, about the shklov ballet, this it was the end of the 18th century, in shklov there was a certain zorichter in his own place, i really wanted to make a movie about this theater, but this... is very much a film, because it is staged, historical, and the story is on the screen, it always looks very advantageous, and even more so such a story, because... well, i had a number of other ideas, i now have a topic that interests me, i just made a film about doctors, now i would like to make, why i especially willingly came to you, well, to look at you, because that i really want to make a movie about school, about what is happening to you in this school now, at this time, i think it could work out, that is, i want it to work out. very interesting, but we turn 180° and the black sector, the question comes from there. hello, my name is alexander. teska. why do many directors yell on set? well, it's inevitable. that is, i don’t try not to yell. i'm being honest, sasha. limit yourself in this. but sometimes there is just an emotional breakdown. when this is what i was saying, when a lot of things do