well, as in every company there were filthy ears, filthy tongues, which brought yulia kim to the rightuld he say he was not allowed to travel abroad, that is, his work should not have flickered, and therefore the talented songs of the talented text writer were hidden under a pseudonym and mikhailov then appears ataman sophia for this role , ekaterina vasilyeva was invited when she read the script. she asked him what is she? with greetings, the past said, yes, and such she played this smile of hers with the corners of her lips lowered. this is all tired of everything, as she says there, when she is already leading her gang into battle. in growth step with a playing gramophone right on death on bayonets. it seems to me that she is this one, well, like facial expressions, or what? she then carried this mask of some kind of acting through all the roles, and even i noticed it. this is in the picture the visit of a lady, which was staged by my friend misha kazakov. you see, such acting work beyond the scrofula from the taganka theater lyubimov was very reluctant to let his artists go on the

every company there were filthy ears , filthy tongues, which conveyed where it was necessary, and yulia kim the talented text of the century were hidden under a pseudonym, and mikhail then has ataman sophia for this role , ekaterina vasilyeva was invited when she read the script. she asked, what is she? with greetings , the past said, yes, and this she played this one her smile with the corners of her lips lowered. this is all tired of everything, as she says there, when she is already leading her gang into battle. in growth step with a playing gramophone straight to death on bayonets. it seems to me that she is this one, well, like facial expressions, or what? she then carried this mask of some kind of acting through all the roles, and even i noticed. this is in the picture the visit of a lady , which was staged by my friend misha kazakov . you see, such acting work beyond the scrofula from the taganka theater lyubimov was very reluctant to let his artists go on the set. he always set conditions for a good script and a good director. and just during this period he was very dissatisfied wit