christsen: t hisry of wer in e san jouin vaey really e history ofater in lifornia andn the amican wes yoknow, agculture es ussomeing lik80% of theater in liforniaand it isade, younow, a mtibilliodollar iustry possib. i's onof the gat parades of cifornia d of th centralalley anof the sanoaquin vley, in particur, that the mid of so muchichnesthat's created by water--by growing these very valuable crops--there are people who don't have ean drinking wate amda monac lanare a small town ofbout 600olks, located abou30 minut dow41 from esno. it's majity lati. a lot foks here ke theiriving working surrounng field ok. oh. ithat, li, where, like,here's a cluer of traer hom? n: yes. yes... monaco: is thereoh, ok.. ty startesetting homes d settinup theiromes in a w that wanot pland by local gornments ound the hen and some int, lol govement didecome aware of the mmunitbut did t incporate tm into anfficial wn or an officia cityas a rest, the w that california s dealt th small mmunitielike lane is tha they ha a systewhere the mmunity self canet up a commity serves distct to ovideertainital serces, likdrinki

and used to sten and i ask self, yoknow,.i ...a - homuch-- h much the geoaphics cnged?eprest does thsame thi?e? will thilandscap ill be he 50 yea from no wi my granhildren'eyes still able toee wh i see? ani don't ve♪♪]e awer. [wat bubblin arrator]my sisteand i were pvileged ough to grow in world obeginnin. star-l skies to grow inand secr forts.n. fiflies anduckling not nighares. noendings. not sayi gooye. [gls cryin [♪♪] [gre thunber when i s inaybe second or trd gra, i h. i became shock cause i didn't ha. i became shock thmore i rd, the mo dep. ...becau i thoug thatf it reay was that sious, the policians wod havee had it uer contr, but then realize theyidn't. first, stoppedtalking people but then realize oud i stopd going school becausi wod only cry althe time and then had to home. but thenand enze oud i stped eati, slowlyl i lost lot of ight ani-i almo starvedo death. i justidn't wa to eat becae i didn feel a meaning as a yng perso i el like future and ee as a yng perso iseing teatene wh is gointo happet is thaw everhing is uncerta. of crse, ere are ny estimions and c

and used to sten and i ask self, yoknow,.i ...a - homuch-- h much the geoaphics cnged?eprest does thsame thi?e? will thilandscap ill be he 50 yea from no wi my granhildren'eyes still able toee wh i see? ani don't ve♪♪]e awer. [wat bubblin [nrator] sister d i were prileged engh to gw up in a wor of begiings. star-l skies and secr forts. fiflies anduckling not nighares. noendings. not sayi gooye. [gul crying] [♪♪] reta thuerg] whei was in maybeecond thirdrade, i heard out clime change i became scked because i dn't he a cl. the mo i rea the re depreed i bece... ...becau i thoug thatf it reay was that sious, the policians wod havee had it uer contr, but th i reazed, ey didt. fit, i stoed talkg to peoe tside mylosest fily. d i stopd going school becausi wod only cry althe time and thenad to goome. d i stopd going school and th i stopd eatingslowly. and thenad to goome. i lost aot of weht and i almosttarvedo death. i justidn't wa to eat becae i didn feel a meaning a youngerson, i el like future and ee iseing teatene, wh is gointo happet is thaw everhing is uncerta. of crse, e

jim moran with you, to pray with u -- to mourn with you, to pray with you, to let yoknow you are not alone. every case is different, t i know what it's like. i know what it's like to get that call. i know what i's like to be told. i know what it's like to lose a loved one so suddenly. it's like losing a piece of your soul. like a black hole in your chest you feel like you are being sucked into. suffating. hardly able to breathe the anger of pain, the depths of a loss so profound it is hard to plain. the sudden this tends to magnify thgrief. as time passes, the shock and numbness slowly make way for t sober reality of their absence. an empty chair at the dinner table,arth day's, anniversaries, holidays without them. -- birthdays, anniversaries, holiys without them. the small things, the details yo miss the most. the scent when you open that closet door. the park you used to stroll in. the morng tea you shared together. the bend of his smi, the perfect pitch of her laugh. judy shared with me, this is a tightknit community. with intergeneraonal households and deep reverence and respect

and then was lik oh my - sobut then was le, "well,ow i neeto kn what yoknow "in orr to fd someing ne" - really gan to rlize thathere washis sortf undeater mouain of merial th we hadn discered washere d we're ing, "ohy god, is is rely amazi." heavy viewed ithe pape. ani don't ow, it w just sothing abt a rson thawas so gd. and just being written off, that captured my imagination, i think. (gentle music) this was done in holland in 1903. the fact that this picture was accepted in the salon in 1904 really helped to launch schille's career. - if you get into the french salon, critics in the united states, ey talk out who was exhibiting ithe san, at amerin artists were acceptedwhich on weren, it's a huge moment for her. - she's right in the center of the avant garde art world in 1907 when she goes to visit gertrude stein. - she's in paris looking at the works in situ in the biggest collector of modern arts house. so she was looking at the works mortise, cezanne, and picasso in gerturde steins' house. while these artists were alive, while it was avant garde. and this cafe that she went to ca

sid ..announce2: goodork to pick useven yas ther th gets th into a thirand-one tuatio anuncer 1: yoknowinues)announce2: and ain, t anothetouchdown as ty just a toheir tot s.announr 1: and w we've t that stagef the game part r. (jmumbling)plus, e controer's bro . we, i goa controer . jj: stil i don'wanna ok up. wow, youon't en want to play th your n brother. announce1: but at doest necearily mean that t defender'ba d. theye not goa ke 100% of t tacklesll the t e. ank: thaman goin backhere, norespassi privatproperty. marcus: don't ca, papa i sn't doi nothingad st trespsing . frank: ithat manthat cch you bk ther fires shot at all behi... getting the man boa t anthen fisng.. . creaming i ait try toreak notng ! i didn't slam the door too har d! he come in here, i told him to leave me alon e! jj: that's your granddaddy ! he the onewho raisg yo u! and at's this gonna ad t o? where you gonna go ? huh, where you gonna g o? marcus: i am tired! frank: come on, i'm tired, too .come o cool itow. arcus soin g)jj: ma calm yourlf down, bru - ah, t meetut here,ow . marcus: h, he ouhere ising sa talkingb

itas very sy to wa up in he morni and seermadillo in theard or ossum or raoon, yoknow, cssing th yaror whater, whatn. all that hashanged bause, wi a lot of just beg water w, th tre have di off. wh u' seeing actualljust a keton of wt it useto be, younow? alert p. nuin: to , it means almo, i guesyou can say, lika familyember hang ncer, yoknowit' being eatenway, younow, whe it'just a ttle bity little t getti destroy. now, t only ting is,he piecof land is lasng longethan theuman bo can. the one ght here is an o fielcanal. ere's one that sses her there's o that sses a b further and the's onthat pass in the back, you're lookg at water saltwat intrusi comg from t pipelincanals, anthey desoyed the vegetion thawe useto have... butyou knowmost of e ople worfor the l comnies. th'rethe one that's putng food d payin the nt and mtgages a stuff likehat, so,s much ayou hate tm, youave to ke em. dupreisle de an charl is-- what's theommon ying?-he nary ithe mineield. w're seeing-ver herewe call relate sea lel rise. u havehe globasea leverise, ich islight, t about % the seaevel rishere is becau of subsen

yoknow, yothink abt th at he didn golf alhis fe, he cldn't do hat. you n't kn . yoknow t t?ou n't kn . billy gardhight: well, my mom, she al ways told me to don't be afraid to do what you got to do. so we'd be walking through town a lot of times, and people used to step off the side walk to let white folks by. and shd te me to ay on the, you k no so i just grew up that w ay. most stores had two founta ins. they had o white and one colo red. sears & roebuck and all those places, that we couldn 't-- wa't supposed to dnk ouof the wte fountain. and wh we got high scol a lot us usedo say, weon't wanno cored wateto day. want whe wa te 'd go ov therend get run out e store whate r. th's more like i dwht bryso most blks codn't plaout heuntil mond ays. weouldt pl ay t i coulsneak on the back ni ne.billy gaenhight:o, wheni firssaw ityou kn ey had wt they cledcaddies'ay, which wamond ay so i started hging around the clubhou se picking up balls and washing down the por ch. at the age of 13 i started playing pretty g ood.and th would te me ound andhey woulgamb leand ife won moy, i'd get a

these e like ser seeds yoknow? ey've ve tough. they're like us,nd so, because ey're li us, they svive le us. limiteamount owater, a lot nurturi, a lot ofaring, a t of comnity buiing. this iabout a ot. nvention agriculre goes to abt right re. at's whayour plaer is desied to goown an ih. that'st. igging) our rly cornwe put iearly to cncide wi our me dance at'd be eet corn, yell rn, diffent variies. we d't get a rains he all e way fr usually om april all thway tillhe monso, whh is theast weekn july. fous to gr things th only x to 1inches ofnnual pripitatio is azing. (st music) thisear i put in abo six differt variets of cor you'veot to gr em out ery year. u try too at lea one w out evy year, because e climatchanges, d so, unss you dthat, thesplants w't apt, they won't change. and when we're going through climate change throughout the globe, we need to have that biodiversity, beuse biodersity can react and can adapt, just le we shod, but th know hoto do th. those lile seedlgs kn how to that. we ahuman begs are foetting h tdo that. the

yoknow whai mean? ally goo it's a gd day toy, cause yocan see from tse littlones, theye got lile dew drs on them ght here the are ouchildren inhe hopi y these are r childr. sooday it'a good d, beuse i'a daddy.laughing) (soft instrumental music) (birds chirps) (metal clinking) i've had my own problems in my life like everybody else. alcohol was achille heel forhe longe time, and found a wato... dispe of that. but found a y out here to al with at. when was lite boy, being opped ofout here spding somsummers t here wh my grafather, i leard a lot. but as iot oldernd i went thrgh a my lifecle and all my drinking and stuff, i was able to come out of that. and only came out of that because i got back into what i really love and enjoy. and i feel like a lot of people out here, if they would get back into farming and learn from this, they wouldn't have near as big of a problem out here. (soft instrumental music) - trition tes us at we mu have co. corn habeen theain stapleor t hopi pele. yohave to ve three year s

holding hands with this black ballerina that -- and that we had performed literally the same role, yoknow0 years between us. >> you write... is that something you experienced personally? >> yes. you know, this is -- it's -- it's ingrained in the culture. as hard as it is to say, i've definitely had those experiences where, you know, i've been told that my body isn't right, i'm too curvy, i'm too muscular, i'm too short, my breasts are too big. there's been so many excuses and i know so many other women of color have experienced the same, you know, the language that's being used around black women and black bodies. and it's an acceptable way of saying, "you don't belong," rather than saying, "the color of your skin doesn't fit in." >> let me read you something that you write about, regarding your early years at abt. quote... >> yeah. even to this day -- maybe in the last two years, things might have changed because the conversation really opened up, you know? and, you know, what's incredible is that the ballet technique is a language that transcends, like, so many cultures. i can go to rus

yoknow, whare yousticki your ne out?problem ists you're ignort, anthat's n good, but 's ignance. if you know probleexists and yodon't doanything aboutt, th you're rt of t problem. man: 15! 15! al chantin hey, mcdona's u can't de. wean see yr gritty side. the ght for fiftn stted withast foodorkers who arnot tipp anneither e cooks, dishwashs, and oer ba-of-the-use emplees. the fig for fifen efcts millns of pele. al 15!man: wn do we nt it?

by now, yoknow that the conditions on this ship and for the's sailors was unacptable. this was a ship going through fueling and an overhaul. conditions on board required a lot of these young men to be sleeping in their cars, to be making long trips home to get away from the chaotic scene. access to mental health was completely inadequate. sailors seeking routine care on a ship that had significant conditions affectingental health work facg weights of up to two months for care. numbers -- memrs of sander's division reported they were often headed to seek mtal health treatment through other channels because they were under the impreson he would affect future career opportunities. this was exceptional that we had so many individuals take their life in a short period of time and i know there is still a final investigation that is outstanding, but what can you doubt me today -- what you tell me today about how we are changing conditions and making sure they ha access to mental health services? >> thank you. the secretary of navy on down -- from theecreta of navy on do, we h

just as it is not i would remind us in a kinetic world, yoknow, we have had esidents declare a redline that has proven not to be a threat. these things are ambiguous. it is notnique to the cyber main and some othat ambiguity is cause it is new and ever evolving. some of the biguity is intentional. on the insurance question, i think you raised a really good point because that is a carve t in most policies. some of the most interesting businesses today that i am interested in watcng from a perch at this job are businesses in the cyber insurance space. we are getting to the point where again if we are going to put this in existg framewos what to do with the risk? you can do three thin, except it and just say is is the risk we are going to bear and you ought to do that to some degree. you can mitigate it, that is what we usually spend our time on. people process tech and they can transfer via a mechanism like insunce. and so the maturation of that risk transfer is going to be really important and i think w have enough attacks now unfortunately -- we've seen enough attacks withnough definab

we need to get this done, we are in theiddle the project as yoknow and i appreciate the support but we are on borrowed time to get this done. i could go on and on, i will not. i appreciate what has happened to date, but i would ask you erector given thetakes is this a priority for you and the administration? do i have your cmitment to do whatever it takes to make sure we complete the project and to do tt whatever it takes to securehe funding for the sioux locks this year andhrough completion? dir. you: this budget holds 235 miion dollars for this project. that will hopefully show you our commitment. the federal government understands the importance of this project and you have our commitment to remain partners and get the job finished. sen. stabenow: thank you. >> listening tmy friends across the aisle today and the rationale behind the budget proposal, i amearful the white house is using the same accounting that brought down the sbc bank. i'm here to ll you the greatest threat our nation faces is not russia china or north korea and though i love the environment, it is not climate chan