the charms of zoya larchenko, had their effect and the second carriage fell out to the orchestra of discordarriage had already become domestic, and the second had already become musical, as it were, instruments were stored there, notes were being rehearsed, concerts were held, mainly at recruiting centers where brigades were formed regimental divisions to be sent to the front. and now they were released, the minsk state jazz orchestra, the bssr almost immediately arrived here, somehow equipped the stage of the undestroyed, not blown up opera theater, the orchestra gave a concert there prepares a new program, he writes a musical canvas with which the second section opens , sounds from a very popular film under the roofs before the war. paris was such a french film we had with this waltz and this waltz rolls the theme from shostakovich's symphony theme, there pim param-pam. and this theme severely replaces the parisian sound of the waltzstrauss of the tales of the vienna woods, and this theme from the seventh symphony of shostakovich, the theme of the invasion, again flows there and it crushe

zoya larchenko, had their effect and the second car fell out to rosner's orchestra, so one car has alreadyomestic, and the second has become musical, as it were, they were stored there, instruments, notes and rehearsals were held, concerts were held, mainly at recruiting centers, where brigades of the regiment's division were formed to be sent to the front. and now they were released, the minsk state jazz orchestra, the bssr almost immediately arrived here, somehow equipped the stage of the undestroyed, not blown up opera theater, the orchestra gave a concert there, preparing a new program, he writes a musical canvas with which he opens, the second part sounds of a film popular before the war under the roofs . and the theme rolls on this waltz and shostakovich's symphony theme there, perm param-pam. and this theme firmly displaces the parisian waltz, the waltzstrauss of the tale of the vienna woods sounds, and this theme from the seventh symphony of shostakovich, the theme of the invasion, again flows there and it crushes, the viennese wallis, the germans occupied austria, occupied vienna

zoya larchenko, had their effect and the second carriage fell out to the orchestra of discord, so oneecame domestic, and the second became musical, as it were, there were stored instruments, notes and rehearsals were going on, concerts were held, mainly at the recruiting centers where the division's brigades were formed shelves to send to the front. and now they were released, the minsk state jazz orchestra, the bssr almost immediately arrived here, somehow equipped the stage of the undestroyed or blown up opera house, the orchestra gave a byzan concert there prepares a new program, he writes a musical canvas with which the second section opens , sounds from a very popular film under the roofs before the war. paris was such a french film we had and this waltz rolls theme and shostakovich's symphony theme, there pim param-pam. and this theme is harshly crowding out, the parisian waltz sounds waltzstrauss tales of the vienna woods, and this theme from the seventh symphony of shostakovich, the theme of the invasion, again floats there and it crushes the viennese walis, the germans occupi