it so that they turned out to be.company, it turned out that our companies were among them. nastya somehow. so she joined this company, talked, laughed, joked. well, of course, i liked nastya. she was bright here. well, she's always bright. i guess i'll put you at ease with me in spite of some jokes so venomous in her direction. she this hmm parried. so i translated. this is all in jest and it was interesting to listen to it. at that moment, the liberated beauties were only 22 olaf, 34, to win the girl's heart. he used his signature move. i took out a video camera that was expensive at that time and started filming. i had a video camera then. i filmed everyone and here i am took it off, but it seemed that i was taking off her neckline, and she, as it were. oh what is it, and then a conversation began. she asked what is your name and her name, let's say my name attracted at that moment and therefore somehow they started like this, initially, or what? his video camera would become the third permanent member of their rel

strong soap of van gogh's letters, the role of which is played by the people's artist of russia yevgeny mironov document that has been preserved for sure, stretching over hundreds of pages, the cries of suffering of a huge dying artist, except for the orchestra and the actor, there are only two chairs on the stage easels sunflowers, but the main props on the multimedia screen throughout the performance. there the artist's paintings appear, both portraits and landscapes, a synthesis of the arts, piercing words. the letters seem to be based on beethoven's schnittke grieg's masterpiece performed by the chamber ensemble of moscow soloists under the direction of yuri bashmetov. the depth of reflection in the text itself, and secondly, how it does not read. thirdly, how do we fit in or fall into the contrast of some kind? well, i would say the new genre continues the tradition, cross-genre, the trans-siberian art festival presents to the public more and more joint creative projects and cellos on the stage of the krasnoyarsk philharmonic duet of the founder of the festival vadim repin and cellist serg