the main roles of the counterintelligence officer felix was played by ukrainy. writer and poet yuriy izdryke who watched this film, including film critics, write favorable reviews on social networks, a special screening of the film is taking place in kyiv and eight regional centers. in total, the tape will be shown in 44 cities of ukraine. and then iryna tsylyk, the film director of the film me and felix, joins our broadcast. ms. iryna, welcome to our broadcast, thank you for joining and i congratulate you on the all-ukrainian. tell us what your emotions are in connection with this, what are the reviews you hear, we have already mentioned that many positive reviews, in fact, maybe some impressions from viewers that you have already heard in person or ... read on social networks are so important and significant for you? good morning, well, i'm afraid that my review will be too emotional, because i'm just overwhelmed right now, i just returned from kharkiv, because we really started from kyiv, we had a pre-premiere screening, and then we managed to travel four cities, mykolaiv , zaporizhzhia,

writer yuriy izdryk played one of the main roles in it.meet the audience, the film team also came to ivano-frankivsk. more in materials of our carpathian colleagues. iryna tsylyk's film is an adaptation of the novel by her husband, writer artem chekh: "who are you ?" in 2021, it became the bbc book of the year. according to the director of the film, this is a film for the ukrainian audience. it tells the story of a young man growing up in the 90s. it is very valuable to see how the audience reacts, because i believe that this particular film was primarily made for ukrainian viewers, and when the film was finally released and a whole wave of reviews that were very important to me, very poignant, you know, finally managed to exhale and think, even if something did not work out as planned, the film is alive, the film breathes, the film makes people happy. and at the same time makes you think about some things. the role of former afghan felix was played by the writer and poet yuriy izdryk. the boy timofey was embodied by three actors at differ

one of the main roles was played by the writer yuriy izdryk. to meet the audience, the film team came to ivano-frankivsk and more in the material of our carpathian colleagues. iryna tsylyk's film is an adaptation of the novel by her husband, writer artem chekh. you are like that in 2021, it became the bbc book of the year, according to the director of the film, this is a movie for the ukrainian audience, it tells the story of a young man growing up in the 90s. it is very valuable to see how the audience reacts, because i believe that this particular film was first of all filmed for ukrainian viewers, and when the film was finally released, a whole wave of such important people swept in. for me, the reviews are very poignant, you know, i finally managed to breathe out and think, even if something did not work out as planned, the film is alive, the film breathes, the film makes people happy and at the same time makes you think about some things. the role of the former afghan felix was played by the writer and poet yuriy izdryk, the boy timofey in

the role of former afghan felix was played by the writer and poet yuriy izdryk. the boy timofey was embodied in different periods of adulthood at once. actors, including the son of artem chekh and iryna tsylyk. i was related to my hero, except for the experience of alcoholism. maybe that's why i was such an organic half-role, because playing a drunken man sleeping on a fountain was very familiar to me. in ivano-frankivsk , hundreds of viewers have already watched the tape. film lovers from other cities of ukraine came to prykarpattia to meet the actors to enjoy the screen adaptation of the novel once again. i really enjoyed the film adaptation, knowing that the author was directly dealing with production of the film itself, was on the set, and there is no doubt that everything in the film turned out as it should, and it turned out to be very harmonious, very cool, i watched this film for the first time in 2022 at the sixth week of kyiv film critics, and this it was wonderful, it was my first acquaintance with ukrainian cinema in general, and then i fell in love with this film, with the direc

ukrainian film me and felix, directed by iryna tsylyk, is being released in cinemas, with the writer yuriy izdrykying one of the main roles in it. to meet the audience, the film team came to ivano-frankivsk, more in the material of our carpathian colleagues. iryna tsylyk's film is an adaptation of the novel by her husband, writer artem chekh: who are you? in 2021, it became the bbc book of the year. by according to the director of the film, this is cinema for the ukrainian audience. it tells the story of a young man growing up in the 90s. it is very valuable to see how the audience reacts, because this is the film i think i made in the first place. for ukrainian viewers, and when the film was finally released and a whole wave of reviews that were very important to me, very poignant, you know, i finally managed to take a breath and think, even if something didn't work out as planned, the film is alive , the film breathes, the film pleases people and forces them at the same time to think about some things, the role of the former afghan felix was played by writing. i was related to my hero except fo

yuriy kucheryavy, a poet and philosopher who is currently at the front. and every thursday it was an incredible luxury to come and listen to an interesting person. andriy izdrykl this thanks to dziza and kucheryavy. we actually have a considerable archive of the voices of poets whom we... today we can only remember, but i immediately have in my head, let's say, igor remaruk or nazar gonchar, and i saw how this recording was made like this, here and now, at the same time, i understood that after the event i had the right to ask questions, let me there is no professional education or a certain aplomb that should allow me to speak, let's say at the moment, like the moderators at the microphone, but still my opinion is worth expressing. and it was terribly inspiring, as i understand it, today, and later formed some kind of conceptual framework of how i imagined potential new projects about literature, and it was actually in the 2000s it was still starting, so in the 2000s, when it was not yet podcast, when we didn't know the word podcast yet, the americans knew, but we didn't know, i remember, i remember how i had a conversation with taras porokhatsky, and i aske

it was done by yurii kucheryavy, a poet and philosopher who is now at the front, and every thursday was incredible the luxury of coming and listening to an interesting person, andriy izdryk all. all thanks to dziza and kucheryav, we actually have a considerable archive of the voices of poets whom today we can only remember, but i immediately have in my head, let's say igor remaruk or nazar gonchar. and i i saw how this recording was being made right here and now. at the same time, i understood that after the event i had the right to ask questions. let me not have a specialized education or a specific one. a seal that should have allowed me to speak, say, at the moment when the moderators took the microphone, but still my opinion was worth sounding out, and it was terribly inspiring, as i understand it, today and later formed some kind of ideological framework of what how i imagined potential new projects about literature, and it was actually in the 2000s still beginning, so in the 2000s, when it wasn't a podcast yet, when we didn't know this word under... the americans knew, but we didn't have a clue, that's how i remember, i remember how i had a conversation with taras

, yuriy kucheryav was engaged in this. both a poet and a philosopher, who is now at the front, and every thursday it was an incredible luxury to come and listen to an interesting person, andriy izdryk recorded it all, and thanks to dziza and kucheryavyo, we actually have a considerable archive of the voices of poets, whom we can only remember today, that's right in my head, let's say ihor remaruk or nazar gonchar, and i saw how this recording was made like this. here and now, at the same time, i understood that after the event i had the right to ask a question, even if i did not have a specialized education or a certain aplomb that should allow me to speak, say, at the moment when the moderators took the microphone, but still my the thought is worth voicing, and it was terribly inspiring, as i understand it, today, and later formed such an ideological framework of how i imagined the potential. projects about literature, and that was it actually it started in the 2000s, yes in the 2000s, when it wasn't a podcast, when we didn't know the word podcast, americans knew, but we didn't even know, i remember, i remember having a conversation with taras porokhatsky, and i asked him what kin