exhibition project of the belarusian painter, set designer andrei mirenkov and sculptor alexander zavadsky, instead. troid suburb, living room of vladislav golubok. alina neboina is with you, and this is a fashion for culture. there are places in minsk that are a must- see. one of these is troitsky suburb. it was here, among the picturesque streets, almost on the banks of the svislych river , that vladislav golubok’s living room was located. permanent exhibition of structural divisions of the museum of history, theater and musical culture. documents and historical evidence about the life of the creative activity of the first people's artist of the bssr, playwright, poet, artist, founder of the first traveling theater vladislav golubok are presented. the living room also hosts creative gatherings and musical events. there is an exhibition hall where temporary thematic exhibitions are held. this is an opportunity to present your work to both eminent and emerging artists. belarusian artist andrey mirenkov presented 11 works from the silver series, which depict prototypes of characters from th

belarusian sculptor alexander zavadsky, graduated from the babruisk art school, worked at the belarus as a prop artist at the belarusian puppet theater, in whose hands an ordinary log or a piece of foam rubber became a living doll. since 1990, he has been actively participating in republican exhibitions and foreign projects. the master’s works are in private collections in the republic of belarus outside its borders. now he is also breathing life into his wooden sculptures, just like the silver pieces are interconnected. set designer andrey mirenkov. tell us how your meeting happened and how it ultimately resulted in a joint creative project. this happened more than 10 years ago, we decided to make ours together art group. there. that we started living, dividing into couples, as a result, andrey and i were left alone and over the past 3-4 years, we have been doing exhibitions together, continuing this activity, silver and wooden sculpture, how interconnected they are, this is our homeland, kind of, this is gray hair, the gray hair of our time, we had exhibitions there of the solar dis

one day zavadsky asked viktor mikhailovich segalov, who was from odessa, adored the theater, adored actorss, he was all this, that’s when, zavadsky, then i found out, viktor mikhailovich asked.” the book publisher came up with all this, and i only heard two witticisms from her, for all the time, and i played with her in two performances, and was there any fear of them, she stiffened, when i know, i began to rehearse with her, so to speak, by the way, she was talking about me, she’s so ugly, but how did you overcome that, then you communicated well. then when at me they pulled me into a corset, dressed me up, it was a performance by dyadyuzhkin, they pulled me in, well, i was so skinny , then they pulled me in, put on a fantastic white and pink dress, there was a marvelous elena, he said: “now, now, now, we ’ll stick on a tutu, now, now, so , we’ll make the eyes, now we’ll tighten up the nose, and i, i went on stage suddenly, whom i think i was afraid of, suddenly, as i began, prince, prince, forgive me, faina georgievna, actress, despite her genius, she says, irina , this is a melodrome, a

amazing, loved etelkovinskaya very much, he says, this, this, this, this, he was all this, that’s when zavadskyeneral, simple. and he said, then, i found out very late, this simple girl, viktor mikhailovich, will play the duchess, queens and empresses, was, as you looked into the water, it’s hard to believe, but the star of the films circus and the merry guys, lyubov orlova, showed you a physical education exercise, yes, really, she showed you, she lay on her back, her legs were there. she did her legs bent like that, yes, and then, when she showed everything, for some reason i came to her, but someone agreed that she was in shape, and i, um, although i graduated from gitis, i also studied ballet there all the movements, and then, when she finished, well, you dramatic actors don’t have to do this, we musical artists have to, and you don’t, i think, don’t give a damn, we same. faina georgievna was talking to me, i acted with her in two performances, my mentor was vera petrovna marevskaya , she chose me, birman serafima germanovna did not like me. ranevskaya, you said a lot of jokes, she didn’t s