yuri yakovenko, yuri works in the etching technique, which is very beautiful, but apparently extremely laborious. here you see, here we say, here. it's zinc plated acid resistant varnish. then it is smoked so that it becomes black and you sit. here you prepare the matrix with dots with dashes. here's a sketch, let's say, well, the print will be a mirror image. this is despite the fact that the plots are as harmonious as possible, often surreal. true, there are orders from more specific images, but even there yurision. and how much time do you spend? here is something to do in one job, well, in such a format, uh, 35 by 25 for about a month and a half. that is, if here from the sketches of the making of madame, with his there are already some test prints, there are final prints here, it takes about a month and a half for his works, the master received hundreds of awards around the world, and one of his works, an illustrated song about mikla vysotsky's bison, was presented as a gift to perim and queen elizabeth ii of great britain . all beauty of these works is precisely the imagination of the author's skill, because the production technology has not changed in any way since its inception. away okey the middle ages, in principle, any metal can be engraved, as long as it is not fragile, listen, and the essence is obtained. here we have this is a cliché. now, with special spatulas, the paint is clogged there, and the excess paint is removed with rags, and it remains only in the recess. dye. here in