i zeffirelli's 1968 film romeo and juliet-— zeffirelli's 1968 film romeo and juliet.. _ and juliet. i have more care to stay than will to go. the i stay than will to go. the teenage _ stay than will to go. the teenage lovers, - stay than will to go. the teenage lovers, 15 i stay than will to go. the teenage lovers, 15 and l stay than will to go. the | teenage lovers, 15 and 16 respectively at the time of filming, pursuing paramount pictures. they allege they were coerced into doing the scene mood after they had originally agreed to wear flesh coloured bodysuits. they claim that zeffirelli told them the film would fail if they did not perform the scene mood. paramount has not commented on the case. —— nude/. has the industry changed beyond all recognition over the last few years? recognition over the last few ears? �* , ., recognition over the last few ears? , , years? it's a completely different _ years? it's a completely different industry i years? it's a completely different industry now. | years? it's a completely different industry now. i think, you know, that it

they claim that zeffirelli told them the film would fail if they didn't perform the scene nude.tion over the last few years? it's a completely different industry now, i think, you know, than it was in the �*60s or �*80s or even the �*90s or early 2000s. there's a lot of behaviour that was allowed to happen and people would just looking the other way. it was considered normal. intimacy co—ordination is the by—product of the #metoo movement, of #timesup, of all of those movements that really came to a head in 2017 and i think — i think without those movements, we wouldn't be where we are today because i think it really put a spotlight on the abuse and the problems that were happening in the industry. so, how does that work on a day—to—day basis on set? we have a lot of prep work that has to happen so that we make sure that everyone is on the same page, everyone has agreed and consented to what's going to be happening, what's going to be shown. from there, we're present on set during the set itself — we're part of what is called a closed set. so, during a a closed set, we make sure

just how sensitive a topic sex scenes are is illustrated by frankie zeffirelli's 1968 film romeo andwere 15 and 16, respectively, at the time of filming, in the old days it was like ok, get on with it. and i think that what we've learned about the business, it's really great that is there. similarly, when people do feel safe, and they believe their voice is heard, then you perhaps don't need an intimacy co—ordinator. so it's like great to have it all in place everyone is protected. few actors would say intimate scenes are comfortable to shoot, but hollywood is making progress in making sure they feel safer. well, that brings our special edition of talking movies to a close, in which we've been looking at the changing face of hollywood. emma, it's really interesting in a way looking at the recording i've done and you've done in terms of the screen representation, you do get that there is positive progress being made. look at the oscars and all of the asian film talent doing well, but there is still a long way to go in the industry, isn't there? there is, but it's been seismic over the