soloists from armenia, kazakhstan, russia, in the square of the homogeneous orchestra named after zhinovichcert is called a full-length crossover to projects of all voices similar to the pound of memory of the arnobajanyans. this is their breeding from 2019, supratsu humiliate off with the folk orchestra from them to share. collaboration between gins and porters did not fall apart, and our musical fund was replenished. uh, because the songs that are, uh, on everyone's lips are such as the beauty queen the best city on earth is a heart in the snow. here. eh, many works are undeservedly forgotten. these are songs such as the letter will be with me golden hits for the orchestra pen aran on the skin i'm sitting here my father's works all my life i heard performed by a strange symphony orchestra. another orchestra is playing here, but i like it so much. everything is convincing. sounds like the audience is just sitting. and so, when the camera is outside, they all sing. they know these songs. this book exhibition is a kermash. it should have opened with an orphan, the thirtieth jubilee kilometer

philharmonic at the saturday prime-time music cinema of the national and folk orchestra named after zhinovichla laid out the footage from the titanic and sherlock holmes like this for three days. sympathize with the sons of us at the heading of the promenade leather friday and choose your cultural route belttelli radio projects are available, taksimo on the site tvr box, bilay evening receptions.

today my guest is the soloist of the zhinovich national academic folk orchestra andrey kolosov andrey good morning. and i know that you were born in a musical family. your mother is a professional singer elena kolosova, it was she who became your first vocal teacher. she was a strict teacher. yes, she still remains strict you are such a circle. i always send her some materials. how would you see how you think it's good or bad or help me understand the tone, will does it sound like a song or not? she also says so a second i'm to the instrument. so, well, here it will be difficult for you to be attentive here and always remains my main mentor. and how did you treat these occupations absolutely superficially. i probably least of all thought that i would be connected with music and it’s always just a matter of having nothing to do, but she brought me up and took me with her to take the child somewhere and talk. well, suddenly it will come in handy, i always say from childhood. come on, come on, there 's programming there, cooking everything that anything but music. well, despite the music

today my guest is the soloist of the zhinovich national academic folk orchestra andrey kolosov andreymorning. and i know that you was born into a musical family. your mother is a professional singer elena kolosova, it was she who became your first vocal teacher. she was a strict teacher. yes, she still remains a strict tatar. i always send her some materials. how would you look, what do you think is good or bad or not? help me understand the tone, will this song play or not? she also says so for a second. i go to the instrument. so, this is where it gets difficult for you. here he will be attentive and always remains my main mentor. how did you feel about these doing absolutely? surface i was probably the last thing i thought that i would be associated with music and always this thing is just from having nothing to do. well, she brought me up , took me with her to take the child somewhere and talk. well, you might need it. i always speak from childhood. well, stop it, well, there is programming there, cooking, anything. just not music. well, despite the music lessons initially become

uh, they played in the orchestra of joseph zhinovich.for many years at the glinka music college today. it's musical college. uh, well, that is, this philistine idea that you have lived all your life in the shadow of boris lutsenko is not true. i think that this is not true and probably we lived and were together for so long, because each of us was talented in his field, and we were madly in love with our work. we are the first place of work of the philharmonic orchestra of the zhenovich party. the first button accordion i was brilliant, i just endured, i worked for only one year. and for this year the orchestra - it was so virtuoso such performers. this is also like a theater, yanka kupala we are in 1 year was in tbilisi baku kutaisi kiev uzhgorod chernivtsi lvov then orienburg. moscow is already there in siberia and everywhere the philharmonic in yerevan is a huge philharmonic a wild success and you know all this, these are still personalities here with his wife, the orchestra now bears his name, a was expelled from the conservatory due

today my guest is the soloist of the national academic folk orchestra named after zhinovich andrey golosmusical family. your mother is a professional singer elena kolosova, it was she who became your first vocal teacher. she was a strict teacher. yes, she still remains a strict teacher. i always send her some materials. how would you see how you think it's good or bad or help me understand the tone, will it sound like a song or not? but then he says, so a second, i'm to the instrument so well, here it will be difficult for you to be attentive here and always remains my main mentor. how did you feel about these activities are completely superficial. i probably was least of all thinking that i would be associated with music and always have been. just nothing to do. well, she brought me up , took me with her to take the child somewhere and talk. well, suddenly it will come in handy, i always say from childhood. well, stop it, well, there is programming there, cooking, anything. just not music. well, despite the music lessons initially become a singer, tenni, going and decided to become a co