jared: she says john lennon and yoko ono cultivated their love for an eager public, while audrey hepburnd herself as a muse. claire whitner: you see this kind of multiplication of her public image in one particular photograph, getting at tt point of becoming a public muse, you know, someone that is the projection of mass desire. jared: here, love is manufactured, and it's messy. mary wollstonecraft ran away with the married poet percy shelley, finding both love and the inspiration for "frankenstein." then there's wallis simpson and edward, duke of windsor, who renounced the british throne. this is cecil beaton's wedding day photograph. so why the long faces? it was taken just as he likely learned she wouldn't receive a royal title. and then there's the love saga of lady emma hamilton. known for dancing nude at private house parties, she was the muse of 18th century portrait painter george romney. she had numerous affairs with aristocracy, including charles greville. claire: but, ultimately, greville becomes tired of emma, and he sends her to live with lord hamilton, his uncle. he falls i