about this, about healing spiritual music, let's... our guest is people's artist of russia zhanna bichevskayacast 20 years later, hosted by konstantin mikhailov and alexander anatolyevich. if you have failed, if you are unable to dispel the melancholy, in the soft autumn, in the autumn. hai, come quickly to my spring, in the soft autumn, in the quiet autumn, come quickly to my spring, behind the spring, the white temple, the cemetery. old russia, this forgotten land, left us if the eyes clouded with moisture, the spring splashed into your eyes. you can cry, cry calmly, who will figure out where the water is, where the tear is, you can cry, cry calmly, someone will figure out where the water is, where the tear is, for the relatives. flew by the horizon, their cry melted, and if you are sick, bedridden, then may you dream of a healing spring, and if you are sick, bedridden, may you dream of a healing spring, behind the spring, a white temple, a cemetery, an old, i left this forgotten land. hello, you are watching the triggers podcast on first channel, with you its leading psychologist tatyana k

this song came to life from me, zhanna bichevskaya, if anyone doesn’t know, she traveled a lot not onlyhave money for tickets, i was a student at a similar school, and i see a train with sand, with pebbles, somewhere under i climb with a guitar, i didn’t know where i was going. some point stopped, in general, in short, i traveled a lot, i even went as far as the urals, you know, everything was different, but everything was very interesting, and you know, i have to tell you, i thank you, lord, for me in my life after my father, in general it’s like that the monster, he sent me very good people, it consoled me so much, encouraged me in life and gave me meaning in my life, and i realized that there are more good people in life than bad, this is natural. and then i realized one more thing, this is purely philosophical, in life, i realized that what kind of person are you with a person, he is like that with you, but the thing is that sometimes you stumble upon, you stumble upon such blackness that it’s even scary to enter it, you want to run away from this person, well, probably the young br

are spiritual. spring, spring, yeah, let's listen, our guest is people's artist of russia, zhanna bichevskayannady ponomarev. thanks, this was a podcast 20 years later. its host is konstantin mikhailov, i am alexander anatolyevich, if you have suffered a setback, if you are unable to dispel it. longing, soft autumn, quiet autumn, come out quickly to my spring, soft autumn, quiet autumn, come out quickly to my spring, behind the spring. good, from a spring, splash it on your eyes, you can cry, cry calmly, who will figure out where the water is, where the tear is, you can cry, cry calmly, who will figure it out. i left it, you see, over there, the cranes flew by, near the horizon, i arranged them, and if you are sick, bedridden, then let you dream of a healing spring. and if you are sick and bedridden, may you dream of healing relatives. behind the spring there is a white temple, a cemetery, an old one, this forgotten land, rus left us. hello, this is a substance deception program, today we will talk about meat, my name is olesya nosova, i am the editor-in-chief of komsomolskaya truth and the f

the romana, spring, spring, yeah, let's listen, our guest is the people's artist of russia, zhanna bichevskaya and zhanna's husband gennady. ponomarev, thank you, this was a podcast 20 years later, its host is konstantin mikhailov, i’m alexander anatolyevich, if you fail. if you are unable to dispel the melancholy, autumn is soft, autumn is quiet. come out quickly to my spring, in the soft autumn, in the quiet autumn, come out quickly to my spring, behind the spring there is a white temple, a cemetery. old, this is a forgotten land, russia left us, if your eyes are clouded with moisture, splash from the spring on your eyes. you can cry, cry calmly, who will figure out where the water is, where the tear is, you can cry, cry calmly, someone will figure out where the water is, where the tear is for the relatives. near the horizon, placed them in gris, and if you if you are sick, bedridden, then may you dream of a healthy spring, and if you are sick, bedridden, may you... healing radik, behind the spring, white temple, cemetery, old, forgotten, land, rusna. put. hello, dear friends, today everythi

today we have a wonderful guest, whom we are so pleased to introduce, zhanna bichevskaya, legendary,d gennady panomariov, husband, composer, author, nadezhda and opora, in general, your everything. the sound engineer is my everything, and by the way, zhanna bichevskaya performs bulat okudzhava’s songs, a whole album has been released of her performances, his songs, and bulat kudzhavi turns 100 years old this year, it seems to me that you were the most traveled artist, that is, until 30 i traveled to more countries, i was very popular, i received a prize in polish in 1980 - festivals, knowledge, the poles very rarely give this title to theirs, when i was in the polish-lithuanian commonwealth, yeah, poland, russia and belarus were united, my ancestors father's line they defended poland from the swedes, and for this they received, that means, noble titles, and then they came here, and my grandfather konstantin bichevsky, he served in the tsarist army, he served as cavalrymen, the life guards of the tsar's regiment. was, you and your father, i know, had a difficult relationship, your mot

and that’s all for now, until we meet, we continue the conversation about music and life with zhanna bichevskaya, in the studio as before, konstantin aleksandrovich mikhailov and alexander anatolyevich belonogov, i can say, maybe for the first time, but tell us how you met bulat makujava? oh, this, this, this is a separate song, it was in the house of writers, and before that i sang a song. was so, uh, some songs from the bards also let me down -

we continue the conversation about music and life with zhanna bichevskaya and gennady ponomarev.onogov are still in the studio. can i tell? first time. tell us how you met bulat makudzhava? oh, this, this, this is a separate song. it was in the house of writers, and before that i sang bulat takujava’s song. some songs are also from bards, and they brought me to bulat and put me in front of him, i say, hello, it’s me, i’m singing your songs, he says, i’m saying, i’m zhana bichevskaya, i’m singing your songs. with a guitar, he he says, yes, but it’s interesting to listen, and next to him stood his wife olga, a wonderful person, generally a beauty, i say, here i am, i can call you, he says, yes, of course, olya gave me okudzhava’s phone number, then time passed, i told him i called, we became friends, then we met many times, he gave me his collection of poems, once upon a time, his prose, a breath of freedom, in general, this was a special page in my life, it was such a shame that he rarely praised anyone, it was so... khujava, but jean zhanni on her record with his songs, he wrote

russian folk style, you know, when i listened to it, i remembered that as a child i listened to zhanna bichevskaya’ss are just that, right now you sang something so multi-voiced in one voice , you sang that too, she could probably do that too, of course, it was a stylization of an old cossack song, yes, yes, let's listen to the food. far away to be performed in a podcast 20 years later, i’m traveling far, easily, easily, i should take someone, i should take someone with me, but there’s no one, there’s no one. he travels far, easily, easily, if only he could take me, so you would take me with you, but i’m neither him, i’m neither him, what kind of song is this across the river, who is singing it with me, where somewhere across the river, somewhere across the river. lana selle acorde. we continue the conversation, this is a podcast 20 years later, we are its host alexander anatolvich, konstantin mikhailov, our guest, let's talk about eurovision, what do you remember, but you somehow missed it, and it was a big preparatory moment and a big performance, the tenth year, and there was also something so sa