open the cover and there is a nice, pretty drawing of a sailboat, or rather sails, written by yuriy yanovskywritten by yuryka yanovsky, this one the notebook was given to me by vasyl hryhoriyovych kerchevsky in odessa in the 27th year, and he wrote it with his own hand, yes, and here is this cover to the master of the ship, this is krychevsky, so it is also krychevsky, he even made two covers, because... the first and the second edition came out where the sailboats, in which a human face is guessed, and then the third edition he made a different cover, there are only fonts, and there is the color red and blue, and he arranged the letters like this, the master of the ship is interested, also the original avant-garde cover, i read bazhan's memoirs, and he and bazhan write that there was indeed a great sympathy between krychevsky and yanovsky, and that they were not inclined to yanovsky and dovzhenko. to trust no one, but krychevsky was trusted, because krychevsky made many films at the odesa film factory at the time, and they without and they trusted krychevsky very much, i want to ask you now

a book was published by the master of the ship yuriy yanovsky. congratulations irina.ing, moryslava good evening. i will start by saying that this novel, master of the ship, i decided to talk about it, because it is a novel about a whole era, about a whole, about a whole life of ukrainian bohemia. in odesa, yes, at the film factory, uh, what, uh, suddenly, this is a very difficult text, as for me, yes, i think that this is a difficult text, but this text is terribly popular among, the sumerians and millennials, at least among such aesthetic part, these young people in fact, what is the reason for this, that suddenly the master of the ship, in your opinion, is being discussed so much now, well there's literally no literary podcast where... young people don't discuss the master of the ship, why? i am extremely pleased , first of all, that they talk about the master of the ship, usually, but not only vivat recently published the master of the ship, and in all prefaces and in most conversations about this, about this novel, about this book, they mention that it is about th

want to quote such a small passage, literally, how maksym rylskyi defends yuriy yanovskyi . already after the death of yury yanovskyis an article called truth is always truth, in memory of yury yanovsky, writes maksym rylskyi, this is the 62nd year, imagine, it has already thawed, so it is no longer a regime of repression or a regime when simply destroy, come and people are taken away, but look how carefully and with what fear maksym tadeyovych writes, defending, defending yanovsky. so, he says that yanovsky is a very national character, and i stand by this, but with a national character, - writes rylsky. the concepts of national separateness, separateness, exclusivity or exceptionality should not be confused by any means. the friendship of nations was one of the most precious tablets. yanovsky's worldview, you just imagine, this is me, so that people understand what was the context we are talking about, er, so he is talking, by the way, about the peak of creativity. of yanovsky that these are riders, in his article about this novel, louis aragon mentioned stendhal, and this is not at all a reproach to yanovsky, bu