on it. >> susan hasler, how did you get involved in working for the cia? this where'd you go to college, how'd you get interested, and then the trajectory of your career at the cia. >> guest: well, i always wanted to be a writer, actually, and i went to college, i was -- i majored in the russian language in literature, and i went to uva and then uc berkeley, and after i got out of berkeley it was 1983, and jobs were voir very ho come by, so i had good russian language, so i answered an ad for the cia. they tested my russian, and it was quite good. they put me through a lengthy polygraph, as you can imagine coming from berkeley. [laughter] and then i ended up as a soviet analysts, and then after the coup i realized we had too many analysts. and then i moved around a few other places and landed in the counterterrorist center. >> host: did you, for the most part, enjoy your work at the cia? this did you feel you were making a contribution? >> guest: i did. it's kind of an addictive place. you're working with a lot of really smart people, people who really chal

you are a pleasure to work with. you will truly be missed. i' know we will work on projects together. we're not losing you. we are gaining a resource on the planning commission. thank you. i look forward to seeing you soon. [applause] [applause] commissioner crowley: rodney, i did not get a chance to work with you here. i did get a chance to work with you at the convention and visitors bureau. we commend you. we commend you on your future work. i look forward to supporting your run for what ever office you seek in the future. it is bright. thank you for allowing me to spend my time with you. now i look forward to working with you at planning. thank you very much, rodney. [applause] commissioner brandon: i would also like to say that it was a pleasure working with commissioner shakofsky. i am sorry she could not be here today to join this celebration. commissioner lazarus: i would like to second that motion, as commissioner shakofsky goes, and i hope she does get an opportunity to come back so we can salute her for her very dedicated work over

you think it's going to be. it's outdoor theater. but it doesn't work kind of the way you think it would be. >> larry: so like this, plane goes overhead while you are acting. >> everything happens. it rains. as a matter of fact, we were in the middle of the scene and it started raining. >> larry: what do you do? >> you stop the show. but you don't stop until the announcement comes up by the stage manager. he announces, all right, ladies and gentlemen, we're going to stop the show for a while and the audiences love it. they love it when that happens. you go back -- i don't know why. they just do. they like that. you are a part of something that's different. and so -- but we did and we stopped for a full half hour. went back out again. >> larry: by the way, the advance for merchants of advance was the largest on broadway. $4 million. as of weeks ago before you opened. so you should be very proud. the reviews were amazing. i want to touch a lot of bases. you play shylock. in the time of shakespeare, was he anti-semitic in your opinion? >> in my opinion, no

tavis: have you worked with him before? >> it now. -- no. tavis: if it does not work, the movie is a flop. if you have to believe in the bond between the bread in sister. how did you know it could work other than the fact that he is a great actor? >> you do not. that is just the part of the magic and making movies. it is part of what makes it scary, too. clint eastwood has a great saying, [unintelligible] making a movie is your only as good as your weakest link. when everyone is working at their best and it comes to get there, it is extraordinary. you do not know when these things will work. >> i think everyone of us want to be exposed to have the opportunity to work with a master. you want to get access to the masters in the field to learn to grow and be empowered. when he threw out the name clint eastwood, tell me what you get out of operating in a space with a guy like clint eastwood? >> i have this -- he is a very special person with a special place in my heart. he has been an enormous gift to me. he is also now a great friend of mine. he

you know, we leave work and, you know, just happy you have a job. h, they... they cut me back to a four-day work week. >> narrator: with the four days, do you make enough money? >> i'm finding i'm getting more into debt now than i've been in... in years. i'm more in debt now. >> i wish i could somehow cut back my prices, for everybody. but if i've lost so much of my business already and i am, you know... you know, uh... i'm hanging on to what i can and my clients, god love them, they're wonderful and they're still coming, but if i cut back too much, how do i pay my bills? >> you know, people are coming less and less, you know. >> less frequently? >> yeah. you know we're their... this is one of the places they're cutting back, you know. it... >> they don't color their hair as often, like me? >> it's... you know, yeah. like you. you used to come all the time, color your hair, get a haircut, you know, they... so many of them are losing their jobs, or their family members are losing their jobs and they have to go back home or, you know, it's just... >> y

you think it's going to be. it's outdoor theater. but it doesn't work out kind of the way you think it would be. >> planes go overhead while you're acting? >> everything happens. it rains, we were in the middle of a scene and it started raining. >> what do you do? >> you stop the show. you don't stop until the announcement comes up by the stage manager. he announces, all right, ladies and gentlemen, we're going to stop the show for a while, and the audiences love it, they love it when that happens. >> larry: why? >> i don't know why. they just do. they're a part of something that's different. we did, we stopped for a full half hour and went back out again. >> larry: the advance for "merchant of venice" was the largest. it was $4 million. you should be very proud. the reviews were amazing. i want to touch a lot of bases. you play shylock. was shakespeare anti-semitic -- >> in my opinion no, he wasn't. that was 400 years ago. there's a lot of interpretations of the play. to me, i think there's anti-semitism in the play, of course, but i also think shylock

it's gonna work for you. >> oh, the total gym has been wonderful. have a lot of vitality, i have a lot of energy. when i got it, i started working out on it, and i lost 44 pounds. it works your arms, your legs, your stomach, your abs, uh, everything. in my 40s i didn't feel as good as i do now in my 50s. i will never get rid of my total gym at all. it's right there in my living room... and i love it. >> the advantage of a total gym is that you can vary the moves. with just... the change of your hand, you're exercising a different set of muscles. a lot of people talk about how great kayaking is for the upper body. i do a lot of kayaking, but i mainly do it for the beautiful scenery, because i can get an upper body workout on my total gym in less time and... i can go right into my lower body... and you can't do that on a kayak. >> i've been using the total gym for over 30 years, and what's great about this incredible machine is when you get tired of the routine you're doing, you can switch to a new routine, because there are so many different exercises

another problem you have a wrench that doesn't quite work. we like to leave the wrenches next to the shut off. tie is off with a wire. we will cover it again. when you shut off the gas. if the build's's collapsed good idea to shut it off there are probably pipes broken and you can have a gas leak. if you smell gas, leave the /tkaors open, don't operate electric switches that will cause a spark. don't use your cell phone. use the cell phone outside or a neighbor's phone to call 911. get everyone out of the building, close the gas valve and forget it. don't open it up again. there is probably a leak and you will have troubles wait for pg and e to test it. what's the most important thing in an emergency? everyday, water. somewhere in front of the house you will see these. san francisco water department. how do you get in here? easy. a long screwdriver or pry bar. pull it this way and the whole thing will lift out. even if it's crusty you can get it out. that's what it looks like. that's brass covered water meter. there it is. how would you tell i

how do you make that sort of work as a story? >> that is good question. what you try to do is find a principle or an idea in science and then illustrated with a story. keeping in mind that, that the the -- there is always a level of uncertainty inside so you are choosing a particular past both interesting and kind of thought-provoking path to take and you necessarily have to kind of simplified things a long way sometimes, which is, i mean and i think readers are sophisticated enough to understand that, that what i tend to be doing in my stories is posing a question, what if we thought about something this way? and then kind of -- 90% of people are i think, are sophisticated enough to understand that you can put -- hit the pause button in your own train of thought and go another direction for a while. can actually be a lot of fun to do that even if you don't ultimately agree with the conclusion. i think i say in the introduction to "what the dog saw" that i'm not interested in winning converts to my way. i am simply interested in provoking people to think a

. >> if you work hard, you know, and you do a good job and you study, education is way out. doesn't matter if you don't speak a language or have any money. but in america, if you work hard, education is the ticket. and when i read about the lotteries, tom friedman wrote the article about the lottery and i read it in "the new york times", i thought this is it, this is a metaphor. it wasn't spoused to be about charters although that is what some of the critics talk about. but it is about kids shouldn't have to win a chance at a great education. >> rose: we conclude this evening with clay christensen, the popular professor at harvard business school talking about life and teaching. >> then i asked the student that you also need to come to class having prepared to show clay christensen what's wrong with his theory. and as i try to engage them not just to tell me what it does, but what it doesn't do, i walk out thinking holy cow, i can't believe they paid me to learn from my students. >> rose: exactly. shelton, guggenheim, christensen. when we continue. >> funding for charlie ros

what are you working on. >> make the dough. , the dough has a couple different parts to it. >> what are the parts. >> first you have to cream the butter which has to be softened and the flour and the mixer and it has to go for five minutes to make it light and you have to sift together nor, baking soda and salt and add that to it gradually to make this dough. >> highly technical. >> yes. >> now we slide down to sarah who is take theth balls out and putting them on the cookie sheet and what else are you doing. >> tough smush it down to put the kiss inside and then you just fold it over. once you get it in, you roll it out. >> perfect ball and slide down for the chocolate coating. >> i am tempering the glaze in a double broiler so it doesn't burn and afterwards, we will spread it on the cookie. >> great on the cookies here and to the oven from here? the oven from here? >> not me. >> not you? >> they put it in the oven. >> you take it out of the oven. >> no. >> what do you do? >> i present the cookies. >> you are the presenter? the

and you work for other tunnels they're delivering to another tunnel. you make one hundred dollars per carton. they take one hundred dollars from us. it doesn't make that much tunnel. it's not that profitable ultimately. it's not very profitable. in egypt all the merchants want to work with us. but what's up with. the cops there either. is the merchandise coming because the bags. pass them along. as you. want to charge can be put them in two bags. what are you doing then i step on you and. go back i don't want to. hurt your little head baby. i'll. probably get you some water. tomorrow i'll bring one hundred meters of tarpaulin. then i'll let all my ground it'll be perfect the stuff will slide along nicely even by hand it'll be a lot easier we can save time. before the curve of the book. and he makes a very long telly. just give jane i told her and write. in total it's like the distance of two tunnels. will do the accounts. were you are you know around. the sleeping. so. you'll be. met you. do the accounts and everyone will get their share this will be a

if you have one in the trunk of your car that's great. also have one at work. get an old pair of sneakers, put it in your bag and put if under the desk. if you have to walk home you have comfortable shoes. pet food. make sure you have food and water for them. kids, too. make sure you have stuff to keep them entertained. after 2 hours, you will be in trouble. be aware of that. information. these are the initially, you are going to have all the radio stations will have emergency broadcast system. they will tell you where to go. where's the shelter supplies. initially after any disaster all the radio stations will broadcast on what's happening. the news to tell you what's happening. after that they will broadcast the evacuation centers. where to get medical help. one per floor for fire extinguishers. if you don't know how to use it we will talk about it in class number 2. you need a unification site. if you pick up the home phone and don't hear a dial tone, try again. make sure there is a land line hard wired to the -- not plugged in. if you can make a phone call y

commissioner maxwell: are you working with mt a? i see not so much on the geary boulevard, but as we talk about bicycle villard's from the north to south, are you working with mta on those kinds of facilities? and therefore, if there was at corridor, it would not necessarily have to be on geary boulevard, but could be on another street that is less used. are we looking into that? >> actually, the work that was done to understand where in the gary corridor, that was led by mt es, leading into the space of work. the bike plan did identify a programmatic acknowledgment of a cheery facility in this area, rather, a facility in their geary corridor. it is something that could be seen as a next up for by planning, and it would be led by mta. commissioner maxwell: so there is no specific work on bike corridors, boulevard? they have them in berkeley, san jose, so there is a dedicated lane, a place for bicycles. >> there are multiple different developments of that moving forward. there are developments of cycle tracks that are being identifie

construction's not like that you have to want to do it because it's not aedz work. you have to want to get up and go to work and do physical labor for 8 hourses. >> i lived next to biotechnology companies and was a recruiter. i was getting tired and felt sluggish. >> i knew from the first day we were outside being outside having fun, climboth ladder and hammer and the physical labor i knew it was something i would enjoy. to say i put 15 years into this and not retire a multimillionaire but retire healthy and feel good about the work i have done. >> the greatest accomplishment is you drive by a building or bridge and say, i helped build that bridge or helped build the building on market street. the most greatest reward for me is i taught that student to work on the bay bridge. taught the student operating the crane that student was in my class. >> our goal is to have a core group of people, we are hoping it's over 50 percent of your grads complete and become journey people andup standing good roll models and citizens. the largest public works our city has season in ma

work. to my office. i will show you all my data. it always works. we have always made the reason why big contractors bring and out of city contractors is to elevate the bottom line dollar. i can show you how it is done. come and see me. we have lowered the murder rate in san francisco neighborhoods because of local hiring. i have had pastors, and thank me for that. -- come up and thank me for that. [applause] >> can you name specific projects you have worked on or are working on in san francisco? a >> i have my own hospital and i specialize in laboratory and hospital workers. i would love to bring some of these people into the realm ha if i get more of that work. we have a lot of hospital and health construction coming up. i would love to put san francisco to work with all trades. we can make it work. we have some mechanical work, of course. at san francisco general hospital. i barely got my permit, but sunday, i hope with the mandate that we can put some san francisco residents to work on that project. i would like to see that happen. we had 160 wor

the governor's proposal -- believe it or not, they found a work around proposition 22 already. every time you think proponents will write these things in a buttoned down sort of way, there is always a work around. in essence, what they are doing is dedicating, going after a $800 million worth of funds derived from truck weight fees that are deposited strayed into the state highway account, rather than into the other transportation accounts protected by proposition 22. so they will be able to redirect that money to pay for proposition 1b debt service. the rest of the fuel tax swap will stay, in effect, for the time being. as a net result, transportation resources are not divorced -- reduced. it is consistent with the levels that are adopted, estimated in the fuel tax swap early last year. the one valley i would add, by being able to achieve this general fund savings, it makes it easier for proposition 1b bonds to continue to be a source of funding. in other words, the motivation of the legislature to appropriate the bonds this coming year and in future years, is much more strengthened by the f

>> yeah. >> jimmy: and so you have, like, you have to do home work and stuff? jimmy: that's -- you are quite the doogie howser. >> i'm like the opposite. he did it all when he was, like, 12. i'm like -- >> jimmy: don't you think it's time you get a job? enough with this, young man, already. you have to do something with your life. that is unbelievable. because you want to learn? >> yeah. >> jimmy: when i was in school, it never occurred to me that people were there to learn. that never, ever -- >> what did you do? >> jimmy: i just thought you were there to avoid being grounded or to get through it and get it over with and move on to the next -- >> you got grounded when you were in college? >> jimmy: well, not in college, but -- i used to pretend i was going to college -- >> what were you like in college? >> jimmy: what was i like? pretty much exactly like this. i did not have the college career that you have -- >> i left. but i left. then i went back. >> jimmy: you left and went back. >> so, i was like this -- >> jimmy: how could you have left -- never like this

what new projects are you working on? do you have something to do with an airline? >> yeah. ? >> yes. las vegas is in an economic crisis and everything. and we're working hard to give back to the community since i've been in a big community, las vegas, for 24 years. >> larry: is the airliner short hauls? >> no, it's ultra luxury airliner. it's taking the place of the concord, so to speak. >> larry: where does it play to? >> from all over the country to las vegas. >> larry: how many people does it hold? >> well, i'm not aware of that right now. but next year, it's going to come out. >> larry: lv air? >> yes. >> larry: are you an investor? are you a spokesperson? >> a little bit of both, yeah. >> larry: you're not putting me on, right? >> i'm very serious. >> larry: i could see you on a luxury airline. welcome to lv air. >> i'm mike tyson. come to las vegas and hang out with me. >> larry: sit down, baby. you've got lv air. you've got a movie career. where do you -- >> and we have a production company named -- my wife, she invented this company, called tyrannic. it's going to be

we suggest that you work in two teams of at least two people, so that's at least four people doing a search at the very, very, very least. you want a team on the outside and a team on the inside. proper safety equipment, we talked about equipment. we're only going to give you helmets. we're going to give you vests too. are the vests going to protect you from anything? no. any other equipment you have to get your own. gloves, if we have any extra we'll give you gloves. knee pads, you need good shoes, you need good clothes that won't rip so things like nails will be harder to rip through your skin. decide on the duties and the tools. who is good at what. if i physically can't do something when we show you how to do search and rescue, don't do it and make sure everybody else knows what you can and cannot do. that's very, very important. know where your emergency exits are and what your signals are. examine the exterior of a house. you want to know who's missing. if anybody is missing, does anybody live in the house? structural damage of the house, again, you want to know what you're walk

it has been a true pleasure to work with you and i think our committee has worked very well together in resolving many of the potential conflicts that we have to resolve here at land- use. thank you so much for that. we will miss you. supervisor maxwell: i think land use and our city will be in great hands. i think supervisor mar an -- thank supervisor mar and supervisor chiu. i think we'll be okay. you're a pretty snazzy dresser yourself, supervisor mar. it has been great. thank you. [laughter] is there any further business before this committee? this meeting is adjourned.

it has been a true pleasure to work with you and i think our committee has worked very well together in resolving many of the potential conflicts that we have to resolve here at land- use. thank you so much for that. we will miss you. supervisor maxwell: i think land use and our city will be in great hands. i think supervisor mar an -- thank supervisor mar and supervisor chiu. i think we'll be okay. you're a pretty snazzy dresser yourself, supervisor mar. it has been great. thank you. [laughter] is there any further business before this committee? this meeting is adjourned. what's that? i don't know. something i kinda made. ooh. what's it do? [music playing] what do i do? well, thanks for askin'. i ring my bell, and i like to dance. [tape rewinding] what do i do? well, thanks for askin'. i ri-- ow! yeah. it still needs a little work. announcer: anything's possible, keep thinking. get started on your own inventions or just play some games at... man: oh those boys are much too ch, those boys are much too much! we got the spirit, we're hot, we can't be stopped! we got the spirit, we're h

you get it? >> i used to work in icu as an rn, needle sticks. there is hope, medically, speaking. he fact that your husband supports you. you have to have a strong support system. we're hard wired to be social and have support systems. people desperately -- >> larry: when you have it, what are the things that happen to you? >> it's blood borne. you can't get it from kissing somebody. it has to be blood transfused. >> larry: what happens when you have it? >> you feel like you have the world's worst flu. urge everybody to get an antidepressant. you have to -- it's like someone said i use all the brains that i have and borrow from everybody. everything you can think of to do. simple things like lowering your stress which sounds easily said but there's so many things you can do. i had a book called my breakthrough guide. in there, i talk about my studies into neuroscience about the healing part. >> larry: you don't have it anymore. >> no. >> larry: what was she like to live with when shead it. >> i call it survivor's guilt because she had to quit the road. i watched her disintegrate. i

. >> every day, you have to work hard. if not, somebody will do it for you. >> wanted, dead or alive, jon bon jovi. here for the hour. the lead singer of the group, bon jovi. their newest greatest hit album debuted in the top five and over 20 countries including the united states. now, you are again on people's list of the top ten sexiest men. >> right next to you. >> larry: good luck. what do you make of that? >> it's flattering but there is a senior section in the back. that's what i call that. >> larry: how many years have you made this list? >> a number i don't know how many. i have been picked by them. >> larry: you were never the most sexiest? >> no. i'm going to start lobbying. >> larry: what was the reaction like this when it happened? >> i sent it to my wife and my kids on the e-mail. no response. yeah, great, whatever. so it's really, it's cute but it doesn't mean anything. my mother didn't respond to the e-mail. >> larry: how about the band group? >> they are fine with it. they expect their lead singer to go out

working actress. you're involved in the things you do for the u.n. you have a working husband. o of you are on parade all the time. and you're a mother. and you have six kids, right? how do you balance all of that? >> we have -- i'm very, very lucky where i have a career where it seems like i'm very busy but i work for a few months and then i have months off. so my schedule is not as demanding as many, many mothers across the world who some have two, three jobs and no help. so i'm, you know, mine is not as difficult. brad is an extremely, extremely hands-on, wonderful father. we take turns working. so when i was shooting "the tourist," for example, he was home with the kids and helping them with school and bringing them to visit sets and -- so we try to never -- we never work at the same time. we never separate the family. and that's the best we can do to try to keep it all balanced. >> larry: i remember the book and the film "eight is enough," is six enough? >> i don't know. no plans at the moment. but we're always open. >> larry: some more moments in a moment with the great an

people that you work with at other jobs. military or something. kind of weird. it's a small word, you be. like i said, what do people do when they come to san francisco? they ride a cable car. >> california line starts in the financial district. people are coming down knobbhill. the cable car picks people up. takes them to work. >> there still is no other device to conquer these hills better than a cable car. nobody wanted to live up here because you had to climb up here. with the invention of the cable car, these hills became accessible. he watched horses be dragged to death. cable cars were invent in san francisco to solve the problem with it's unique, vertically challenged terrain. we are still using cars a century old >> the old cable car is the most unique thing, it's still going. it was a good design by then and is still now. if we don't do something now. it's going to be worse later. >> the cable cars are built the same as they were in the late 1800's. we use a modern machinery. we haven't changed a thing. it's just how we get there. >> it's a time consumi

you practice it most of your life and then you work for it. you expected it. you don't get a big joy out of it. you expect it to happen. if it doesn't happen, then you have a disappointment moment. >> larry: ever feel sorry for an opponent? >> i don't think so, no. it was either me or him at that time. >> ali told me once, hey, all of these poems, that guy is trying to hurt me. >> yeah, but we can't look at it like that. this is a job. no one put a gun to our head. it's a job. it's more of an art. if you're doing your art correctly, you're not going to get hurt. >> larry: more with mike after this. >>> we're back with mike tyson. do you still train? do you keep in shape? >> yeah. yeah. i do basically two hours a day. the treadmill or the bike. hour on the treadmill, hour on the bike, may walk two hours. and that's all i do. light weights. >> do you go to fights? >> sometimes. >> do you like watching boxing? >> sometimes. sometimes. >> larry: you're not a big fan? >> i like being entertained. if it's mma, if it's boxing, i just want to be entertained. i want so