simple one, at that moment she was seen in the mid-sixties at some concert by director alexander zarkhis from this generation, not the first generation of soviet directors, but the second, and he looked at her, and he was thinking about making a film adaptation of her, and as he later wrote in his memoirs, he said: tanya, he just came up to her, scanning, read anna karenina, he said, and i read it, and he said, read it again, then she told him that she even somehow offended her, it ’s so easy, so he approached , said something, left, somehow she was offended that maybe he wasn’t serious about approaching, so kostenka didn’t spends with the stars, for an interview with a star, we need to prepare, and yet this happened, this project worked out, she played a character, we’ll probably see, again, how it turned out on the screen, and then we’ll tell you what’s behind it it was like, what kind of work was behind it, and he will come, it will hurt him , you see her, he is kind, he himself doesn’t... know how kind he is, and why isn’t he coming? what board? take these noises away from me, i ask