only you gotta tell me. 'cause if you don't tell me, it means you don't respect me.nd if you're not honest with me, well, then, there's no point. there's no point in sharing the pub, in sharing a bed, in renewing our vows, there's no point to any of it. i can't imagine what my life would be without you. so no more lies, no more secrets-- about the baby, everything. you tell me the truth. look, i promise you. in future, money, anything-- we'll talk through together. oh, why don't you pop over and make it up with zoe? she seems to think there's a bit of bad feeling. - okay. - there's a grandchild on the doorstep soon and we can't have petty grudges gettin' in the way, can we? - right. - what, you off? - i've got things to do. - what things? anything that's not you going on about my marriage. - i thought i could help. - i might take it off someone - who ain't ballsed up their own. - den: same again? no, thanks, i'm done. a bit fiery, your lady, ain't she? don't worry, i can dampen her down. now, this one's called hot peach. got daft names for 'em, ain't they? stacey's g

♪ ♪ can you tell me how to get? et? ♪ ♪ come and play ♪ everything's a-ok - ha ha ha! ha ha ha! ♪ friendly neighbors there ♪ that's where we meet ♪ can you tell me how to get ♪ ♪ how to get to sesame street? ♪ ♪ can you tell me how to get to sesame street? ♪ - [giggling] - ok, everybody. snacks for everyone. here you go. - oh, boy. - all righty. let's see. now. hmm. who ordered the birdseed bread sticks? - i think that was maybe me. - here you go, big bird. i'll put that right there, and everyone's--oh, hey. hi. welcome to sesame street. - hi, there. - ¡hola! - welcome. - looks like you just caught us in time for snack time. everyone's having a little snack right now. let's see. oh. rosita. - sÍ? - what fruit can i get you? - ooh. una manzana, por favor. - oh. one apple coming right up. - mm-hmm. - can elmo have a banana, please? - you just said the magic word! hey, hey! oh! - what's going on, chris? [dramatic music playing] - i don't--hey. - wha--who's that? - i don't know. - ohh. - did somebody say... magic? - whoa

♪ ♪ can you tell me how to get? ha ha! ha ha ha! ♪ friendly neighbors there ♪ that's where we meet ♪ can you tell me how to get ♪ ♪ how to get to sesame street? ♪ ♪ can you tell me how to get to sesame street? ♪ - [giggling] - wow. "in the wild, snails eat a variety of different foods, and"--listen to this--"some snails have thousands of teeth." - amazing. - wow. you sure can learn a lot on a computer. - oh, hi. - oh, hey, welcome to sesame street. - ribbit. - oh! - ribbit, ribbit, ribbit, ribbit. - wait! come back. - what was that? - a princess. - yeah, chasing a frog. - ribbit, ribbit, ribbit, ribbit, ribbit. - stop, frog. stop. oh, no. - oh, excuse me, miss, but is something wrong? - yes. something is wrong. i'm never going to meet my prince. - your prince? - mm-hmm. i have to kiss that frog to meet my prince, and i can't do it. ohh! - wait a minute. wait a minute. a princess? a frog? ooh, elmo knows that story. - oh, yeah. me, too. me, too. the frog is really a prince who's under a spell, right? - that's right, a

can you tell me the last time you saw or spoke to austin? yeah, about a month ago. little longer. oke with him on the phone. my god. what happened? sir, can you tell us why it's been so long since -- did you not hear what i asked you? what happened to austin? sir, i-i'm sorry to inform you that your stepson passed away over a month ago. [ exhales ] austin's dead? how? well, uh, it appears to have been an overdose. [ breathes deeply ] you people. gabriel: wait. can he just -- uh...sir?! doctor?! sir?! dr. blair, please wait! i have surgery across town in an hour. just call me with how i should go about arranging for his funeral. you may be in shock. not even warning me what this was about. don't talk to me about shock! you don't think i know about shock? sir, we need to know if austin had any enemies or anyone who might have had a reason to -- you're looking for a why? my god. drugs don't give you a why. [ elevator bell dings ] you want to know about austin's life? try talking to that kid that's answering the phone at his house. [ sighs ] you mean his boyfriend? how should i know wh

why didn't you just tell me to come to the school? ame to the school to talk to me about your son, and i behaved like a... a jackass? sorry. is that too trailer trash a word for you? how does rat bastard sit with you? that's pretty good. look, i'm... i, um, i made all this food. it's just sittin' here, um... i really don't know who else to talk to about him. mmm. this is good. thanks. i don't understand. this is summer school? uh-huh. why do you think trevor stopped talking? i don't know. he seems mad. well, seventh grade is difficult, but he seems very happy at school. maybe i'm wrong. maybe it's fine. how much do you see him? as much as i can. how much is that? no, i'm not doin' a bunch of skanky guys instead of spending time with my son, ok? i got 2 jobs. right. i meant that. couldn't have just been a question. uh, mrs. mckinney, do you think there might be something, um, i don't know, outside of schl that might bothering him? i don't know. ok, you know, i'm gonna have to consult my spirit guides here, because you tell me that trevo

you want me to say. james: i want you to tell me the truth! parker: james? my name is greg parker. ght? this is no one else's business. i appreciate that, but what i'd like to do- james: who the hell are you? my name is greg, like i said, i'm a professional negotiator. what i'd like to do here is maybe help facilitate a dialogue. james: a conversation is what i am trying to do here! i don't need a professional negotiator to have a conversation with my own ex-wife, for godsake! all right? what i need is a little privacy. parker: okay, that's great. let's do that. i mean, you're in charge here. why don't you just tell the other people in the room that it's time for them to go. james: i just wanna talk to my wife! parker: i hear you, james. ed, what's your status? ed: seconds away. parker: it'd be easier to have that conversation... in position. parker: you're calling the shots here. they'll do whatever you say. just ask them to leave. sam: in position. parker: you want privacy? that's reasonable. you want them to go? that's fair. just tell them. james: okay, okay. get out of here! eve

♪ ♪ can you tell me how to get? get ♪ ♪ how to get to sesame street? ♪ ♪ can you tell me how to get to sesame street? ♪ - [giggling] - [humming "the people in your neighborhood"] uh, hey, chris. can i get a little more water? - oh, yeah. sure, alan. no problem. hey. how's that? - that's great. thanks, thanks. oh. hello, and welcome to another peaceful day here on sesame street. [clatter, yelling] [drums playing] [blat] - easy! easy! [banjo playing] what in the world is going on? yaah! - well, mr. nosy pants, if you must know, it's time for the big grouch parade. - grouch parade? why are grouches having a parade? - ugh. why are grouches having a parade? don't you know what day this is? - tuesday? - no. today happens to be the grouchiest holiday of the year-- trashgiving day! [cheering] - uh, oscar, i have never heard of trashgiving. - [gasp] never heard of trashgiving?

why didn't you tell me? 'cause it had nothing to do with you. i mean, you know how much i wanted a human life with you, being human myself, being normal-- that's something i've wanted since long before i met you. well, i'm glad you told me that. yeah, what's a deeply buried personal secret between friends, right? between friends? i like that. [sighs] mind telling me where we're going? at the wishing well lies an entrance to a crypt. in the crypt lies silas. and with silas lies the cure, which will allow me to kill silas, bring the mission of the brotherhood of the 5 to an end. you're my leverage, damon; i use you to get your witch friend to open the passage to silas' crypt for me. wait a minute. you're using me to get to bonnie bennett? whoa, brother. heh! you picked the wrong vampire. i guess we'll see about that. here's the deal, shrek. my witch friend will open the passage for you. no leverage necessary. we don't care about silas. all we want is the cure, so you cut us in on your share, we'll get out of your hair. you really don't understand,

why'd you have to tell me at all? wait a minute. are you mad at me for telling you or not telling you? yes. both. well, then i apologize. i was wrong to tell you, wrong not to tell you, and i'm probably wrong for saying i'm wrong. well, it's too late for apologies. i already know it. can't un-know it. i need some kind of cake. douglas, i'm starting to get worried about this deodorant business. i haven't gotten my new stick of macgregor in the mail. you sent my old one back, right? uh-huh. well, then they're obviously trying some monkey business. better give me the tracking number. the what? you know, for the package so i can follow up. oh, it's, uh... 2, 4, 6, 8... 10. got it. thank you. and, douglas, don't lose any sleep about this. i'm on the case. what's going on, dad? it's a whole crazy thing doug and i are wrapped up in. he'll get you up to speed. this whole richie thing is killing me. oh, i know, honey. it's rough on you guys to actually know real things about each other. it is. what do you think i should do? should i tell him?

. >> can you tell me what's going on? >> they shaking us down to see whether we got illegal things on us, things that we ain't supposed to have, stuff like that. i call it harassment though. >> his cell is thoroughly searched. >> they like to hide shanks or homemade knives in their boots sometimes. they will come in here and tear out the soles and put them in the bottom. they have 24 hours a day to think of where to put stuff, so it's an endless process. >> so what are they doing? >> they're not allowed to have anything on the walls or the doors, so we take it down. >> this looks like a doctor's waiting room. got little magazines. >> even something as seemingly harmless as a set of headphones can be considered contraband. >> is there a number on it? >> no, no number on it. that is contraband, and we are taking it. >> at riverbend, every electronic item had to be documented and approved by the officials. there was no record of the headphones, so they were confiscated by the search team. >> later he is led back to his cell.

] love you. >> then why you making me tell him? nna kill me. >> he is not gonna kill you. he may bust you in your mouth, but he not gonna kill you. ooh. you may have to walk on crutches for a year... [ chuckles ] but he not gonna kill you...baby. he gonna kill you! >> okay, okay, i got it. >> [ humming taps ] >> okay, mom, i got it! >> got what, a job? you got a job already? come here. come here. have i told you lately that i love you? >> pops, i got to tell you something. >> no, wait a minute. wait a minute. let me get this out first. i know i told you i wasn't gonna get you nothing, but i changed my mind. i got you something. >> you got me something? >> and it's amazing! >> you got me something? >> close your eyes. close your eyes. close both of them like this. all right, come on. it's okay. >> [ grunts ] >> close your eyes. keep 'em closed. keep 'em closed. keep 'em closed. okay. okay. ready? >> mm-hmm. >> open your eyes. ah, i can't look! i can't look! candy-apple red! leather seats! 295 horsepower! dual exhaust! convertible! he

that's why i brought her here for you to tell me. well, having not actually seen this piece before but similar pieces from the meissen factory, i would put a value on it of between $1,250 and $1,500. thank you. it certainly is a lovely piece and i'm glad that you were able to show it to us. thank you very much for looking at her. there are so many dazzling collections in our area. i visited this one and it literally sparkled before my eyes. rhea: i have never, ellen, in my life seen so many incredible purses. how many do you have in your collection? ellen: thank you. hundreds of them. i've been collecting for quite a while. rhea: well, i know i'm going to ask you a lot of hard questions. like, what is one of the oldest bags here? ellen: truly, the oldest ones were made in the late 1800s, and beaded not as elaborately as those, and it's a leather purse. they're called pocketbooks. and they would put things in them, mostly change, and put them in their pocket. rhea: so that's how the name came. yes. rhea: this is probably really unfair

have formal morgan stanley chief asia pacific economist joining me from hong kong today so can you tell me what you make of this seven point five percent is it such a disaster well our finger china is going through our necessary phrase of adjustment rebalancing the economy over the. last a five years china investment too much part of it to support of the global economy because of the financial crisis by the investment has led to overcapacity saw there is a needed to a skilled backing vestment right maybe china is a victim of bubbles perhaps after two thousand and eight. the western countries cut interest rates dramatically so the high money started to flow to flow into the emerging economies and china due to receive a lot of hard money my my characters will be sickening signature in more than one train us dollars that are part of contribute to these real estate a bubble in china and it's part of these over us in a story now as it is the western countries preparing to tighten monetary policy in particularly when i stage so we're seeing our hot money leaving china and other glory days that's

nightmares won't stop till you tell me what you did. tell me. we're done here. ries: moot point. struck out on this one. nice try, lil. vera: yeah. way to go, lil. it's not our jobs to decide which murders we like or don't like. miller: nah, our job is to put away some kid for doing the right thing. so we let every vigilante walk? that what you're saying? saying, maybe let this one. well, i need to talk to her again. jeffries: not gonna happen. she's lawyered up. miller: what is it with you and this case? why do you even care about that scumbag? it's not about him. then what? 'cause i can't figure out why you're wasting our time. there's got to be a way to talk to her, right, boss? go home, lil. all of you. please. quite a spread you got here, john. hey. wasn't expecting you. hey. so how's it going back at the ranch? i say we take her out, hit the high seas, come back next year. (chuckles): that bad, huh? well, chasing our tails on this one. doer's gonna walk and rush won't let it go. well, she's got good instincts, will. let her follow them. sometimes being the

you tell me. you know some people say that was not his birth certificate. nobody knows. you don't know either. you're a smart guy. >> reporter: i'm pretty convinced. >> you said pretty. >> reporter: totally convinced. >> you said you're pretty convinced. let's see what happens over time, but it's not my issue, jonathan. my issue right now is much different. wait a minute -- my issue is economic. our country is being ripped apart by china and many other countries. that's my issue. >> reporter: but on this issue -- >> you said you're pretty sure. you're pretty sure, that's not acceptable. you have to be 100% sure. >> reporter: i'm 100% sure. >> i don't think you are. >> reporter: let me ask you this, ted cruise. born in canada. if he was born in canada, is he eligible to be president of the united states? >> if so, he's not. >> reporter: he was definitely born in canada. >> you'll have to ask him this. >> reporter: his mother was an american citizen. >> that'll be ironed out. i heard somebody told me he was born in canada. that's his thing. >> reporter: you played golf wit

me about tradition! now, you will stand down and give me that weapon. i can't do that, sir. you are disobeying orders, pfc tully! you will give me that weapon and you will tellan officer's weapon on an innocent man. you will do no such thing. 'cause i decide which marines remain in this platoon. me and only me. sir, i can't let you do that. you...! sergeant, please. (gunshot) (panting) ♪ ♪ ♪ ♪ ♪ captioning sponsored by warner bros. television ♪ [ female announcer ] you put a lot of effort into creating the perfect evening. so, we put a lot of effort into creating the perfect tortilla chip. ♪ tostitos artisan recipes. ♪ made with real ingredients cooked right in

department of education - ♪ can you tell me how to get? ♪ ♪ can you tell me how to get? ♪ ♪ come and play ♪ everything's a-ok - ha ha ha! ha ha ha! ♪ friendly neighbors there ♪ that's where we meet ♪ can you tell me how to get ♪ ♪ how to get to sesame street? ♪ ♪ can you tell me how to get to sesame street? ♪ - [giggling] - pose, pose. - i'm posing. - posing, posing. - chris, down, chris, down. - how do i look? - and got it! - yay! - wow! you looked good! oh, oh. hi. welcome to sesame street. - hello, there. we have a great photographer with us today. - oh, well. - yeah. yeah. he is a--yeah. that's elmo! he is taking pictures of all his friends, right elmo? - yep. - hey, elmo. - what? - why don't you take a picture of them? - oh, hey. - oh, yeah! that's a good idea, rosita! pose for elmo. - say, "cheese!" - ok. smile. aw. that's wonderful. you looked great! - very cute. ok. well, who's next? - why don't you take a picture of me? [jazzy music plays] - who was that? - hey. who is that? - can't see me, can you? - no! - are you invisible? - nope. you can't see me because i'm.

♪ ♪ can you tell me how to get? esame street? ♪ ♪ can you tell me how to get to sesame street? ♪ - [giggling] - stretch it a little bit more. wait a minute. - elmo's got it right here. - got it? you got it, elmo? - come on. there you go. now smooth it out. yeah. that looks good. oh! hey. welcome to sesame street. - oh, hi! - hola! - elmo and rosita are helping me set up. - excuse me. pardon me. scientific tools coming through. - oh, boy! wow! uh, scientific tools? grover, what are you doing? - grover? who is that? oh, me? no, no, no. i am not just grover today. today i am paleontologist grover! - paleontologist grover? - that is correct. i, your friendly neighborhood grover, am also a cute and furry paleontologist. heh heh. - well, what's a paleontologist? - ha ha! that is cute. he does not know what a pa--let me explain, elmo. - ok. - a paleontologist is-- well, uh--well, it is a very long word for one thing. it is sort of like a-- - let me help you, grover. - hmm? - a paleontologist is a scientist who digs through

tell me. if the rampart division of the l.a.p.d. tells youe seats are, i don't want to know. hey. just--if stedman graham comes up to you and says he'll tell you what's really going on with him, oprah, and gayle if you tell me how great these seats are, keep your mouth shut. - hey, hey, hey. you really don't know what's going on between oprah and gayle? - fine, but all that other stuff still applies. - okay. - coming up next, another rihanna-thon right here on lux 97. more commercials, less songs: lux 97. we play the hit. - by the time they play a song without rihanna, i can grow up, get a job, earn some money, and fly myself to l.a. i mean, how long are we supposed to listen to this stupid radio station? - why not just put in a cassette and record everything and then sift through all the songs later? - why are you carrying around a cassette tape? - i thought it was an iphone cover. - i can't believe that's what came before ipods. - yeah, except instead of holding thousands and thousands of songs, this holds about ten. - you know, my dad said

to tell them on the radio. >> okay. >> what did you want me to tell her, sir? >> okay. [ bleep ] okay. he told me to put you on hold and call the news, ma'am. >> okay. >> what you want me the tell -- i'm trying to find the number for channel 2. want me to tell them to come? hello? >> yes, ma'am? yes, ma'am? >> he said tell them to back up, right now. >> okay. hold on. >> okay. hello? >> ma'am? >> okay. he said to tell them to back off. he doesn't want the kids. he wants the police, so back off and what else, sir? he said he don't care if he die, and he don't have nothing to live for, and he said he's not mentally stable. >> okay. stay on the line with me. okay? put the phone down, if you have to, but don't put it on hold so i can't hear. >> okay. >> can you tell me where you are? >> in the front office with him. >> okay. >> he said send in one of your radios with an unarmed officer. >> okay. >> she said okay. she's getting ready to tell them. or somewhere that he can talk to the police. he said but if they come armed, he's going to start shooting again. >>

you know, just...frequency. frequency with me and amy? i don't think amy would appreciate her name coming up in this type of venue. all right, so don't use the name amy, you know? just tell me how often between you and "gail." could it not be gail? because i have a superior named gail. she's a beast. all right, call her whatever you want. i just--i just-- vanessa. ok, fine. say, rob, how are things between you and vanessa? [low sexy voice] oh, pretty good. yeah? like how often would you say you and vanessa, you know? to be honestwhy? why?t li what's the matter? well, no, nothing. it's just, you know, you get older and that's what happens. it's natural. yeah, yeah. why are you asking? no, nothing, nothing. oh, wait a minute. raymond, do you have a problem? what do you got for snacks? cheeseballs, cheeseballs. i'm in. you believe this game? it's like they're not wearing cups. a ta so, raymond, what is the problem? hey, robert, this is a pretty good game. we should just what problem? what are you talking about? nothing, dad. nothing. oh, sounds like raymond is having a little trouble south of the border. oh, yeah? mr. johnson not showing up for work? [whispers] that's a goo

you talking to the shooter? >> that's somewhat he's telling me to tell them on the radio. what did you want me to tell her, sir? [ bleep ] he's telling me to call the news, ma'am. >> okay. >> what do you want me to tell -- i'm trying to find the number for channel 2. >> hello? >> yes, ma'am. >> police? he said tell them to back up right now. >> okay. >> okay, hold on. >> okay. >> hello? >> ma'am? >> okay, he said -- he said to tell them to back off. he doesn't want the kids, he wants the police, so back off and what else, sir? he said he don't care if he die, he don't have nothing to live for. he said he's not mentally stable. >> okay, stay on the line with me, okay? put the phone down if you have to, but don't put it on hold so i can't hear. >> okay. >> can you tell me where you are? >> in the front office with him. >> okay. >> he said send in one of your radios with an unarmed officer. >> okay. >> she said okay, she's getting ready to tell them. so he can talk to the police. he said, if they come armed, he's going to start shooting again. only one officer. >> okay. >> he

me? vows. hey, knock it off. i know you can't believe it, but i happen to be serious about this. why? what? why am i becoming a nun? yeah, why don't you telltter than you. what? yeah. that's why we all become nuns. i never thout that was it. chocolate, huh? still got a secret stash? so what? ys knew where it was. you thought you were so cool, hiding your halloween candy, eating just a little bit so it would last longer than mine. you didn't know where it was. oh, boy. you must really be upset. well, excuse me, but i'm not the one who just dropped in to say, "oh, hi. i'm becoming a nun. so long, suckers." debra, this has been coming for quite some time. ah, well, how would i know that, because i haven't seen you in 2 years and barely before that. and since college, you don't even keep in touch. i was moving around a lot. i didn't know what i wanted to do. oh, and all of a sudden, you know. i have known for about a year and a half. i've had a ok, fine. fine. but that's not what's bothering me. [voice breaking] what's bothering me is... what? you weren't around, and i was ok, because i thought that someday you would... you know... and... [cry

you believe mrs. barnes. it is only her word against mine, and why should i be judged at face value if it goes against me? i can't dispute that. you want to help? you tell me the motivation for making miss froy disappear off this train. but i can't... i'm only asking that you imagine she exists. and don't pretend you're not clever. hmm... well, they couldn't have bumped her off at home. that would have brought in the foreign press. "an english governess disappears in croatia." disappearing on a train? that's far more cunning. they would have lost valuable time before they could prove that the lady had vanished. and no one on the train would actually remember when she was here. her disappearance could have been after she'd arrived in italy, or she could have stopped off in paris for a couple of days to shop. it will be impossible to trace it back to the baroness and her family. so they've probably already flung her from the train? the body would be found. no, much better to invent an invalid, and that'd be the baroness's sister. miss froy is in the last compartment disguised as an invalid. how can anybody recognize her with all that equipment around her,

you talking to the shooter? >> that's what he's telling me to tell them on the radio. >> okay. >> what did you want me to tell her, sir? [ bleep ] he's telling me to call the news, ma'am. >> okay. >> what do you want me to tell -- i'm trying to find the number for channel 2. >> hello? >> yes, ma'am. >> police? he said tell them to back up right now. >> okay. >> okay, hold on. >> okay. >> hello? >> ma'am? >> okay, he said -- he said to tell them to back off. he doesn't want the kids, he wants the police, so back off and what else, sir? he said he don't care if he die, he don't have nothing to live for. he said he's not mentally stable. >> okay, stay on the line with me, okay? put the phone down if you have to, but don't put it on hold so i can't hear. >> okay. >> can you tell me where you are? >> in the front office with him. >> okay. >> he said send in one of your radios with an unarmed officer. >> okay. >> she said okay, she's getting ready to tell them. so he can talk to the police. he said, if they come armed, he's going to start shooting again. only one officer. >> okay. >> he said if you have to evacuate the

what can you tell me about how your inquiries have gone in that regard? >> yeah, we have a lot of interviews, we're still conducting, we're examining the evidence we seized from the fire here in boulevard, as well as the crime scene investigations in idaho. we have a lot of work to be done yet. there's indications from people we've interviewed already that he was becoming infatuated with her. we may never know the cause of what was -- what really prompted him to snap like this, kill two people and brutally kidnap hannah. sometimes we're going to try to get as many answers as we, but it's difficult to get inside somebody's head and see what the real motivation is. and then there's sometimes we try to come up with a logical explanation for something that's completely illogical. we're going to do the best we request, i don't have enough answers for you right now, and that's what we're working on. >> thank you for joining me. a very successful operation by you and your men in the fbi in tracking down this. and making sure that anderson was able to get away al

well, why didn't you tell me? i don't know. you tell your brother this! i couldn't! why? because. because why?! because i felt sorry for you! you...felt sorry for me? you felt sorry for me?! ray, it was just pre-- gaaah! i was just-- gaaah! ee--no! maybe i should've waited another year to tell him. vamanos dusty! the fans await! roger that. so, el chu... what do i do? i've never done this before! just smile and be yourself! oh! it's dusty crophopper! over here! dusty!!! hey! aaaaaagh! wow! so many fans! dusty my friend, don't let it go to your head. you have to stay humble... like me! aaaaaaaah-ha-ha-hiiiiiiy! fly into target for everything planes. it gets more and more entertaining every day. and once you've got verizon fios, that's when you get it -- how 100% fiber optics takes your entertainment to ridiculous levels. i was streaming videos, movies, music. once i realized how fast it was, that's when i got it. [ male announcer ] want to upgrade your entertainment? switch to a fios triple play online for just $89.99 a month guaranteed for two years plus your choice of a $300 amazo

you want to tell me why you ran from the police? me entiende? habla español? no?nish, is that the game? right. i got a cousin that works in ice. here's the deal, amigo. either you tell me everything you saw in the next ten seconds or we bounce your sorry ass out on the next bus to the border. oye, jorgito... no. no, it's okay. valens: wait. sorry. you got something you want to tell me? sí, sí, entiendo, um... i understand. hold on a sec, will ya? it's not what i see. it's what i hear (rock song playing) (music box playing "john henry") (explosion) a music box? minute later, bomb go off, same locker. everything go crazy. i get scared, i run. i thought it was my fault. stillman: an old music box? the bomb delivery device. kind with the brass cylinder inside, turns and plays a song. almost all music boxes were made of wood at the turn of the century. can't be too many companies still in business making those. i found one company in vermont that still supplies parts. nice old lady told me that they sell cylinders that play mostly american standards. and that another c

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why didn't you tell me? because i wasn't sure if it was relevant. , captain meyers, don't ask, don't tell? agent malone, i can't tell you much if i don't know much. let me ask you something. do you believe clay's version of the firefight in tikrit? i'm not sure. have you talked to whiting? i tried, but he never called me back. well, now he's gone. yes. and that makes you nervous. yes. 'cause you're missing a hero? you're not sure he's a hero now? because i can't figure out what the hell happened over there. then why don't you dig deeper? i was supposed to conduct a routine interview to award a medal... but i don't think anybody wants me going to iraq and asking questions. so, why call me? i called you because a soldier is missing, and i think it has something to do with what happened over there. yeah, so do i. ( helicopter whirring ) ♪ [ male announcer ] hurry in for labor day deals like 20% off char-broil commercial series grills at lowe's. ♪ jake, tell the story, man. ♪ this story is horrible. ♪ jake, have some snickers® bites. 'cause you're kind o

you tell me. what do you mean, tell me ? who is the handyman around here ? - oh. you are ? - i am. oh, victor ! may i talk to you for a moment, please ? "victor" ? - what's going on here ? - that handyman seems to have a bad attitude. if you don't mind me saying so perhaps you should replace him. mr. brashov ? i-i mean victor ? no. he can't be replaced. why not ? has he been with you for a long time ? something like that. how's your coffee ? it's good. i'm sorry, boss. i shouldn't have spoken to you that way. i am just having a bad day. it's all right, victor. i understand completely. say something to me. anything. - what's the matter, jess ? - the doctor just cleaned my ears out. but it obviously didn't work. i just thought i heard victor call jamal "boss." - well-- - yes ! well-- what are they saying ? i can't hear a thing. come on in the kitchen, jess. i've got a special that'll explain everything. i thought you said that customers couldn't go into the kitchen. oh ! him ? he is the delivery boy. i just finished my deliveries for the day. what else do you want me to do ? i don't

. >> so, can you tell me your policy then, how to maintain or i mean, are you refusing certain parties that they can't -- >> we are absolutely, we are a clicker at the door, right inside when the ticket takes, and we just maintain it. we -- >> do you let your promoters know ahead of time that that's the cap. >> yes, that's part of our contract where the promoters. >> how's the ceiling insulation? >> there is none. well, there's probably 8 layers of tar over the layers on top of this thing, but i have my little decibel reader inside, where you walk on to the sidewalk, you need public sidewalk around us. >> and you have no skylights? >> yes, we do. >> sound leaks through skylights. er >> it surnlbacker certainly does, we have skylights all along the building. >> you have neighbors on the back that are level with your roof? >> we do, we have neighbors, that would be a two and a half storey high, we have neighbors directly across the street and that build ising a 7 storey building i believe. >> have you discussed -- i guess commissioner hyde will go next, but discuss with them or have they

you talking to the shooter? >> that's what he's telling me to tell them on the radio. what did you want me to tell her, sir? -- you want me, i'm trying to find the number for channel 2. you want know tell them -- >> hello? >> yes, ma'am, yes, ma'am. >> police, he said tell them to back up right now. >> okay. >> hello? >> ma'am? >> okay, he said to tell them to back off. he doesn't want the kids. he wants the police. he doesn't want the kids. he wants the police so back off and -- what else, sir? he said he don't care if he die. he don't have nothing to live for and he said he's not mentally stable. >> okay, stay on the line with me, okay? put the phone down if you have to but don't put it on hold so i can't hear. >> okay. >> can you tell me where you are? >> in the front office with him. >> he said send in one of your radios with an unarmed officer. >> okay. >> she said okay, she's getting ready to tell them. >> hopefully i can talk to the police. >> or some way that he can talk to the police. he said but if they come armed he's going to start shooting again. only one officer. >> okay. >> he said if you hav

you. surprise! >> well, i -- i wish you'd let me know you were coming. >> so this is the big house you were telling about. ooh, it's nice. not as big as i thought but nice. [ laughs ] >> hello, i'm cora simmons. >> evelyn west, edna's best friend. i'm sure she's talked about me. >> no, never heard of you. >> no? oh, well, i'm only in town for one day. my husband larry, the doctor, he had a meeting down in macon, so i just figured what the hades? i popped in the mercedes, took the top down. oh, it was a wonderful drive up here. the sun, the air, and then... ooh, cows! oh, you remember my husband, larry, don't you? >> oh, yes, yes. he was my boyfriend larry. >> oh, that's right. oh! that was so long ago, i forgot all about that. i'm so glad we were able to get past all that. i was a bit of a hoochie. i was kind of horrible. >> really? >> minus the "orrible." >> so, where is this husband of yours you've been bragging about? >> oh. i, um -- i think he's lying down. >> yeah, in the cemetery. >> what? >> what cora means is that he owns cemeteries all over the country, and on his lunchtime, he likes to vi

stuart: are you telling me -- you can keep your health coverage that you like? same price? >> january of 2014 not come back on your show wind is going to affect you tell me if you lost your coverage. stuart: i'm talking the country as a whole. stuart: not something else is happening. stuart: obamacare is not aimed at someone who works for a large multinational corporation. we're talking it is doing more harm than helping them. >> absolutely wrong. stuart: charles: everyone rejected it. it is wildly unpopular. >> the president has done a horrific job selling it, or if a job selling then. the unions have not rejected it, the unions rejected a small component of seniors who are getting the care. it is not being cut. these are on the talking points. charles: -- stuart: we will have you back and have a set of facts and discuss those. we will have concrete response facts. >> under obamacare -- stuart: i understand what you are saying. the issue is health care in the future will not be as promised by president obama and that is a affect. let's end the discussion. i have

can you tell me a little bit about acupuncture? medication, i can help you by sticking needles all over your body. - whoa! ok! if there are tiny monsters in my body, i hope this doesn't make them angry. - just because you can't see micro-monsters, doesn't mean you can't teach them tricks. all right, roll it back. come on! so i'm gonna show you 2 tricks you can teach them yourself-- up! --to start your own micro-monster circrc. trick #1: micro-monster on a can. ask an adult to make a small hole in the top and bottom of an empty coffee can. cut a thick rubber band open and thread a heavy nut onto it. then, tie the rubber band back together. poke one end of the rubber band through the bottom of the can and slide a paper clip under the exposed loop to keep it from slipping back in. do the same on the other side, and you're ready to perform the micro-monster on a can. with a pair of tweezers, pretend to pick up a micro-monster, but don't really pick up anything. put your imaginary micro-monster on the can, then roll the can away from yo